Popularity: 2 (history)
Director: | Julian Schnabel |
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Writer: | Louise Kugelberg, Julian Schnabel, Jean-Claude Carrière |
Staring: |
Famed but tormented artist Vincent van Gogh spends his final years in Arles, France, painting masterworks of the natural world that surrounds him. | |
Release Date: | Nov 15, 2018 |
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Director: | Julian Schnabel |
Writer: | Louise Kugelberg, Julian Schnabel, Jean-Claude Carrière |
Genres: | Drama |
Keywords | france, painter, insanity, loneliness, priest, hospital, art gallery, nature, art dealer, brother brother relationship |
Production Companies | RocketScience, Riverstone Pictures, Iconoclast, Rahway Road Productions, SPK Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Willem Dafoe | Vincent van Gogh |
Rupert Friend | Theo van Gogh |
Oscar Isaac | Paul Gauguin |
Mads Mikkelsen | The Priest |
Mathieu Amalric | Dr. Paul Gachet |
Emmanuelle Seigner | Madame Ginoux |
Niels Arestrup | Madman |
Anne Consigny | Teacher |
Amira Casar | Johanna van Gogh-Bonger |
Vincent Perez | The Director |
Lolita Chammah | Girl on the Road |
Stella Schnabel | Gaby |
Alexis Michalik | Artists Tambourin |
Vladimir Consigny | Doctor Felix Ray |
Arthur Jacquin | René |
Solal Forte | Gaston |
Vincent Grass | Café Owner |
Clément Lhuaire | Emile Bernard |
Alan Aubert-Carlin | Albert Aurier / Painter |
Laurent Bateau | Joseph Roulin |
Frank Molinaro | Henri de Toulouse-Lautrec |
Montassar Alaya | Zouave |
Didier Jarre | Asylum Guard |
Thierry Nenez | Clerk Hôtel de la Gare |
Johan Kugelberg | Surgeon |
François Delaive | Artists Tambourin |
Nicolas Abraham | Artists Tambourin |
Manuel Guillot | Artists Tambourin |
Paul Théotime | School Child |
Romane Libert | School Child |
Milo Aubriet | School Child |
Clélia Robin-Oeustreicher | School Child |
Arthur Gloanec | School Child |
Alfred Boch | School Child |
Ludmilla Roitbourd | School Child |
Louis Garrel | Aurier's Article (voice) |
Victor Pontecorvo | Farmer's Son (uncredited) |
Name | Job |
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François-Xavier Decraene | Line Producer |
Louise Kugelberg | Editor, Writer |
Loïc Chavanon | Art Direction |
Christian Gruau | Hairstylist |
Dylan Talleux | First Assistant Director |
Élodie Van Beuren | Script Supervisor |
Cecile Vatelot | Set Decoration |
Tatiana Lisovskaya | Original Music Composer |
Myriam Hottois | Makeup Artist |
Johana Katz | Second Assistant Director |
Jérémy Debord | Third Assistant Director |
Julian Schnabel | Editor, Director, Writer |
Jean-Claude Carrière | Writer |
Stéphane Cressend | Production Design |
Karen Muller Serreau | Costume Design |
Benoît Delhomme | Director of Photography |
Jean-Paul Mugel | Sound |
Thomas Desjonquères | Sound |
Dominique Gaborieau | Sound |
Gérard Moulévrier | Casting |
Camille Janbon | Assistant Costume Designer |
Name | Title |
---|---|
Max Arvelaiz | Executive Producer |
François-Xavier Decraene | Executive Producer |
Charles-Marie Anthonioz | Executive Producer |
Nik Bower | Executive Producer |
Jasmin Kirner | Executive Producer |
Deepak Nayar | Executive Producer |
Karl Spoerri | Executive Producer |
Nicolas Lhermitte | Executive Producer |
Marc Schmidheiny | Executive Producer |
Mourad Belkeddar | Executive Producer |
Jean Duhamel | Executive Producer |
Richard Mansell | Executive Producer |
Thorsten Schumacher | Executive Producer |
Claire Taylor | Executive Producer |
Fernando Sulichin | Executive Producer |
Jon Kilik | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 22 | 35 | 17 |
2024 | 5 | 24 | 38 | 15 |
2024 | 6 | 19 | 32 | 11 |
2024 | 7 | 25 | 54 | 14 |
2024 | 8 | 19 | 28 | 13 |
2024 | 9 | 16 | 32 | 11 |
2024 | 10 | 17 | 34 | 9 |
2024 | 11 | 15 | 37 | 10 |
2024 | 12 | 14 | 20 | 10 |
