Popularity: 4 (history)
| Director: | Christopher Landon |
|---|---|
| Writer: | Christopher Landon |
| Staring: |
| Collegian Tree Gelbman wakes up in horror to learn that she's stuck in a parallel universe. Her boyfriend Carter is now with someone else, and her friends and fellow students seem to be completely different versions of themselves. When Tree discovers that Carter's roommate has been altering time, she finds herself once again the target of a masked killer. When the psychopath starts to go after her inner circle, Tree soon realizes that she must die over and over again to save everyone. | |
| Release Date: | Feb 13, 2019 |
|---|---|
| Director: | Christopher Landon |
| Writer: | Christopher Landon |
| Genres: | Comedy, Science Fiction, Horror |
| Keywords | college, psychopath, sequel, murder, time loop, slasher, university, aftercreditsstinger, stabbed to death |
| Production Companies | Universal Pictures, Blumhouse Productions, Digital Riot Media |
| Box Office |
Revenue: $64,600,000
Budget: $9,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Jessica Rothe | Theresa ‘Tree’ Gelbman |
| Israel Broussard | Carter Davis |
| Ruby Modine | Lori Spengler |
| Suraj Sharma | Samar Ghosh |
| Rachel Matthews | Danielle Bouseman |
| Phi Vu | Ryan Phan |
| Sarah Yarkin | Dre Morgan |
| Kenneth Israel | Dr. Parker |
| Steve Zissis | Dean Bronson |
| Charles Aitken | Gregory Butler |
| Laura Clifton | Stephanie Butler |
| Missy Yager | Julie Gelbman |
| Jason Bayle | David Gelbman |
| Caleb Spillyards | Tim Bauer |
| Blaine Kern III | Nick Sims |
| Jimmy Gonzales | Police Officer |
| Tenea Intriago | Student Protester |
| Tran Tran | Emily |
| Rob Mello | John Tombs |
| Peter Jaymes Jr. | Police Officer |
| James W. Evermore | Homeless Man |
| Johnny Ballance | Angry Student |
| Lindsey G. Smith | Waitress |
| Wendy Miklovic | New Nurse |
| Name | Job |
|---|---|
| Whitney Anne Adams | Costume Design |
| Terri Taylor | Casting |
| Austin Seifert | Stunt Double |
| Christopher Landon | Writer, Director |
| Toby Oliver | Director of Photography |
| Bear McCreary | Original Music Composer |
| Mark Rayner | Stunt Coordinator |
| William Spataro | Makeup Artist |
| Sarah Domeier Lindo | Casting |
| Vincent Lucido | Storyboard Artist |
| Andrea von Foerster | Music Supervisor |
| Jim Wayer | Best Boy Grip |
| Erica Severson | Assistant Property Master |
| Rudy Jones | Set Dresser |
| Dunbar Merrill | Set Dresser |
| Chad Chamberlain | Steadicam Operator, "A" Camera Operator |
| Quenell Jones | "B" Camera Operator |
| Mary McDade Casteel | Camera Loader |
| Alessandro Chimento | Utility Sound |
| Jordan Whaley | Lighting Technician |
| Lee Jenkins | Rigging Supervisor |
| Chris Navarro | ADR Mixer |
| Lorna Street Dopson | Script Supervisor |
| Ashley Nicole Hudson | Stunt Double |
| Andy Dylan | Stunts |
| Tim Bell | Utility Stunts |
| Simon Potter | Utility Stunts |
| Corrina Roshea Bobb | Stunt Double |
| Preston Schrag | Stunts |
| Mark Ginther | Utility Stunts |
| Kelly Phelan | Stunt Double |
| Juliene Joyner | Stunt Double |
| Joe May | Second Assistant Director |
| Heather Arthur | Stunts, Stunt Double |
| Adam Rivette | Utility Stunts |
| Peter Epstein | Stunt Double |
| Carl Anthony Nespoli | Stunts |
| Ben Baudhuin | Editor |
| Ashley Levy | Makeup Department Head |
| Ignacia Soto-Aguilar | Makeup Artist |
| Jason Baldwin Stewart | Art Direction |
| Scott Lobdell | Characters |
| Garin W. Sparks | Set Medic |
| Samson Mucke | Unit Production Manager |
| Nancy Kirhoffer | Post Production Supervisor |
| Jessica Lee | Art Department Coordinator |
| Andrew W. Bofinger | Set Decoration |
| Nathan Carlson | Graphic Designer |
| Fernando Altschul | First Assistant Director |
| Adele Plauche | Set Designer |
| Alicia Haverland | Property Master |
| Kerry M. Brown Sr. | Set Dresser |
| Mark Rockwell Osman | Set Dresser |
| John Scott Williams | Second Assistant "A" Camera |
| Chad Taylor | Second Assistant "B" Camera |
| Jack Bigelow | Boom Operator |
| Bradley Martin | Assistant Chief Lighting Technician |
| Russell Beard | Rigging Gaffer |
| Nick Nicolay | Key Grip |
| Ted Gregg | Dolly Grip |
| Eric DePoorter | Key Rigging Grip |
| David K. Nami | Special Effects Coordinator |
| Frank Avanzo | Set Costumer |
| Mary Ashton Honore | Makeup Artist |
| Marta Goldstein | Script Supervisor |
| Joshua M.F. Jones | Leadman |
| Hunter Spears | Set Dresser |
| Craig Serody | Set Dresser |
| Loui J. LeRoy | First Assistant "A" Camera |
| Penelope Helmer | First Assistant "B" Camera |
| Robert C. Bigelow | Production Sound Mixer |
| Jaim O'Neil | Chief Lighting Technician |
| Eliot Brasseaux | Lighting Technician |
| Brian Dallas | Rigging Grip |
| Luke Cauthern | Dolly Grip |
| Ryan Chamberlain | Grip |
| Nicholas Istas | Rigging Grip |
| Amy Gavel | Costume Supervisor |
