Batman Ninja
East meets west.
2018 | 85m | Japanese
Popularity: 2 (history)
| Director: | Jumpei Mizusaki |
|---|---|
| Writer: | Kazuki Nakashima |
| Staring: |
| Batman, along with many of his allies and adversaries, finds himself transported to feudal Japan by Gorilla Grodd's time displacement machine. | |
| Release Date: | Jun 15, 2018 |
|---|---|
| Director: | Jumpei Mizusaki |
| Writer: | Kazuki Nakashima |
| Genres: | Animation, Action, Science Fiction |
| Keywords | cartoon, based on comic, ninja, adult animation, anime |
| Production Companies | Warner Bros. Animation, Warner Bros. Japan, DC Entertainment, Kamikaze Douga, YAMATOWORKS |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Jan 21, 2026 Entered: Jan 21, 2026 |
| Name | Character |
|---|---|
| Koichi Yamadera | Batman / Bruce Wayne (voice) |
| Wataru Takagi | The Joker (voice) |
| Rie Kugimiya | Harley Quinn / Harleen Quinzel (voice) |
| Ai Kakuma | Catwoman / Selina Kyle (voice) |
| Hochu Otsuka | Alfred Pennyworth (voice) |
| Daisuke Ono | Nightwing / Dick Grayson (voice) |
| Akira Ishida | Red Hood / Jason Todd (voice) |
| Kengo Kawanishi | Red Robin / Tim Drake (voice) |
| Yuki Kaji | Robin / Damian Wayne (voice) |
| Junichi Suwabe | Deathstroke / Slade Wilson (voice) |
| Cho | The Penguin / Oswald Cobblepot (voice) |
| Takehito Koyasu | Gorilla Grodd (voice) |
| Toshiyuki Morikawa | Two-Face / Harvey Dent (voice) |
| Atsuko Tanaka | Poison Ivy / Pamela Isley (voice) |
| Kenta Miyake | Bane (voice) |
| Anna Mugiho | Monkichi (voice) |
| Juri Nagatsuma | Monmi (voice) |
| Name | Job |
|---|---|
| Takashi Okazaki | Background Designer, Character Designer, Mechanical Designer |
| Takanobu Mizuno | CGI Director |
| Masanobu Nomura | Background Designer, Art Direction |
| Bob Kane | Characters |
| Yasuhiro Itō | Animation |
| Takuya Komiyama | Assistant Sound Engineer |
| Takuji Miyamoto | Animation, Animation Director, Second Unit Director |
| Akira Gonpei | CG Artist, Mechanical Designer |
| Syouhei Nishitani | Animation |
| Shunsuke Yoshida | CG Artist |
| Kouya Takahashi | Compositing Artist |
| Takuji Yoshimoto | Animation |
| Daisuke Sajiki | Mechanical Designer |
| Shinya Ohira | Animation |
| Jumi Lee | Compositing Artist |
| Kazuya Yamanaka | Animation |
| Ichizo Kobayashi | Animation |
| Manop Jangsataen | Animation |
| Yuki Narita | Prop Designer |
| Akiko Fujiwara | Animation |
| Satomi Takizawa | Recording Supervision |
| Tatsuya Asakura | Animation |
| Kohei Fujiwara | Production Manager |
| Takuya Saito | Animation, Animation Director |
| Midori Kato | CG Artist |
| Kozi Hashiguchi | Background Designer, Prop Designer |
| Shinji Aramaki | Mechanical Designer |
| Shuhei Morita | Storyboard Artist, Second Unit Director |
| Hiroya Iijima | Key Animation |
| Tatsuya Sasaki | CG Artist |
| Bill Finger | Characters |
| Ayumu Miwa | Animation |
| Yoichi Kuzushima | Mixing Engineer |
| Chotanan Pipobworachai | Animation |
| Yuki Ishikawa | CG Artist |
| Takahito Okawa | Animation |
| Wang Yutong | Animation |
| Ayumu Ikeda | Animation |
| Ittatsu Shimizu | Production Manager, Line Producer |
| Yoshihiko Ishiguro | Compositing Artist |
| Hayata Inagaki | CG Artist |
| Toshihisa Yokoshima | Compositing Artist |
| Koichi Yoshino | CG Artist |
| Kazuya Saito | Animation |
| Junichi Yamamoto | Storyboard Artist, Animation, Second Unit Director |
| Satoshi Sakai | Animation |
| Morihito Abe | CG Animator |
