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The Calling Poster

The Calling

They Kill to Serve Satan's Child.
2000 | 89m | English

(2170 votes)

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Popularity: 4 (history)

Details

On her wedding night, a young woman conceives a child during an hallucinatory encounter. Several years later, as her friends and family begin to behave strangely, she pieces together clues that lead to one conclusion...her son is the Antichrist
Release Date: Dec 21, 2000
Director: Richard Caesar
Writer: John Rice, Rudy Gaines
Genres: Horror, Thriller
Keywords
Production Companies Constantin Film, Fanes Film, IMF
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Backdrops

International Posters

Full Credits

Name Character
Laura Harris Kristie St. Clair
Richard Lintern Marc St. Clair
Francis Magee Carmac
Alex Roe Dylan St. Clair
Alice Krige Elizabeth Plummer
John Standing Jack Plummer
Peter Waddington Priester Mullin
Nick Brimble Police Inspector Oliver Morton
Rachel Shelley Shelly
Camilla Power Lynette
Deborah Baxter Receptionist
Jack McKenzie Norman
Christine Moore Little Girl’s Mother
Danielle Green Little Girl
Roger Brierley Reverend
Detlef Bothe Scouser
Antony Carrick Thomas Biden
Liam Hess Sammy Plummer
Laura Cox Red Haired Woman
Imogen Bain Bargirl
Louise Rolfe Girl in Bar
Steven Osborne Irishman
Lisa Martin Girl on Playground
Alisa Bosschaert Girl’s Mother
Julian Sims Doctor
Veronica Roberts Nurse
Cordelia Bugeja Young Nurse
John Key Midget
Heidi Monsen Stewardess
Name Job
Joachim Berc Director of Photography
Richard Caesar Director
John Rice Writer
Rudy Gaines Writer
Beth Charkham Casting
Billy Hopkins Casting
Suzanne Smith Crowley Casting
Kerry Barden Casting
Christopher Franke Original Music Composer
Pam Downe Costume Design
Andy Birmingham Line Producer
Michael Feick Editor
Bernd Lepel Production Design
Volker Schauz Production Executive
Michael Murray Production Supervisor
Ursula Schlieper Production Accountant
Marilyn MacDonald Makeup Artist, Hairstylist
Rudi Buckle Location Sound Mixer
Max Rammler-Rogall Sound Mixer
Friedrich M. Dosch Sound Designer
Philip Evenkamp Production Manager
Vicky Hutchings Production Coordinator
Karen Everett Assistant Production Coordinator
Carmel Cassidy Production Accountant
Jason Potter Assistant Accountant
Jeremy Kincaid Smith First Assistant Director
Kevin Westley First Assistant Director
Toby Hosking Second Assistant Director
Andrew McEwan Third Assistant Director
Diana Dill Script Supervisor
Andy Pavord Location Manager
Toby Eliot Unit Manager
Derek Harrington Location Manager
John Withers Unit Manager
Johnny Bamford Location Scout
Roger Elliott Location Scout
Philip Morris Location Scout
Janis Powley Casting Assistant
Robert Patzelt Focus Puller
Rawdon Hayne Focus Puller
Andrea Theis Clapper Loader
Nick Ray Key Grip
Simon Wheeler Video Assist Operator
Keith Sewell Steadicam Operator, Camera Operator
John Gamble Focus Puller
Ken Coles Camera Operator
Adam Coles Focus Puller
Christian Joyce Boom Operator
Tim Blackham Sound Mixer
Marco Zwitter Gaffer
Steve Costello Best Boy Electric
John Turley Best Boy Electric
Peter Richardson Electrician, Generator Operator
Gary Nagle Electrician, Generator Operator
Dave Moore Electrician
Martyn Welland Electrician
Tony Hannington Electrician
Freddie Palombo Electrician
Paul Duffy Electrician
Mickey Cooper Electrician
Vic Chandler Electrician
Vince Carol Electrician
