Popularity: 2 (history)
Director: | Peter Greenaway |
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Writer: | Peter Greenaway |
Staring: |
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge. | |
Release Date: | Sep 17, 1993 |
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Director: | Peter Greenaway |
Writer: | Peter Greenaway |
Genres: | Drama, History |
Keywords | baby, virgin, miracle, bishop, surrealism, priest, religion, church, avant-garde, birth, death, dismemberment, infanticide, cannibalism, graphic violence |
Production Companies | Cine Electra, Allarts, Film4 Productions, UGC Films, La Sept Cinéma |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 09, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Julia Ormond | The Daughter |
Ralph Fiennes | The Bishop's Son |
Philip Stone | The Bishop |
Jonathan Lacey | Cosimo Medici |
Don Henderson | The Father Confessor |
Celia Gregory | The Mother Superior |
Jeff Nuttall | The Major Domo |
Jessica Hynes | The First Midwife (as Jessica Stevenson) |
Kathryn Hunter | The Second Midwife |
Gabrielle Reidy | The Third Midwife |
Frank Egerton | The Prompter |
Phelim McDermott | The First Tutor |
Tony Vogel | The Father |
Tatiana Strauss | The First Nun |
Louisa Milwood-Haigh | The Second Nun |
Anna Nieland | The Wetnurse |
Graham Valentine | Famine |
Diana van Kolck | The Mother |
Leslie Cuss | The Second Tutor |
Rien Kroon | The Chaplain |
Jan Sepers | Carpaccio |
Nils Dorando | The Baby of Mâcon |
Richard Blair | The First Soldier |
Tony Dunham | The Second Soldier |
Humphrey Sallons | Cosimo's Servant |
Dennis Rudge | Entourage Servant |
Hans Bosch | Entourage Servant |
Sjoerd Ghijssen | Entourage Servant |
Michiel Riedijk | Entourage Servant |
Bert Sevenhuijsen | The Deacon |
John Hartnett | Cynical Auction Bidder (uncredited) |
Bastian Pastewka | Laborer (uncredited) |
Dela Maria Vaags | Choir Farmer's Wives (uncredited) |
Name | Job |
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Chris Wyatt | Editor |
Sacha Vierny | Director of Photography |
Ben van Os | Production Design |
Jan Roelfs | Production Design |
Ellen Lens | Costume Design |
Dien van Straalen | Costume Design |
Birger Laube | Makeup Effects Designer |
Sara Meerman | Makeup Artist |
Paul Govey | Sound Re-Recording Mixer |
Nigel Heath | Sound Editor |
Garth Marshall | Sound Mixer |
Mark Taylor | Sound Re-Recording Mixer |
Seumas Next | Sound Effects |
Daniel Reuss | Music Consultant |
Abi Cohen | Casting |
Ben Zuydwijk | Painter |
Peter Greenaway | Director, Writer |
Bavo Defurne | Set Decoration |
Paul M. van Brugge | Music Producer |
Jack Stew | Foley Artist |
Ed Colyer | Assistant Sound Editor |
Clemens Erbach | Casting |
Name | Title |
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Christoph Hahnheiser | Co-Producer |
Denis Wigman | Executive Producer |
Yves Marmion | Co-Producer |
Kees Kasander | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 12 | 18 | 8 |
2024 | 5 | 16 | 27 | 10 |
2024 | 6 | 14 | 35 | 8 |
2024 | 7 | 13 | 20 | 7 |
2024 | 8 | 11 | 18 | 7 |
2024 | 9 | 11 | 21 | 7 |
2024 | 10 | 13 | 23 | 7 |
2024 | 11 | 9 | 14 | 7 |
2024 | 12 | 9 | 13 | 6 |
2025 | 1 | 10 | 16 | 6 |
2025 | 2 | 7 | 12 | 3 |
2025 | 3 | 5 | 9 | 1 |
2025 | 4 | 2 | 4 | 1 |
2025 | 5 | 1 | 4 | 1 |
2025 | 6 | 1 | 3 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 2 | 3 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
I've always found Peter Greenaway films rather hit or miss, and this rather theatrical effort I found more the latter. It all centres around a sort of immaculate conception birth at the Medici court and follows the anticipatory and resultant shenanigans as human nature is (quite literally) laid bare ... for all to see (and that nature doesn't always come off so well!) It has something of the bawdy romp to it, with some suitably appropriate ecclesiastical excesses and loads of colour - usually red - to liven it up. The story? Well though interesting for the first twenty minutes or so, I felt it fell into pantomime territory all too quickly. The cast are a collection of reasonably competent talent, but too much of the emphasis of this production is on the style, imagery along with an admittedly glorious choral score that does so much to add to the vivid and seamy look of this rather lengthy effort. The message is clear enough, but it has something of sledgehammer and nut to it; there is no subtlety or nuance to it, it's an intellectual brute of a film before a denouement that confirms what most of us - certainly those without religious convictions - may have expected from the outset. As with all of his films, this is certainly worth watching - but as to enjoying it, well I didn't really.