| Dai Matsuzaki | Animation |
| Mai Aragaki | CG Animator |
| Mint Kanchanakom | Animation |
| Hiroki Takiguchi | Animation |
| Masuya Takahama | CG Artist |
| Yasumasa Koyama | Sound Effects |
| Jumpei Mizusaki | Compositing Artist, Director |
| Kouta Sugawa | Animation |
| Koji Nozaki | Recording Supervision |
| Suwarin Promjutikanon | Animation |
| Gouichi Sakamoto | Animation |
| Paul Dini | Characters |
| Hiroyuki Kawawa | Sound Re-Recording Assistant |
| Yoko Miki | Compositing Artist |
| Makoto Kanemoto | CG Artist |
| Kengo Saito | Animation |
| Tsubasa Goto | Prop Designer |
| Chie Saito | Animation |
| Yoshikazu Iwanami | Sound Director |
| Miwako Hida | Animation |
| Atsushi Ikariya | Animation |
| Hiroshi Mitsuhashi | Production Manager |
| Maki Yamakoshi | Animation |
| Shun Takeda | Animation |
| Eri Shinato | Compositing Artist |
| Masataka Nishikawa | Animation |
| Satoshi Sawada | CG Animator, CGI Director |
| Yugo Kanno | Original Music Composer |
| Kazuki Nakashima | Writer |
| Romanov Higa | Storyboard Artist |
| Miho Yamada | Animation |
| Yoshihiro Sono | Background Designer, Mechanical Designer |
| Mina Kanzaki | Animation |
| Tomohiro Takayama | Animation |
| Bruce Timm | Characters |
| Chalermpol Inlom | Animation |
| Fuminori Kizaki | Prop Designer |
| Ryusuke Sakamoto | CG Artist |
| Yutaka Araki | Animation |
| Hiromitsu Saito | Prop Designer |
| Thanasit Chaipanyawong | Animation |
| Yasutoshi Iwasaki | Animation |
| Manabu Kadono | Compositing Artist |
| Satoru Utsunomiya | Animation |
| Saori Honda | CG Artist |
| Marv Wolfman | Characters |
| Hiroki Saito | Compositing Artist |
| Norifumi Kiyozumi | Animation |
| Graham Nolan | Characters |
| Naoki Yoshibe | Animation |
| Doug Moench | Characters |
| Yuki Matsuo | Animation |
| Ryusuke Chayama | Animation |
| Nahoko Iiyama | Animation |
| George Pérez | Characters |
| Thunvaphoom Minaphinant | Animation |
| Haruko Kitakura | Production Manager |
| Yukina Kosaka | Animation |
| Shunya Iwamoto | Compositing Artist |
| Keiichiro Watanabe | Animation |
| Tomohiro Matsuda | Dialogue Editor |
| Hideaki Abe | Animation |
| Yang Tingmu | Animation |
| Muneyuki Hatakeyama | Sound Re-Recording Assistant |
| Hokuto Sakiyama | Animation |
| Satoko Kimura | Color Designer |
| Takuya Wada | Animation |
| Minami Shimabukuro | CG Artist |
| Chuck Dixon | Characters |
| Masaki Urakami | CG Artist |
| Keisuke Shiraiwa | Production Manager |
| Kenshin Ariga | Animation |
| Kenji Sakai | Animation |
| Kei Masaki | Animation |
| Kiyoshi Hirose | Editor |
| Ai Yokoyama | Animation |
| Name | Title |
|---|---|
| Eric Garcia | Producer |
| Leo Chu | Producer |
| Tetsuro Satomi | Producer |
| Kamikaze Douga | Producer |
| Michael Uslan | Executive Producer |
| Benjamin Melniker | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 25 | 13 |
| 2024 | 5 | 18 | 25 | 13 |
| 2024 | 6 | 21 | 32 | 11 |
| 2024 | 7 | 26 | 52 | 8 |
| 2024 | 8 | 18 | 23 | 14 |
| 2024 | 9 | 15 | 28 | 10 |
| 2024 | 10 | 16 | 27 | 12 |
| 2024 | 11 | 14 | 24 | 8 |
| 2024 | 12 | 15 | 23 | 10 |
| 2025 | 1 | 21 | 49 | 11 |
| 2025 | 2 | 12 | 19 | 3 |
| 2025 | 3 | 7 | 24 | 3 |
| 2025 | 4 | 6 | 11 | 3 |
| 2025 | 5 | 4 | 11 | 2 |
| 2025 | 6 | 3 | 7 | 2 |
| 2025 | 7 | 3 | 3 | 2 |
| 2025 | 8 | 2 | 3 | 2 |
| 2025 | 9 | 4 | 6 | 2 |
| 2025 | 10 | 4 | 6 | 3 |
| 2025 | 11 | 4 | 6 | 2 |
| 2025 | 12 | 3 | 5 | 1 |
| 2026 | 1 | 2 | 4 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2026 | 1 | 793 | 793 |