| Laura Faye Sirkin-Brown | Tailor |
| Dee Leveque | Hairstylist |
| Lisa Latter | Location Manager |
| Daryl Wilsford | First Assistant Accountant |
| Stacy Fortenberry | Production Office Coordinator |
| Ally Conover | Casting Associate |
| Amelia Chen Miley | Casting Associate |
| Michele K. Short | Still Photographer |
| Scott C. Bivona | Greensman |
| Alexa White | Animal Wrangler |
| Margaret L. Lancaster | Craft Service |
| Ben Simpkins | Post Production Coordinator |
| Paul B. Knox | Sound Effects Editor |
| Kevi Aragunde | Foley Mixer |
| Oliver Taylor | Visual Effects Supervisor |
| Dallas Hollomon | Grip |
| Shane Troxler | Rigging Grip |
| Brad Manis | Special Effects |
| Natalie Tippett | Set Costumer |
| Margeaux Fox | Hair Department Head |
| Todd Crockett | Production Accountant |
| Lindsey M. Page | Assistant Accountant |
| Alexander Salazar | Second Second Assistant Director |
| Elizabeth Coulon | Location Casting |
| Kelsey White | Extras Casting Assistant |
| Kim Harris | Construction Foreman |
| Oscar Austin | Transportation Captain |
| Liz Landers | Craft Service |
| Derek Larsen | Assistant Editor |
| Odin Benitez | Supervising Sound Editor |
| Mark Coffey | First Assistant Sound Editor |
| Diego S. Staub | Foley Mixer |
| Johannes Vogel | Conductor |
| Benjamin Hoff | Orchestrator |
| Erin Burns | Assistant Location Manager |
| Melissa Perret | Payroll Accountant |
| Kate Evans | Assistant Production Coordinator |
| S.G. Gallagher | Casting Assistant |
| Brent Caballero | Extras Casting |
| Scot Middleton | Construction Coordinator |
| Jeffrey Gowing | Transportation Coordinator |
| Sara Alavi | Animal Wrangler |
| Jesus 'Chuy' Rosales | Assistant Editor |
| Trevor Gates | Supervising Sound Editor |
| Michael Baird | Dialogue Editor |
| Miguel Barbosa | Foley Artist |
| Fabiana Arrastia | ADR Voice Casting |
| Kymberly Murphy | Visual Effects Coordinator |
| Sean Barrett | Orchestrator |
| Michael Baber | Music Editor |
| Jamie Thierman | Orchestrator |
| Joe Dryden | Utility Stunts |
| Bill Boes | Production Design |
| Susan Boyajian | ADR Voice Casting |
| Name | Title |
|---|---|
| Beatriz Sequeira | Co-Producer |
| John Baldecchi | Executive Producer |
| Ryan Turek | Co-Producer |
| Jason Blum | Producer |
| Angela Mancuso | Executive Producer |
| Couper Samuelson | Executive Producer |
| Jennifer Scudder Trent | Co-Producer |
| Samson Mucke | Executive Producer |
| Erin Vitali | Associate Producer |
| Jeanette Volturno | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 31 | 42 | 23 |
| 2024 | 5 | 37 | 50 | 21 |
| 2024 | 6 | 35 | 62 | 21 |
| 2024 | 7 | 42 | 65 | 23 |
| 2024 | 8 | 31 | 66 | 20 |
| 2024 | 9 | 21 | 35 | 15 |
| 2024 | 10 | 28 | 42 | 17 |
| 2024 | 11 | 27 | 41 | 17 |
| 2024 | 12 | 21 | 34 | 17 |
| 2025 | 1 | 23 | 32 | 14 |
| 2025 | 2 | 23 | 57 | 4 |
| 2025 | 3 | 7 | 23 | 1 |
| 2025 | 4 | 5 | 7 | 2 |
| 2025 | 5 | 4 | 8 | 2 |
| 2025 | 6 | 3 | 6 | 2 |
| 2025 | 7 | 2 | 3 | 2 |
| 2025 | 8 | 3 | 5 | 1 |
| 2025 | 9 | 4 | 7 | 2 |
| 2025 | 10 | 3 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 9 | 819 | 877 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 907 | 952 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 544 | 654 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 775 | 867 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 438 | 776 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 3 | 934 | 959 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 2 | 831 | 926 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 971 | 971 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 824 | 928 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 11 | 682 | 860 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 10 | 900 | 900 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 8 | 895 | 903 |
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Jessica Rothe leads the follow-up to Blumhouse's surprise 2017 smash hit of riveting, repeating twists and comic turns. This time, our hero Tree Gelbman (Rothe) discovers that dying over and over was surprisingly easier than t ... he dangers that lie ahead. Jason Blum once again produces, and Christopher Landon returns to write and direct this next chapter. I don’t have a Happy Death Day review online, but I agree with the adjectives above-mentioned. It was one of last year’s surprises, and I genuinely had great fun with it. Overall, I would have rated it a B/B+, in case you’re wondering. But let’s get to its sequel and find out if it stood up to the original’s level… Short answer: no. Not even close. Honestly, it even diminishes what the first one accomplished. The 2017 original flick was a refreshing surprise because it took a different concept and mixed a bunch of genres in an unexpectedly entertaining way. It was funny, imaginative and Jessica Rothe proved to be a star in the making. 