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The Baby of Mâcon Poster

The Baby of Mâcon

Exploring thoroughly modern taboos
1993 | 122m | English

(5301 votes)

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Popularity: 2 (history)

Director: Peter Greenaway
Writer: Peter Greenaway
Staring:
Details

Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
Release Date: Sep 17, 1993
Director: Peter Greenaway
Writer: Peter Greenaway
Genres: Drama, History
Keywords baby, virgin, miracle, bishop, surrealism, priest, religion, church, avant-garde, birth, death, dismemberment, infanticide, cannibalism, graphic violence
Production Companies Cine Electra, Allarts, Film4 Productions, UGC Films, La Sept Cinéma
Box Office Revenue: $0
Budget: $0
Updates Updated: Aug 09, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Julia Ormond The Daughter
Ralph Fiennes The Bishop's Son
Philip Stone The Bishop
Jonathan Lacey Cosimo Medici
Don Henderson The Father Confessor
Celia Gregory The Mother Superior
Jeff Nuttall The Major Domo
Jessica Hynes The First Midwife (as Jessica Stevenson)
Kathryn Hunter The Second Midwife
Gabrielle Reidy The Third Midwife
Frank Egerton The Prompter
Phelim McDermott The First Tutor
Tony Vogel The Father
Tatiana Strauss The First Nun
Louisa Milwood-Haigh The Second Nun
Anna Nieland The Wetnurse
Graham Valentine Famine
Diana van Kolck The Mother
Leslie Cuss The Second Tutor
Rien Kroon The Chaplain
Jan Sepers Carpaccio
Nils Dorando The Baby of Mâcon
Richard Blair The First Soldier
Tony Dunham The Second Soldier
Humphrey Sallons Cosimo's Servant
Dennis Rudge Entourage Servant
Hans Bosch Entourage Servant
Sjoerd Ghijssen Entourage Servant
Michiel Riedijk Entourage Servant
Bert Sevenhuijsen The Deacon
John Hartnett Cynical Auction Bidder (uncredited)
Bastian Pastewka Laborer (uncredited)
Dela Maria Vaags Choir Farmer's Wives (uncredited)
Name Job
Chris Wyatt Editor
Sacha Vierny Director of Photography
Ben van Os Production Design
Jan Roelfs Production Design
Ellen Lens Costume Design
Dien van Straalen Costume Design
Birger Laube Makeup Effects Designer
Sara Meerman Makeup Artist
Paul Govey Sound Re-Recording Mixer
Nigel Heath Sound Editor
Garth Marshall Sound Mixer
Mark Taylor Sound Re-Recording Mixer
Seumas Next Sound Effects
Daniel Reuss Music Consultant
Abi Cohen Casting
Ben Zuydwijk Painter
Peter Greenaway Director, Writer
Bavo Defurne Set Decoration
Paul M. van Brugge Music Producer
Jack Stew Foley Artist
Ed Colyer Assistant Sound Editor
Clemens Erbach Casting
Name Title
Christoph Hahnheiser Co-Producer
Denis Wigman Executive Producer
Yves Marmion Co-Producer
Kees Kasander Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 12 18 8
2024 5 16 27 10
2024 6 14 35 8
2024 7 13 20 7
2024 8 11 18 7
2024 9 11 21 7
2024 10 13 23 7
2024 11 9 14 7
2024 12 9 13 6
2025 1 10 16 6
2025 2 7 12 3
2025 3 5 9 1
2025 4 2 4 1
2025 5 1 4 1
2025 6 1 3 1
2025 7 1 1 0
2025 8 1 2 0
2025 9 2 3 1
2025 10 2 2 2

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Reviews

Geronimo1967
6.0

I've always found Peter Greenaway films rather hit or miss, and this rather theatrical effort I found more the latter. It all centres around a sort of immaculate conception birth at the Medici court and follows the anticipatory and resultant shenanigans as human nature is (quite literally) laid bare ... for all to see (and that nature doesn't always come off so well!) It has something of the bawdy romp to it, with some suitably appropriate ecclesiastical excesses and loads of colour - usually red - to liven it up. The story? Well though interesting for the first twenty minutes or so, I felt it fell into pantomime territory all too quickly. The cast are a collection of reasonably competent talent, but too much of the emphasis of this production is on the style, imagery along with an admittedly glorious choral score that does so much to add to the vivid and seamy look of this rather lengthy effort. The message is clear enough, but it has something of sledgehammer and nut to it; there is no subtlety or nuance to it, it's an intellectual brute of a film before a denouement that confirms what most of us - certainly those without religious convictions - may have expected from the outset. As with all of his films, this is certainly worth watching - but as to enjoying it, well I didn't really.

Jan 07, 2023