 
  Popularity: 2 (history)
| Director: | Pedro Almodóvar | 
|---|---|
| Writer: | Pedro Almodóvar | 
| Staring: | 
| Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation. | |
| Release Date: | Mar 22, 2019 | 
|---|---|
| Director: | Pedro Almodóvar | 
| Writer: | Pedro Almodóvar | 
| Genres: | Drama | 
| Keywords | drug abuse, madrid, spain, movie business, creative crisis, cinema on cinema, sexual awakening, valencia, spain, chronic pain, film director, mother son relationship, gay theme, gay artist, earnest | 
| Production Companies | El Deseo, TVE | 
| Box Office | Revenue: $37,359,689 Budget: $10,769,016 | 
| Updates | Updated: Aug 10, 2025 Entered: Aug 10, 2025 | 
| Name | Character | 
|---|---|
| Antonio Banderas | Salvador Mallo | 
| Asier Etxeandia | Alberto Crespo | 
| Leonardo Sbaraglia | Federico Delgado | 
| Nora Navas | Mercedes | 
| Julieta Serrano | Old Jacinta | 
| Penélope Cruz | Jacinta | 
| César Vicente | Eduardo | 
| Asier Flores | Young Salvador | 
| Cecilia Roth | Zulema | 
| Susi Sánchez | Pious Woman from Paterna | 
| Raúl Arévalo | Venancio Mallo | 
| Pedro Casablanc | Dr. A. Galindo | 
| Julián López | Presenter | 
| Eva Martín | Radiologist | 
| Sara Sierra | Conchita | 
| Constancia Céspedes | |
| Rosalía | Laundress Rosita | 
| Marisol Muriel | Laundress Mari | 
| Paqui Horcajo | Laundress Mercedes | 
| Alba Gómez | |
| Xavi Sáez | Man at Cinema | 
| Aline Casagrande | |
| Luis Calero | Father José María | 
| Virgil-Henry Mathet | Gallerist | 
| Chimezie Eke | Drug Dealer | 
| Esperanza Guardado | |
| Agustín Almodóvar | Priest at Seminary | 
| Miguel Rivera | |
| Eneko Galende | Boy at Seminary | 
| Fernando Iglesias | Pianist | 
| Esther García | Auxiliar (uncredited) | 
| Name | Job | 
|---|---|
| Manuel Calvo | First Assistant Director | 
| Nano Méndez | Props | 
| Marta Loza Alonso | Art Department Coordinator | 
| Gabriel del Boca | Graphic Designer | 
| Laura Díez | Third Assistant Director | 
| Pelayo Gutiérrez | Supervising Sound Editor, Sound Designer | 
| Jesús Chaparro | Painter | 
| Mariavi Martinez | Props | 
| Marta Monistrol | Foley Artist | 
| Lucas Fernández | Boom Operator | 
| Pedro Almodóvar | Screenplay, Director | 
| Teresa Font | Editor | 
| Eva Leira | Casting | 
| José Luis Saldaña | Set Designer | 
| Marc Orts | Sound Mixer, Sound Re-Recording Mixer | 
| Victor Quintero | Assistant Director Trainee | 
| Ana María Balsera | Hair Assistant | 
| Pablo Morillas | Additional Hairstylist | 
| Lupe Roig | Hair Assistant | 
| Lourdes Navarro | Production Assistant | 
| Juanlu De La Puente | Production Assistant | 
| Ramón Llamas Montaña | Painter | 
| Juan Sánchez | Graphic Designer | 
| Berta Sabatés | Foley Recordist | 
| Tamara Arévalo | Boom Operator | 
| Miguel Muñoz Huete | Sound Effects Editor | 
| Yolanda Serrano | Casting | 
| Ana Belén Martín | Sound Editor | 
| María Clara Notari | Art Direction | 
| Manolo Pavón | Still Photographer | 
| Ana Caparrós | Assistant Sound Editor | 
| Juan Gatti | Graphic Designer, Animation | 
| Carlota Casado | Property Master | 
| David Esquivel | Second Assistant Director | 
| Adriana Robles | Makeup & Hair Assistant | 
| Pablo Buratti | Storyboard Artist | 
| Chris Downs | Second Assistant Director | 
| Iker Elias | Assistant Set Decoration | 
| José Luis Moya | Construction Manager | 
| Federico Rozadillas | Unit Production Manager | 
| Juan Ignacio Viñuales | On Set Props | 
| Sergio Burmann | Sound | 
| Alejandro López | Dialogue Editor | 
| Alberto Iglesias | Original Music Composer | 
