Popularity: 4 (history)
Director: | York Alec Shackleton |
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Writer: | John Rebus, York Alec Shackleton |
Staring: |
Inspired by one of the longest and bloodiest real-life events in police history, Officer Mike Chandler and a young civilian passenger find themselves under-prepared and outgunned when fate puts them squarely in the crosshairs of a daring bank heist in progress by a fearless team of highly-trained and heavily-armed men. | |
Release Date: | May 30, 2018 |
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Director: | York Alec Shackleton |
Writer: | John Rebus, York Alec Shackleton |
Genres: | Action, Crime, Thriller |
Keywords | police, afghanistan, interpol, bank robbery, father daughter relationship, pregnancy, based on true story, murder, bank heist, ride along |
Production Companies | Millennium Media, Nu Image Bulgaria, 211 Productions |
Box Office |
Revenue: $1,052,222
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
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Ivan Todorov Ivanov | Editor |
Luke Cousins | Casting |
Anna Gelinova | Costume Design |
Kess Bonnet | Production Design |
Brian Hayashi | Production Supervisor, Post Production Supervisor |
Patrick Christensen | ADR Mixer |
Yavor Zahariev | Gaffer |
Stefan Mutafchiev | Location Manager |
Preslava Hristova | Casting Assistant |
Konstantin Vasilev | Second Assistant "A" Camera |
Roman Pessarov | Epk Camera Operator |
Arta Tozzi | Set Decoration |
Georgi Petrov Yakimov | Set Costumer |
Paul Riechman | ADR Recordist |
Peter Mechkoff | Line Producer |
John Rebus | Screenplay |
Hrista Ilieva | Extras Casting |
Daniel Ivanov | Sound Effects Editor |
Vedat Kiyici | ADR Mixer |
Ivan Vatsov | Second Unit Director of Photography |
Pascal De Maria | Assistant Editor |
Kris Casavant | Supervising Sound Editor |
Nevena Dragoshinova | Visual Effects Editor |
Angel Balakchiyski | First Assistant "A" Camera |
Geo Ivanov | Additional Photography |
Peter Krumov | Carpenter |
Wouter van Herwerden | ADR Recordist |
Ivo Peitchev | Camera Operator |
Nikolay Pachov | Visual Effects Editor |
Georgi Raykov | Camera Operator |
Vanya Benelinova | Visual Effects Coordinator |
Iva Slavova | Drone Cinematographer |
Borislav Pekin | Armorer |
Violeta Piperevska | Production Coordinator |
Marina Proykova | Set Costumer |
Maria Djidrova | Script Supervisor |
Milena Mihaylova | Script Supervisor |
Pierre-Yves Lavoué | Sound Mixer |
Stefan Filipov | Video Assist Operator |
Ryan Nowak | Sound Designer |
Elena Zhekova | Special Effects Coordinator |
Zhivko Zhelyazkov | Storyboard Artist |
Vessela Bannzurkova | First Assistant Director |
Svetoslav Mateev | Digital Intermediate Colorist |
Dobrinka Stamenkova | Art Department Coordinator |
Aleksander Aleksiev | Visual Effects Supervisor |
Ivo Jivkov | Special Effects Supervisor |
Veselin Dimchov Hristov | Assistant Camera |
Nikolai Nikolov | Set Designer |
Danail Vuchkov | Key Grip |
Desislava Pavlova | Visual Effects Coordinator |
Ivan Radev | Sculptor |
Elena Georgieva | Graphic Designer |
Krasimir Shtabekov | Boom Operator |
Asen Bozilov | Assistant Set Decoration |
Nedelko Tudzharov | First Assistant Editor |
Nasko Vulev | Location Manager |
Dimitar Krustev | Drone Pilot |
Rosen Georgiev Georgiev | Costumer |
Svetoslav Mitev | Visual Effects Coordinator |
Tsvetan Miladinov | Special Effects Technician |
Shiri Lerner | Production Coordinator |
York Alec Shackleton | Director, Story |
Alexander Krumov | Director of Photography |
Frederik Wiedmann | Original Music Composer |
Dessy Slavova | Stunts, Stunt Double |
Tapio Liukkonen | Foley Artist, Sound Recordist |
Dian Hristov | Stunt Coordinator |
Ivailo Dimitrov | Stunt Double |
Mark Sussman | ADR Voice Casting |
Teodor Tzolov | Stunt Coordinator |
Name | Title |
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Lonnie Ramati | Co-Executive Producer |
Trevor Short | Executive Producer |
Jeffrey Greenstein | Producer |
Les Weldon | Producer |
John Thompson | Executive Producer |
Scott Karp | Executive Producer |
Alain Jakubowicz | Co-Producer |
Boaz Davidson | Executive Producer |
Isaac Florentine | Producer |
Jonathan Yunger | Producer |
Gisella Marengo | Co-Producer |
Avi Lerner | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 29 | 44 | 19 |
2024 | 5 | 41 | 57 | 26 |
2024 | 6 | 26 | 40 | 16 |
2024 | 7 | 32 | 58 | 13 |
2024 | 8 | 21 | 41 | 10 |
2024 | 9 | 19 | 40 | 10 |
2024 | 10 | 17 | 28 | 10 |
2024 | 11 | 15 | 24 | 10 |
2024 | 12 | 15 | 23 | 9 |
2025 | 1 | 15 | 21 | 11 |
2025 | 2 | 11 | 17 | 3 |
2025 | 3 | 6 | 18 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 2 | 4 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 2 | 2 | 1 |
2025 | 9 | 3 | 4 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 7 | 910 | 910 |
Everybody in this is just so unbelievably stupid, the closest I ever came to having a feeling watching this swill, was feeling angry. _Final rating:★ - Of no value. Avoid at all costs._ ...
This messy, short thriller plays like a rejected Paul Haggis story. Four American mercenaries in Afghanistan are owed over a million dollars after a former boss does them wrong. Interpol Agent Rossi (Alexandra Dinu) is hot on their trail, following them back to Massachusetts, where they plan on k ... nocking over one of the banks that their money was transferred to. First problem: when money is transferred internationally to a bank, the actual physical amount of cash doesn't magically appear at that bank. Take it from a former bank teller, it doesn't work like that. As the men get ready to storm the bank, we are introduced to a very large cast of characters whose lives will all cross that day. Retiring cop Mike (Nicolas Cage), his son-in-law/partner Steve (Dwayne Cameron), and his estranged daughter Lisa (Sophie Skelton) are one part of the puzzle. Kenny (Michael Rainey Jr.) is a bullied teen who must ride along with Mike and Steve after a misunderstanding at school while Kenny's medical professional mother (Shari Watson) worries. Rossi also hangs around the periphery, flashing an Interpol badge can get you into a lot of places in fictional Chesterford, Massachusetts, and assorted younger cops make their presence known. Everyone's stories converge in a boring, "Heat"-inspired shootout Nicolas Cage liked to sign up for these types of straight-to-video films on a weekly basis, and while it's big fun for Cage fans, some of these are a chore for the casual moviegoer. The script is confusing, and the different locations used do not mesh- a cafe explosion looks European, but in the same town, the bank robbery looks American right down to Louisiana license plates on some of the cars. I'm sure the screenwriters- another odd credit- had something bigger in mind but the film limps along full of some terrible performances from a cast given tropes, not characters, to play. Come on, the harried police commander who's getting pressured from the mayor and governor? The retiring cop? The young cop whose wife is expecting? War profiteering mercenaries? The stupid hostage who must make a break for it? Yawn. Throw this on the pile of other Cage pablum, a film that was obviously done for the paycheck. Contains some physical violence, strong gun violence, gore, some profanity