Popularity: 1 (history)
Director: | Larry Fessenden |
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Writer: | Larry Fessenden, Mary Shelley |
Staring: |
A field surgeon suffering from PTSD after combat in the Middle East creates a living human out of body parts in his Brooklyn lab. | |
Release Date: | Sep 13, 2019 |
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Director: | Larry Fessenden |
Writer: | Larry Fessenden, Mary Shelley |
Genres: | Science Fiction, Drama, Horror |
Keywords | post-traumatic stress disorder (ptsd), body part, macabre, reanimated corpse |
Production Companies | Glass Eye Pix, Forager Film |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
David Call | Henry |
Joshua Leonard | Polidori |
Alex Breaux | Adam |
Ana Cruz Kayne | Liz |
Owen Campbell | Alex |
Chloë Levine | Lucy |
Maria Dizzia | Georgina |
Addison Timlin | Shelley |
Chris O'Connor | Mr. Beaufort |
Alice Barrett | Mrs. Beaufort |
Jack Fessenden | Eddie |
Andrew Lasky | Sam the Bartender |
James Tam | Mr. Zhang |
Zilong Zee | Mr. Ling |
Larry Fessenden | Ratso |
Stormi Maya | Strip Club Bartender |
Hope Blackstock | Officer Flores |
John Speredakos | Officer Spano |
Noah Le Gros | Soldier Adam |
Rev Love | Stripper #1 |
Hannah Townsend | Stripper #2 |
Name | Job |
---|---|
Larry Fessenden | Writer, Director, Editor |
Will Bates | Original Music Composer |
Mary Shelley | Novel |
Corey Pierno | Stunt Coordinator |
Dylan Hintz | Stunts |
James Siewert | Director of Photography |
Chris Skotchdopole | Director of Photography |
April Lasky | Production Design |
Natalie Hoffman | Art Direction |
Sara Lott | Costume Design |
Adelina Atashi | Makeup & Hair |
Brian Spears | Prosthetic Designer |
Pete Gerner | Special Effects Supervisor |
Gabe Galvez | Assistant Director |
Stephen Vincent | Casting |
Sig De Miguel | Casting |
Michael Viola | Stunts |
Name | Title |
---|---|
Jenn Wexler | Producer |
Chadd Harbold | Producer |
Joe Swanberg | Executive Producer |
Peter Gilbert | Executive Producer |
Edwin Linker | Executive Producer |
Larry Fessenden | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 9 | 16 | 5 |
2024 | 5 | 11 | 19 | 5 |
2024 | 6 | 10 | 31 | 4 |
2024 | 7 | 9 | 13 | 5 |
2024 | 8 | 8 | 18 | 4 |
2024 | 9 | 6 | 8 | 3 |
2024 | 10 | 5 | 10 | 3 |
2024 | 11 | 5 | 8 | 3 |
2024 | 12 | 5 | 8 | 2 |
2025 | 1 | 6 | 14 | 3 |
2025 | 2 | 4 | 6 | 1 |
2025 | 3 | 3 | 5 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 2 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 1 | 2 | 0 |
2025 | 10 | 1 | 1 | 1 |
Trending Position
A really good version of a well worn story. It doesn't add a lot to the genre, but is a very solid entry from indie auteur Larry Fessenden. Very well despite the budget. My biggest complaint was it didn't have more to say, as an allegory for how soldiers are treated after they return home, it could ... have pushed a lot further. Instead it told an organic version of the same old same old.