 
  Popularity: 7 (history)
| Director: | Tim Burton | 
|---|---|
| Writer: | Rudolph Grey, Scott Alexander, Larry Karaszewski | 
| Staring: | 
| The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful. | |
| Release Date: | Sep 28, 1994 | 
|---|---|
| Director: | Tim Burton | 
| Writer: | Rudolph Grey, Scott Alexander, Larry Karaszewski | 
| Genres: | Comedy, Drama, History | 
| Keywords | individual, taxi, transsexuality, transvestite, fortune teller, movie business, drug addiction, boxer, oddball, celebrity, morphine, los angeles, california, black and white, suburb, theremin, handgun, trick or treating, 1950s | 
| Production Companies | Touchstone Pictures | 
| Box Office | Revenue: $5,900,000 Budget: $18,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Johnny Depp | Ed Wood | 
| Martin Landau | Bela Lugosi | 
| Sarah Jessica Parker | Dolores Fuller | 
| Patricia Arquette | Kathy O'Hara | 
| Jeffrey Jones | Criswell | 
| Bill Murray | Bunny Breckinridge | 
| Lisa Marie | Vampira | 
| Jim Myers | Tor Johnson | 
| G. D. Spradlin | Reverend Lemon | 
| Vincent D'Onofrio | Orson Welles | 
| Mike Starr | Georgie Weiss | 
| Max Casella | Paul Marco | 
| Brent Hinkley | Conrad Brooks | 
| Juliet Landau | Loretta King | 
| Clive Rosengren | Ed Reynolds | 
| Norman Alden | Cameraman Bill (uncredited) | 
| Leonard Termo | Makeup Man Harry (uncredited) | 
| Ned Bellamy | Dr. Tom Mason (uncredited) | 
| Danny Dayton | Soundman (uncredited) | 
| Ross Manarchy | Camera Assistant (uncredited) | 
| Bill Cusack | Tony McCoy | 
| Stanley DeSantis | Mr. Feldman (uncredited) | 
| Biff Yeager | Rude Boss (uncredited) | 
| Joseph R. Gannascoli | Security Guard (uncredited) | 
| Carmen Filpi | Old Crusty Man (uncredited) | 
| Lisa Malkiewicz | Secretary #1 (uncredited) | 
| Melora Walters | Secretary #2 (uncredited) | 
| Conrad Brooks | Bartender (uncredited) | 
| Don Amendolia | Salesman (uncredited) | 
| Reid Cruickshanks | Stage Guard (uncredited) | 
| Lionel Decker | Executive #1 (uncredited) | 
| Edmund L. Shaff | Executive #2 (uncredited) | 
| Gene LeBell | Ring Announcer (uncredited) | 
| Bobby Slayton | TV Show Host (uncredited) | 
| Gretchen Becker | TV Host's Assistant (uncredited) | 
| John Rice | Conservative Man (uncredited) | 
| Catherine Butterfield | Conservative Wife (uncredited) | 
| Mary Portser | Backer's Wife (uncredited) | 
| King Cotton | Hick Backer (uncredited) | 
| Don Hood | Southern Backer (uncredited) | 
| Matthew Barry | Valet (uncredited) | 
| Ralph Monaco | Waiter (uncredited) | 
| Anthony Russell | Busboy (uncredited) | 
| Gregory Walcott | Potential Backer (uncredited) | 
| Charles C. Stevenson Jr. | Another Backer (uncredited) | 
| Rance Howard | Old Man McCoy (uncredited) | 
| Vasek Simek | Professor Strowski (uncredited) | 
| Vinny Argiro | TV Horror Show Director (uncredited) | 
| Korla Pandit | Indian Musician (uncredited) | 
| Patti Tippo | Nurse (uncredited) | 
| Ray Baker | Doctor (uncredited) | 
| Louis Lombardi | Rental House Manager (uncredited) | 
| Jesse Hernandez | Wrestling Opponent (uncredited) | 
| Jim Boyce | Theatre Manager (uncredited) | 
| Ben Ryan Ganger | Angry Kid (uncredited) | 
| Charlie Holliday | Tourist (uncredited) | 
| Tommy Bertelsen | Tough Boy (uncredited) | 
| Adam Drescher | Photographer #1 (uncredited) | 
| Ric Mancini | Photographer #2 (uncredited) | 
| Daniel Riordan | Pilot / Strapping Young Man (uncredited) | 
| Mickey Cottrell | Hammy Alien (uncredited) | 
| Lena Banks | Sexy Pedestrian (uncredited) | 
