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Strictly for the Birds Poster

Strictly for the Birds

1964 | 63m | English

(85 votes)

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Popularity: 1 (history)

Director: Vernon Sewell
Writer: Tony Hawes
Staring:
Details

A gambler tries to strike it rich at the racetrack but gets taken by a gorgeous blonde who also happens to be a crook.
Release Date: Mar 28, 1964
Director: Vernon Sewell
Writer: Tony Hawes
Genres: Comedy
Keywords
Production Companies Independent Artists
Box Office Revenue: $0
Budget: $0
Updates Updated: May 07, 2024
Entered: May 05, 2024
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Full Credits

Name Character
Carol Cleveland Sandra
Tony Tanner Terry Blessing
Joan Sims Peggy Bennett
Graham Stark Hartley Fitzroy-Miles
Jeanne Moody Claire Snow
Eric Dodson George
Toni Palmer Bridget
Murray Kash Mario
Christine Hargreaves Linda Rich
Juliet Cooke Dorothy
Eddie Leslie Traffic Warden
Duncan Lewis Trilby Hat
Valerie Walsh Maxine
Bernard Goldman Mendoza
Edward Caddick Bookie
Tony Hawes Joe
Alan Baulch Alfie
Pamela Manson None
Name Job
Mike Fox First Assistant Camera
Roy Walker Art Direction
Ray Sturgess Camera Operator
Helene Bevan Hairstylist
Vernon Sewell Director
Reginald H. Wyer Director of Photography
Tony Hawes Writer
Arthur Alcott Production Supervisor
Joy Mercer Continuity
Vi Murray Wardrobe Designer
Ken Scrivener Sound Re-Recording Mixer
William P. Cartlidge Assistant Director
John Wilcox Makeup Artist
Tristam Cones Sound Editor
Johnny Douglas Original Music Composer, Conductor
Simon Kaye Sound Recordist
Name Title
E.M. Smedley-Aston Producer
Organization Category Person
Popularity Metrics

Popularity History


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2025 7 0 0 0
2025 8 0 0 0
2025 9 1 1 0
2025 10 1 2 1

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Reviews

Geronimo1967
5.0

This is really just a vehicle for small-time theatre star Tony Tanner, and it's doesn't really add up to much. He ("Terry") is having a good night having found a penny on the street and by one means or another turned it into a tidy twenty quid. There is soon quite a fly in his ointment, though, when ... an ex turns up and deposits "Alfie" (Alan Baulch) on him, claiming he is their son. What now ensues is a rather predictable series of scenarios that though occasionally lit up by Joan Simms as the landlady "Peggy", these recycle themselves a bit too often. Tanner has timing and some personality, but somehow this film just neuters that quite effectively with a really limiting stage-like production and some borderline inane dialogue. There is plenty of London photography, but after a few scenes that becomes unremarkable too. Saturday afternoon B-feature fodder, that's all, I'm afraid.

Feb 10, 2023