Okay, so I'm about to totally rail on _Batman Ninja_, but before I do that, I wanted to open it up with the following disclaimer: I thought multiple times throughout watching this "I wonder if this could be the sort of thing that's fun if you watched it in a group setting?". Personally, I watched it ... by myself, on a bad day, bedridden, feeling very, very unwell. And that's the experience I'm reviewing. Movies don't have to be grounded to be good. They don't have to be be standardised to be good. They don't even have to make sense to be good. Sometimes a movie is just silly fun and everything else is moot. But most of the time, the better a movie is (ie. The more you as the individual viewer are appreciating your experience) the more nonsense you are willing to forgive. It's easier to suspend disbelief, even a great big fat disbelief, if everything else in the movie is working. If not everything is working, but you're only called upon to accept a small amount of ridiculousness, then that will generally fly. But in some movies... In some movies, there is absolutely nothing that is working, and yet those same movies will ask you for the biggest, fattest suspension of disbelief of them all. _Batman Ninja_, is one of **those** movies. I could probably pick any one aspect I disliked about _Batman Ninja_ and write a full length review based on that single issue, but I generally try to keep these things pretty short, so rather than get into the plot, the deviation from source, the character choices, the dubbing, the animation style, the sexism, the science, the lapses in logic, the design choices, the dialogue, the nonsense, the inconsistencies within its own defined setting, the fact I was so bored at one point I literally fell asleep, or any number of the problems I've either blocked out or to list would require spoilers, I'll skip over all of that and simply say: This is the worst Batman movie I've ever seen. _Final rating:★ - Of no value. Avoid at all costs._
**TOTAL CRAP** TLDR The story itself has a lot of potentials. The outcome is in short total crap. Dialogues are childish and silly. I was wondering if I saw a Power Rangers movie. Seems to me a cultural obsession of Japanese people with Robots. Instead of a focus of deep characters, too many f ... igures made it more confusing. There was slightly nothing about Japanese culture in the movie. Somehow it seems that the whole film was produced by 8 year olds. It has to just be a Ninja movie. If you go that road just add zombies, aliens and Godzilla to it. Total trash in short. Good animations don't make up for a silly and childish fantasy.
It's Batman Manga. It's Batman Japanese style and that really doesn't work. Some of the character redesigns are good, the Joker and Two-face look great, but the rest are meh and only really work because of the setting, but are otherwise a little less than inspired. I mean, Nightwing they phoned i ... n, his redesign looks like, well, Nightwing present era. Red Robin also has the bare minimum of effort to change from present era Gotham to ancient Japan. But I guess... Voltron was the reason why it really flopped with me and when the monkeys hit it was just too out there, too manga, too anime, and not batman enough for me. And the thing is, for a character, Batman would lend himself to Japanese comics a lot easier than a lot of other characters, so to watch it fail like this was painful.