| Maurice LaMarche | Orson Welles (voice) (uncredited) | 
| Ada Tai | Vampira's Friend (uncredited) | 
| Arlene Tai | Vampira's Friend (uncredited) | 
| Rayder Woods | Car Vandal (uncredited) | 
| Ralph Moratz | Extra (uncredited) | 
| Bill Blair | Carny (uncredited) | 
| Ryan Holihan | Frantic Usher | 
| Bela Lugosi | Self (archive footage) (uncredited) | 
| Name | Job | 
|---|---|
| James Leonard | Makeup Artist | 
| Okowita | Art Direction | 
| Howard Jensen | Special Effects Coordinator | 
| John Nutt | Supervising Sound Editor | 
| Janna Stern | Script Supervisor | 
| Philippe Carr-Forster | Camera Operator | 
| Ellen Segal | Music Editor | 
| Michelle Skoby | Assistant Costume Designer | 
| Kent Burton | Animation | 
| Kenn Smiley | Costume Supervisor | 
| Scott Levitin | Dialogue Editor | 
| Jennifer Myers | Foley Artist | 
| Margie O'Malley | Foley Artist | 
| Tom Duffield | Production Design | 
| Kevin Pike | Special Effects | 
| Yolanda Toussieng | Key Hair Stylist | 
| Carrie Angland | Makeup Artist | 
| Hal Lary | Transportation Captain | 
| Philip Maldonado | Set Costumer | 
| David Gaines | Post Production Supervisor | 
| Rich Schirmer | Sound Re-Recording Mixer | 
| Brian Ruberg | ADR Mixer | 
| Richard Duarte | Foley Recording Engineer | 
| Mike Topoozian | First Assistant Director | 
| Bill Dance | Extras Casting | 
| David Franklin Bergad | Assistant Sound Editor | 
| Jeff Courtie | ADR Mixer | 
| Gregory Kent Simmons | Second Assistant Director | 
| Cricket Rowland | Set Decoration | 
| Kathy Wood | Thanks | 
| Bridget Cook | Hairstylist | 
| Paul Boyington | Visual Effects Supervisor | 
| Lucia Mace | Hairstylist | 
| Matt Rose | Makeup Artist | 
| Tim Abbatoye | Transportation Co-Captain | 
| Liz Matthews | Location Manager | 
| Nancy McArdle | Costume Supervisor | 
| Linda Lew | Foley Recording Engineer | 
| Paul J. Zydel | ADR Mixer | 
| Edward Tise | Production Sound Mixer | 
| Samuel H. Hinckley | Sound Effects Editor | 
| Joan E. Chapman | Dialogue Editor | 
| Richard Quinn | Assistant Sound Editor | 
| Lisa Chino | Assistant Sound Editor | 
| Mildred Iatrou | Assistant Sound Editor | 
| Patrick Dodd | Dialogue Editor | 
| Rudolph Grey | Book | 
| Tim Burton | Director | 
| Scott Alexander | Screenplay | 
| Larry Karaszewski | Screenplay | 
| Howard Shore | Original Music Composer | 
| Stefan Czapsky | Director of Photography | 
| Chris Lebenzon | Editor | 
| Victoria Thomas | Casting | 
| Colleen Atwood | Costume Design | 
| Ve Neill | Makeup Artist | 
| Michael Polaire | Unit Production Manager | 
| John Branagan | Stunt Coordinator | 
| Paul Marco | Thanks | 
| Rick Baker | Makeup Designer | 
| Anthony G. Schmidt | Stunts | 
| Emily Ferry | Property Master | 
| David Parker | Sound Re-Recording Mixer | 
| Michael Semanick | Sound Re-Recording Mixer | 
| Ernie Fosselius | Sound Effects Editor | 
| Joni Avery | Stunts | 
| Bobby Burns | Stunts | 
| Name | Title | 
|---|---|
| Michael Flynn | Producer | 
| Tim Burton | Producer | 
| Denise Di Novi | Producer | 
| Michael Lehmann | Executive Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Golden Globes | Best Picture | N/A | Won | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 38 | 60 | 24 | 
| 2024 | 5 | 68 | 87 | 56 | 
| 2024 | 6 | 47 | 84 | 24 | 
| 2024 | 7 | 23 | 35 | 13 | 
| 2024 | 8 | 19 | 33 | 12 | 
| 2024 | 9 | 14 | 18 | 8 | 
| 2024 | 10 | 20 | 42 | 11 | 
| 2024 | 11 | 17 | 29 | 13 | 
| 2024 | 12 | 16 | 22 | 10 | 
| 2025 | 1 | 19 | 40 | 13 | 
| 2025 | 2 | 12 | 20 | 3 | 
| 2025 | 3 | 7 | 23 | 1 | 