| José Luis Alcaine | Director of Photography | 
| Toni Novella | Production Manager | 
| Ana Lozano | Makeup Designer | 
| Montse Ribé | Special Effects | 
| Elsa Moya Vela | Assistant Property Master | 
| Martín Sánchez Fernández | Construction Coordinator | 
| Vicent Díaz | Set Decoration | 
| Pedro Delgado | Props | 
| Gema Peña Garro | Additional Hairstylist | 
| Mikel Izaguirre | Props | 
| Gonzalo Ansó | On Set Props | 
| Tania Whalbeck | Painter | 
| Anna Harrington | Dialogue Editor | 
| Antxón Gómez | Production Design | 
| Paola Torres | Costume Design | 
| Sergio Pérez Berbel | Hairstylist | 
| Óscar Abades | Special Effects | 
| Name | Title | 
|---|---|
| Clever Beretta Custodio | Associate Producer | 
| Esther García | Producer | 
| Agustín Almodóvar | Producer | 
| Francisco Celma | Associate Producer | 
| Diego Pajuelo | Associate Producer | 
| Ignacio Salazar-Simpson | Associate Producer | 
| Fernando Baldellou | Associate Producer | 
| Ricardo Marco Budé | Associate Producer | 
| Bárbara Peiró | Associate Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 18 | 25 | 14 | 
| 2024 | 5 | 23 | 31 | 18 | 
| 2024 | 6 | 23 | 46 | 13 | 
| 2024 | 7 | 26 | 54 | 15 | 
| 2024 | 8 | 17 | 28 | 11 | 
| 2024 | 9 | 12 | 20 | 9 | 
| 2024 | 10 | 16 | 27 | 9 | 
| 2024 | 11 | 15 | 30 | 9 | 
| 2024 | 12 | 15 | 21 | 8 | 
| 2025 | 1 | 19 | 30 | 13 | 
| 2025 | 2 | 11 | 15 | 3 | 
| 2025 | 3 | 6 | 20 | 1 | 
| 2025 | 4 | 2 | 5 | 1 | 
| 2025 | 5 | 2 | 6 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 2 | 3 | 1 | 
| 2025 | 9 | 2 | 3 | 2 | 
| 2025 | 10 | 2 | 4 | 1 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 8 | 185 | 535 | 
If you were to tell me that ‘Pain and Glory’ was Pedro Almodóvar’s final film, I would be inclined to believe you. Rarely has the act of looking back on one's past been so vividly and honestly depicted, and so richly and emotionally satisfying. You can feel the need for this film to exist in every f ... rame, a need to understand and reflect and celebrate and mourn. It is a portrait of an artist at a crossroads, entering the last act of their lives, looking back at what they have created and the battlefield left in their wake, and facing the terror of never creating again. ‘Pain and Glory’ is an intensely beautiful film, one that hangs in the air around you like a perfume for days after. The more I think back on it, the more certain I am that I’ve seen a masterwork. I cannot wait to see it again. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-pain-and-glory-almodovar-delivers-a-rhapsodic-masterwork
This is a wonderful notional career retrospective of filmmaker "Salvador Mallo" (Antonio Banderas) who has a reached an age where he struggles with painkillers and mobility issues - and so embarks on a bit of nostalgia reliving his life. This will one day be described as a classic. Almodóvar at his ... most pure, grafting the fiction to the fact in such a beautifully crafted way that it is almost impossible to know how you feel whilst you watch it. Banderas is wonderful. He delivers the emotion and the humour - and there is enough of the latter to adequately temper the more emotional aspects of his performance - with consummate skill. Penélope Cruz who always seems more stunning every time she appears on screen plays his mother and even sings - what more could you ask for? In theory, there ought be little joy in this retrospective, but the self-discovery delivers a surprising amount of fulfilment and there is humour to be found here, too.