Popularity: 2 (history)
Director: | Kasi Lemmons |
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Writer: | Gregory Allen Howard, Kasi Lemmons |
Staring: |
The extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes. Her courage, ingenuity and tenacity freed hundreds of slaves and changed the course of history. | |
Release Date: | Nov 01, 2019 |
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Director: | Kasi Lemmons |
Writer: | Gregory Allen Howard, Kasi Lemmons |
Genres: | Drama, History |
Keywords | southern usa, slavery, biography, harriet tubman, 19th century, underground railroad |
Production Companies | Focus Features, Martin Chase Productions, MACRO, Stay Gold Features, Perfect World Pictures |
Box Office |
Revenue: $0
Budget: $17,000,000 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Job |
---|---|
Gregory Allen Howard | Story, Screenplay |
Marthe Pineau | Set Decoration |
Kevin Hardison | Art Direction |
Daniel W. Barringer | Stunt Coordinator |
Luke Conner | Stunts |
Jhanii Renea Hardin | Stunts |
Chad Hessler | Stunts |
Toi Whitaker | Assistant Art Director |
Steve George | In Memory Of, Property Master |
Craig M. Taylor | Leadman |
Susan Sutphin | Art Department Coordinator |
Zoe Sarris | Art Department Assistant |
Daniele Massaccesi | "A" Camera Operator, Steadicam Operator |
Chris Toll | First Assistant "A" Camera |
Eric Eaton | Second Assistant "B" Camera |
Rinny Wilson | Camera Loader |
Andrew Corbin | Best Boy Electric |
Art Bartels | Key Grip |
Mike Moad | Dolly Grip |
James Dombey | Grip |
Sid Caldwell | Rigging Grip |
Chris Main | Boom Operator |
Gary Pilkinton | Special Effects Coordinator |
Stacy Caballero | Assistant Costume Designer |
Dana Kay Hart | Costume Supervisor |
Christina Eunji Kim | Art Direction |
Christa Haley | First Assistant Editor |
David Mendoza | Second Assistant Director |
Simeon Freeman | Stunts |
Dwayne Hargo Jr. | Stunts |
W. Rick Nichol | Set Designer |
John D. Bert | Assistant Property Master |
Jesse Michael Owen | Storyboard Artist |
Lara K. Ritter | Seamstress |
Hajr Avant | Art Department Assistant |
Terry Wolcott | Second Assistant "A" Camera |
Dwight Campbell | First Assistant "B" Camera |
Maninder K. Saini | Digital Imaging Technician |
Jarred Waldron | Gaffer |
Trey Peterson | Rigging Gaffer |
Dave Romero | Best Boy Grip |
Shepherd Lashley | Dolly Grip |
Charles A. Harris | Key Rigging Grip |
Nathaniel Sisson | Utility Sound |
Rick Reeder | Special Effects |
Cailey Breneman | Assistant Costume Designer |
Amelia Zontini | Key Costumer |
Kait Fial | Set Costumer |
Gina Adler | Set Costumer |
Lindsay Austria | Seamstress |
Carla Brenholtz | Key Makeup Artist |
Belinda Anderson | Hair Department Head |
Valerie Gladstone-Appel | Hairstylist |
Margery Kimbrough | Script Supervisor |
Colleen Gibbons | Location Manager |
John McSweeney | Assistant Location Manager |
Isabel Henderson | Post Production Supervisor |
Debbie Kim | Production Coordinator |
Tina Allen Pleasants | Travel Coordinator |
Bob Lewis | Production Accountant |
Kathleen Lewis | Payroll Accountant |
Anna P. McCarthy | Casting Associate |
Carol Grant | Extras Casting |
Kathryn J. Hatam | Extras Casting Assistant |
Madison Landis | Extras Casting Assistant |
Bobby Frederick Tilley | Tailor |
Katie Howard | Set Costumer |
Melondy Phillips | Set Costumer |
Ashley Fetterman | Makeup Artist |
Nikki Tucker | Key Hair Stylist |
Amanda Miller | Wig Designer |
Cassandra McCarthy | Assistant Location Manager |
Gary M. Little | Location Assistant |
Thomas Ward | Assistant Production Coordinator |
Zoë Ferebee | Production Secretary |
Madeline Alt | Studio Teacher |
Brandon Lewis | First Assistant Accountant |
Devan Claycomb | Assistant Accountant |
Justin Turner | Casting Associate |
Jamie Pease | Extras Casting Assistant |
Jasmine Pfingsten | Extras Casting Assistant |
Glen Wilson | Still Photographer |
Ronald Alexander | Construction Foreman |
Cherie Bowers | Scenic Artist |
Ronald Dale Pickens | Greensman |
Blake Leyh | Sound Re-Recording Mixer, Supervising Sound Editor |
Lidia Tamplenizza | Supervising Dialogue Editor, Supervising ADR Editor |
Michael Feuser | Dialogue Editor |
Heather Gross | Sound Effects Editor |
Bobby Johanson | ADR Mixer |
Rachel Wardell | Sound Assistant |
Micah Blaichman | Foley Mixer |
Marvin R. Morris | Music Editor |
Richard Blankenship | Construction Coordinator |
Richard Salinas | Scenic Artist |
David Keith Broome | Greensman |
Kurt E. Gran | Set Medic |
Jac Rubenstein | Dialogue Editor |
Lawrence Zipf | Sound Effects Editor |
Dave Flynch | Foley Supervisor |
Jay Peck | Foley Artist |
Tony Dustin | Colorist |
Howard Drossin | Orchestrator |
Rhonda Bareford | Assistant Makeup Artist |
