Popularity: 2 (history)
Director: | Stephen Susco |
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Writer: | Stephen Susco |
Staring: |
When a 20-something finds a cache of hidden files on his new laptop, he and his friends are unwittingly thrust into the depths of the dark web. They soon discover someone has been watching their every move and will go to unimaginable lengths to protect the dark web. | |
Release Date: | Jul 19, 2018 |
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Director: | Stephen Susco |
Writer: | Stephen Susco |
Genres: | Horror, Mystery, Thriller |
Keywords | webcam, sequel, lesbian relationship, hacking, computer screen, found footage, skype, game night, screenlife |
Production Companies | BH Tilt, Bazelevs |
Box Office |
Revenue: $16,000,000
Budget: $1,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Colin Woodell | Matias O'Brien |
Betty Gabriel | Nari Jemisin |
Rebecca Rittenhouse | Serena Lange |
Andrew Lees | Damon Horton |
Connor Del Rio | Aj Williams |
Stephanie Nogueras | Amaya DeSoto |
Savira Windyani | Lexx Putri |
Chelsea Alden | Kelly |
Alexa Mansour | Erica Dunne |
Bryan Adrian | Jack |
Douglas Tait | Charon IV |
Rob Welsh | Charon V |
Kiara Beltran | Charon VI |
Eric Shamm Watson | Final Charon |
Ashton Smiley | Barely 18 - 69 Girl |
Maya Nalli | Girl in Barrel |
Name | Job |
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Max Reiner | Production Coordinator |
Lori Denil | Script Supervisor |
Kevin Stewart | Director of Photography |
Brian Berger | Foley Editor |
Lawrence He | Sound Effects Editor |
Lisa Catara | Stunt Double |
Andrew Wesman | Editor |
John McAlary | Casting |
Clifton Stokes | Special Effects |
Daniele Carli | Sound Designer |
Chris Davis | Production Design |
Yagmur Kaplan | Mix Technician |
Keith Morrow | Assistant Sound Editor |
Cassie Lee Minick | Stunt Double |
Charles M. Barsamian | Executive Music Producer |
Clint Allday | Sound Mixer |
Chris Marius Jones | First Assistant Camera |
Joe Perez | Stunt Coordinator |
Cassandra Jensen | Costume Design |
Andy Ross | Music Supervisor |
Arnie Rabano | Property Master |
Stephen Susco | Writer, Director |
Nelson Greaves | Treatment |
Timo Chen | Additional Music |
Name | Title |
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Majd Nassif | Producer |
Adam Sidman | Executive Producer |
Todd Breau | Co-Producer |
Timur Bekmambetov | Producer |
Jason Blum | Producer |
Ryan Turek | Co-Producer |
Couper Samuelson | Executive Producer |
Nelson Greaves | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 29 | 37 | 20 |
2024 | 5 | 30 | 40 | 19 |
2024 | 6 | 29 | 44 | 20 |
2024 | 7 | 33 | 63 | 22 |
2024 | 8 | 26 | 35 | 19 |
2024 | 9 | 24 | 43 | 17 |
2024 | 10 | 31 | 52 | 17 |
2024 | 11 | 25 | 38 | 14 |
2024 | 12 | 24 | 37 | 15 |
2025 | 1 | 23 | 35 | 16 |
2025 | 2 | 18 | 40 | 4 |
2025 | 3 | 9 | 23 | 2 |
2025 | 4 | 3 | 6 | 2 |
2025 | 5 | 3 | 6 | 2 |
2025 | 6 | 3 | 4 | 2 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 3 | 4 | 2 |
2025 | 9 | 4 | 7 | 2 |
2025 | 10 | 2 | 3 | 2 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 646 | 646 |
Year | Month | High | Avg |
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2025 | 2 | 419 | 564 |
Something that I've noticed recently in horror franchises that have tried to get off the ground in the past couple of years, the second entry is actually better than the first. In ages past, a thing unheard of, but now at least as common as not. Same goes for _Unfriended: Dark Web_. Just about every ... thing is one step up from the first _Unfriended_ movie: Acting, AV, urgency, the shorter wait times, and the new direction _Dark Web_ takes in terms of its antogonists (I won't spoil it for you, but surely you're capable of reading a title and putting it together for yourself) works better in this one too. I feel at least. Now neither of these films are perfect, but the first _Unfriended_ movie was okaaaaaaaaay, and this one has managed to push it by the skin of it's teeth over in to what I could honestly argue is "good". _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Unfriended: Dark Web takes the unique computer-screen format from the first movie and dials it up with a more grounded and plausible storyline, which makes it far scarier this time around. The technical execution is sharp, seamlessly immersing you in the digital world where every click, message, and ... video feed ramps up the tension. It’s an unconventional way of storytelling, but the production nails it, making the experience feel eerily real. What sets this one apart is the shift in tone. Instead of leaning into the supernatural elements of its predecessor, this movie opts for a more realistic and chilling approach. The grounded nature of the story makes the threats feel tangible, and that plausibility is what makes it so unsettling. It’s a change that works in the movie’s favor, as it takes the fear from something fantastical to something that could actually happen, amplifying the intensity and dread. As a standalone thriller, it excels at creating an atmosphere of paranoia and helplessness, with its focus on the dangers of the digital age. It may not feel like a traditional sequel, given its departure from the themes of the original, but the more realistic approach gives it a unique identity. If you’re looking for a movie that leans into grounded horror with clever execution, this one is definitely worth watching.