2U just has Rothe. That’s it. Its comedy bits only worked a couple of times throughout the whole runtime, and there wasn’t a single scary sequence that didn’t remind me of thousands of other familiar scenes done better in other films. This movie is simply an easy money-grab, and BlumHouse doesn’t mind if it doesn’t stand up to the original as long as it succeeds in the box office, which it already did. Unfortunately, that’s how Hollywood and the world of cinema works nowadays. If an unique and even risky film, one that was only planned to be a single installment, becomes a box office hit, chances are that a sequel is going to be produced, even if it has to wrongly retcon what happened in the original movie, consequently taking some of its value. This rarely works quality-wise, but I can’t deny that, as a marketing strategy, it’s very profitable for studios. My main issue with Happy Death Day 2U is that it risks too much with no reasonable payoff. Story-wise, it has tons of logical incongruencies, and I don’t buy the ending, at all. Christopher Landon asks too much of the audience since we have to accept so much nonsense in order to actually enjoy the film. In the original movie, the only thing we needed to “go with” was the actual concept, but that was pretty clear from the get-go. In 2U, there’s a compelling and captivating moral dilemma at its core, but that same dilemma becomes less and less like one by the end of it. It’s still a complicated situation, but it’s like they forgot what was really important and went with other poorly explained route. It doesn’t matter the genre from which you analyze this film. If you look at it as a comedy, you’ll barely laugh. If you think of it as a scary movie, you’ll never get scared. If you want to be intrigued by who the killer is this time around, you won’t be because the mystery is pretty straightforward. I really don’t want to rant on this film because I do love its cast and I really enjoyed the first movie, but it’s really hard not to be upset since it damages an eventual second viewing of the first one now. When the original installment doesn’t have an open door to other adventures, just don’t try to make a sequel for the sake of it. I know, I know… Money. Bah. I don’t want to end this review on a sad note, so I left the brilliant cast to the end. Everyone is fantastic, and I hope that at least this film can catapult some of these actors into the spotlight, especially Jessica Rothe. She has a tremendous range of expressions and incredible ease in changing between emotions. She can look scared, sad and happy in a matter of seconds, with tears and all. She’s a full package. I hope that she can grab either a major role on a big TV series or a supporting role in a blockbuster or Oscar-bait movie in the next couple of years. Surely, Jason Blum has some plans for her. All in all, Happy Death Day 2U does not deserve the box office success that it is having. It’s receiving a lot of credit due to the 2017 original’s surprise hit, and that’s unfair to the first installment. This sequel not only wrongly retcons unnecessary plot details of its predecessor, but it makes that correction its main plot, continuously reminding the audience that we just have to accept it. It’s not as funny, scary, unique or surprisingly entertaining as the original, and if the returning cast didn’t deliver strong performances, this would be one of the worst films of the year. Fortunately, there are a couple of good moments here and there, and Jessica Rothe alone saves the movie from a much more negative review. Oh, and please, do NOT make a third one! Just leave it alone. Rating: C-
A notable step down from the first _Happy Death Day_ but I was still pretty happy with this. There are some problems though. Calling it repetitive seems like a no-brainer, given the content, but it's not so much that _2U_ is doing mostly the same thing as the first one, as that it's doing the same t ... hing as the first one, and that all of the things that are changed are **worse**. I didn't need an explanation or really much of anything that I saw in _2U_. But I guess something had to give if _Happy Death Day_ was going to get a sequel, and as I said, I didn't dislike this. I actually actively did like it. I just don't think it was up to the standard off the first, which even then, was good but not great. Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole.
From the start, I was expecting the scenario would shift to another character, instead it went back to the main one from the first film. Plus, when I heard this sequel was in development, I assumed the plot would focus on Lori trying and failing to kill Tree through the same hilarious scenario. ... Still, this was an entertaining sequel.