Kasi Lemmons | Screenplay, Director |
John Toll | Director of Photography |
Terence Blanchard | Orchestrator, Conductor, Original Music Composer |
Wyatt Smith | Editor |
Kim Taylor-Coleman | Casting Director |
Warren Alan Young | Production Design |
Paul Tazewell | Costume Design |
Skip Lievsay | Sound Re-Recording Mixer |
Shea Kammer | Unit Production Manager |
Michele Panelli-Venetis | First Assistant Director |
Craig Branham | Stunts |
Tony Brubaker | Stunts |
Jay Caputo | Stunts |
Bret McKee | Stunts |
Dean Neistat | Stunts |
Kim Marks | "B" Camera Operator |
William Britt | Production Sound Mixer |
Angie Wells | Makeup Department Head |
Michelle Poole | Production Supervisor |
Denise Woods | Dialect Coach |
Name | Title |
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Kim Roth | Producer |
Gregory Allen Howard | Producer |
Elizabeth Koch | Executive Producer |
Charles D. King | Producer |
Kristina Kendall | Executive Producer |
Poppy Hanks | Executive Producer |
Josh McLaughlin | Executive Producer |
John Watson | Executive Producer |
Rebecca Cammarata | Co-Producer |
Debra Martin Chase | Producer |
Daniela Taplin Lundberg | Producer |
Nnamdi Asomugha | Executive Producer |
Bill Benenson | Executive Producer |
Shea Kammer | Executive Producer |
Pen Densham | Executive Producer |
Jeffrey Lampert | Co-Producer |
Michele Panelli-Venetis | Associate Producer |
Organization | Category | Person | |
---|---|---|---|
Academy Awards | Best Actress | Cynthia Erivo | Nominated |
Golden Globes | Best Actress | Cynthia Erivo | Nominated |
SAG Awards | Best Actress | Cynthia Erivo | Nominated |
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 27 | 38 | 17 |
2024 | 5 | 31 | 46 | 20 |
2024 | 6 | 26 | 67 | 16 |
2024 | 7 | 23 | 37 | 15 |
2024 | 8 | 22 | 49 | 13 |
2024 | 9 | 20 | 43 | 12 |
2024 | 10 | 23 | 38 | 13 |
2024 | 11 | 20 | 36 | 14 |
2024 | 12 | 22 | 36 | 16 |
2025 | 1 | 26 | 53 | 18 |
2025 | 2 | 17 | 33 | 4 |
2025 | 3 | 8 | 25 | 3 |
2025 | 4 | 5 | 11 | 2 |
2025 | 5 | 5 | 11 | 3 |
2025 | 6 | 3 | 7 | 2 |
2025 | 7 | 2 | 3 | 2 |
2025 | 8 | 2 | 3 | 1 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 910 | 910 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 886 | 902 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 697 | 756 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 121 | 381 |
'Harriet' stumbles in its clichéd storytelling and focus on going for gold - but that's not to undermine the fantastic acting, groundbreaking music, and of course the incredible true story of Harriet Tubman's bravery. With Black Lives Matter, the fight to end violence and systemic racism towards bla ... ck people is rooted in the United States' DNA and 'Harriet', and sadly serves as yet another reminder of the constant mistreatment of African Americans. Films about slavery are still relevant, as that same discrimination is still taking place today. I want to end with lyrics from the film's song 'Stand Up' which feel very potent: “I'm going to stand up, take my people with me, together we are going, to a brand-new home.“ - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-harriet-a-flawed-harriet-tubman-biopic-with-a-phenomenal-performance
Cynthia Erivo delivers really strongly here as the eponymous woman who strives to escape generations of enslavement herself, then work to free her family and her race from the brutal oppression of their overlords. This characterisation of her sheer determination, coupled with a feistiness and courag ... e is indeed well captured but sadly the rest of this is little better than an ordinary television movie. It's not that anyone is especially bad, it's just that none - especially Joe Alwyn's "Brodess" - really cut through. Janelle Monáe doesn't feature often enough to make too much impact and the rest rather follows a precisely produced narrative that failed to inject any real sense of the menace faced by this woman swimming against a societal tide that few had dared before her. It's all just a bit too clean, too sterile and even at it's emotional height - well, I just kept thinking someone was going to give us a song. Maybe it would have had more impact that way? There's also too little emphasis on her work as a "freedom fighter" - a sort of Robin Hood style of character determined to emancipate her people with a bare minimum of violence and spurning the more obvious instincts of revenge upon her former persecutors. The message is there, OK, but it relies far too much on the presumed attitudes of the audience rather than powerfully demonstrate the bleakness of her prospects and the injustice of their psychologically shackled existence. It's watchable enough, but sadly just a little too underwhelming.