Brian Sullivan Electrician
John Attwood Electrician
Micky O'Connell Electrician
Glenn Marks Stunt Coordinator
Sy Holland Stunts
Tony van Silva Stunts
Kelly Dent Stunts
John Rafique Special Effects Supervisor
Doug McCarthy Special Effects Technician
Jody Taylor Special Effects Technician
Tim Scotti-Henson Assistant Costume Designer
Georgina Gunner Wardrobe Supervisor
Elisa Hunter Wardrobe Assistant
Lisa Shanley Daily Wardrobe
Marco Scotti Daily Wardrobe
Deborah Jarvis Makeup Artist
Faye De Bremaeker Makeup Artist
Sam Bear Makeup Artist
Sara Osborn Makeup Artist
Ian Morse Prosthetic Makeup Artist
Simon Bowles Art Direction
Sally Black Assistant Art Director
Sonja Klaus Set Decoration
John Greaves Storyboard Artist
John Mills Property Master
Micky Swift Standby Property Master
Terry Wood Standby Property Master
Gus Lupton Dressing Prop
Pat Begley Dressing Prop
Michael Mills Dressing Prop
Dave Garbe Construction Manager
Oliver Upton Still Photographer
Andrea Dvorak Post Production Coordinator
Katja Birklein Assistant Editor
Corinna Heinz Assistant Editor
Christoph von Schönburg Sound Editor
Magda Habernickel Dialogue Editor
Lisa Geffcken-Reinhard Foley Editor
Eva Claudius ADR Editor
Jacques Leroide ADR Supervisor
Cheryl Bickerton ADR Coordinator
Kevin Taylor ADR Mixer
Jörn Poetzl Foley Artist
Christa Garmeier Negative Cutter
Angela Reedwisch Visual Effects Producer
Jürgen Schopper Visual Effects Supervisor
Florian Martin Digital Compositor
Christian Zeh Digital Compositor
Klaus Wuchta Digital Compositor
Lutz Lemke Title Designer
Name Title
Bernd Eichinger Executive Producer
Robert Kulzer Executive Producer
John Rice Executive Producer
Rudy Gaines Executive Producer
Matthias Deyle Executive Producer
Yvo Junkers Executive Producer
Norbert Preuss Producer
Elizabeth Wang-Lee Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 9 16 5
2024 5 11 21 6
2024 6 13 21 8
2024 7 10 16 6
2024 8 8 17 4
2024 9 6 9 3
2024 10 6 10 3
2024 11 6 13 3
2024 12 6 11 3
2025 1 7 17 4
2025 2 5 7 2
2025 3 3 7 1
2025 4 2 4 1
2025 5 2 4 1
2025 6 1 2 1
2025 7 0 0 0
2025 8 1 2 0
2025 9 2 3 1
2025 10 2 4 1

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Reviews

Wuchak
5.0

**_Atmospheric but ambiguous tale of the birth of the antichrist_** A newlywed woman on the Isle of Man (Laura Harris) becomes increasingly suspicious when her son reveals coldhearted-ness while her friend and boss (Alice Krige) seems to be taking her place. Then there’s the mysterious taxi drive ... r (Francis Magee). What’s going on? "The Calling” (2000) is a well-made supernatural thriller with the same plot as the contemporaneous “Bless the Child,” but is way more low-key. It mixes the set-up of “Rosemary’s Baby” with the spooky tone and muddled storytelling of “Nomads,” along with bits of “The Seventh Sign” and “The Wicker Man.” Unfortunately, it’s the least of these because it’s the least compelling and the last act leaves too many questions, but I was able to figure things out after getting help online. I usually like challenging films that make you put the pieces of the puzzle together, but I just didn’t find this one absorbing enough, although the locations and mood are great. I’d put it on par with “To the Devil a Daughter.” Despite its cartoonish CGI, “Bless the Child” is the better film because it’s more thrilling and sensical. The movie runs 1 hour, 29 minutes, and was shot in Cornwall and London, England. GRADE: C

Nov 08, 2023