2025 | 1 | 15 | 23 | 10 |
2025 | 2 | 13 | 22 | 3 |
2025 | 3 | 5 | 16 | 1 |
2025 | 4 | 2 | 3 | 1 |
2025 | 5 | 2 | 5 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
2025 | 9 | 2 | 3 | 2 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
I get what _At Eternity's Gate_ was going for, visually. But that thing was not a thing i enjoyed. The framing made me rather uncomfortable, which, again, kind of the point, but not for me. Massive props to Dafoe of course, his Oscar nomination for best actor is not uncalled for, and special extra p ... rops to Mads Mikkelsen, the sequence between the two of them was far and away my absolute favourite part of _At Eternity's Gate_. But so much of the rest of the thing is just nature shots accompanied by violently jarring piano, and I cannot call myself a fan. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Okay, I will freely admit up front that I rolled my eyes around about the third or fourth time we were given a top-down angle view of Van Gogh walking, walking, walking. And some of the shots went a bit too long, though I suspect there was a point being made. I do not mind being challenged by a movi ... e's content or style, as long as it doesn't insult my intelligence. I found this movie to be interesting enough to stick with it, though we watched it at home and didn't swallow it in one sitting. Rather we watched a half-hour and then went back to it later that day. I didn't notice the shaky camera work that others have commented on, and even though in my own novels I take pride in creating realistic dialogue, I had no problem with the dialogue here that bugged still others. Except maybe for the episodes of repeated dialogue they use to try to highlight Van Gogh's slippery state of mind at these times. It didn't seem very effective to me, so perhaps a bit more subtlety might have been less of a distraction to the viewer. This movie is based on a newer biography that offers an alternate description of the painter's last few years. There is probably no way to be sure if this new theory is correct, but it at least gives one pause for thought. And thought isn't a bad thing to be inflicted with, is it?
Not one for me. I will say that Willem Dafoe is terrific, undoubtedly. His performance in <em>'At Eternity's Gate'</em> was honestly the only part of this 2018 release that kept my interest piqued. The support cast don't do anything wrong but don't really illuminate the film for me either. It has ... its heart in the right place, but as a film I didn't enjoy it. The main thing that bothered me was the camera work all around, just absolutely needless shaky cam that adds zero to what's going on onscreen - it even distracts from the main event, for me at least. It is noted that, away from that, visibly the film does look neat. I am admittedly not into art ('twas my least favourite subject at school, in fact), though even so I expected more from this. I am happy for Dafoe that this was positively received as his showing merits high praise, but it won't be one I'll be revisiting any time soon personally.
This is a great little biopic looking at the latter stages of the life of an hugely creative but flawed human being. Willem Dafoe really does offer up a convincing performance as Vincent van Gogh - he encapsulates both the creative and temperamental madness of this genius artist wonderfully; and the ... re is even a passing resemblance. Rupert Friend also delivers well as his increasingly stretched benefactor brother Theo and Oscar Isaac is likewise strong as Paul Gauguin, with whom van Gogh has what can only be described as a turbulent and competitive relationship. Julian Schnabel has something to be proud of here with an intimate and emotional depiction that's prudent with the dialogue and the cinematography is first rate too.