| 2025 | 4 | 4 | 10 | 1 | 
| 2025 | 5 | 3 | 11 | 2 | 
| 2025 | 6 | 3 | 6 | 1 | 
| 2025 | 7 | 2 | 2 | 1 | 
| 2025 | 8 | 3 | 4 | 1 | 
| 2025 | 9 | 4 | 5 | 3 | 
| 2025 | 10 | 4 | 7 | 3 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 6 | 841 | 918 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 3 | 879 | 879 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 2 | 840 | 918 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2025 | 1 | 591 | 693 | 
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 12 | 842 | 902 | 
**A sincere tribute to the man and his work, full of bizarreness, humor, artificial octopuses and angora.** I've been wanting to see this for a while now, and the opportunity finally came. Very intelligently directed by Tim Burton, it is a brief biography that honors Ed Wood, reckoned as the wors ... t director Hollywood has ever known (although that title is disputed by other more recent directors). I already knew Ed Wood's work, I've seen one or two of his films, and I can guarantee that his fame is justified: the films are the most amateurish imaginable and the number of errors and problems is such that even the general public saw the director's inability and naïveté. I won't dwell on this point, just add that this film covers the filming of “Glenn or Glenda”, “Bride of the Monster” and “Plan 9 from Outer Space”. As is typical of Burton's films, there is a certain amount of bizarreness which makes the most sincere homage to Ed Wood's work. One notices, implicitly, a certain sympathy or admiration for the director, who never achieved fame (at least, positive) and to whom success has eluded. He is a man with a vision and a dream, but without any ability to achieve it and who, even so, never gave up. Johnny Depp was a smart choice for the protagonist. The actor likes unusual roles and portrayed Wood in a very faithful way, emphasizing his incorrigible and absolutely blind optimism, as well as his habit of dressing like a woman and the problems that caused him in being taken seriously. There is, in the character, a certain bizarre fetish about angora fabrics that I don't know if it was real, but it fit very well. I also really liked Martin Landau, a very respectable veteran who fit wonderfully into the role of Bela Lugosi, the mythical horror actor who was forgotten by the industry towards the end of his life and succumbed to morphine addiction and depression, and Lisa Marie, who played Maila Nurmi, Finnish actress famous for her character Vampira. Sarah Jessica Parker also did an impeccable job as Wood's girlfriend. Jeffrey Jones does a good job as Criswell, a fake psychic famous for his TV appearances. Bill Murray appears little, but does a decent job whenever asked. The film was very well shot in black and white, and I believe this fit better with the spirit of the film, and the way it was designed. There is a beautiful limpidity and the cinematography is very crafted and stylistically rich. The film plays a lot with the difficulties that Wood encountered in filming and promoting his films, and the total amateurism with which he did so, and this is funny and, at the same time, moving. The sets and costumes are excellent, convincing, and the reproduction of the films was well done and honors the originals. The soundtrack, written by Howard Shore, does the rest and gives the film a bizarrely delicious tone. Finally, a word about the opening and ending of the film, in a style magnificently suited to cheap horror productions of the time.