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Flashback

In the blink of an eye your life can turn upside down
2020 | 97m | English

(7712 votes)

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Popularity: 3 (history)

Details

Frederick Fitzell is living his best life—until he starts having horrific visions of Cindy, a girl who vanished in high school. After reaching out to old friends with whom he used to take a mystery drug called Mercury, Fredrick realizes the only way to stop the visions lies deep within his own memories, so he embarks on a terrifying mental odyssey to learn the truth.
Release Date: Oct 08, 2020
Director: Christopher MacBride
Writer: Christopher MacBride
Genres: Mystery, Thriller
Keywords journey in the past, time travel, mysterious drug, journey
Production Companies Téléfilm Canada, Grindstone Entertainment Group, Entertainment One, Protagonist Pictures, Resolute Films and Entertainment, Endeavor Content, Addictive Pictures, Trinity Media Films
Box Office Revenue: $26,747
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Dylan O'Brien Fred Fitzell
Hannah Gross Karen
Emory Cohen Sebastian
Keir Gilchrist Andre
Maika Monroe Cindy Williams
Liisa Repo-Martell Mrs. Fitzell
Amanda Brugel Evelyn
A.C. Peterson Mr. MacDonald
Aaron Poole Pierced Man
Maika Harper Tattooed Woman
Ian Matthews Vincent
Donald Burda Dr. Phillips
Myles Isen Fred at 6
Connor Smith Scarred Man
Leslie Adlam Female Cop
Andrew Latter 12 Year Old Boy
Jill Frappier Mrs. Shouldice
Josh Cruddas Twenty Something Man
Conrad Bergschneider Male Teacher
Tracy Baker Dancer
Jackie English Violet
Constantine Meglis Huge Bouncer
Elizabeth Osler Overdosed Teen
Prince Amponsah Mysterious Party Goer
Parker Antal Baby Fred
Emmet Antal Baby Fred
Landon Norris Scarred Man (voice)
Hershel Blatt Mike (uncredited)
Sima Fisher Dancer (uncredited)
Name Job
Anthony Scott Burns Music
Sarah Millman Costume Design
Wojciech Zielinski Visual Effects Supervisor
Jennifer Lantz Set Costumer
Christopher MacBride Director, Writer
Brian Campbell Line Producer
Matt Lyon Editor
Jennifer Morden Production Design
Fred Espina Art Direction
Brendan Steacy Director of Photography
Michael Baskerville Sound Re-Recording Mixer
Christian T. Cooke Sound Re-Recording Mixer
Millie Tom Casting
Dan Clifton Line Producer
Adriana Bogaard Art Direction
David Lewington Set Designer
Rob Bertola Sound Designer
Mark Zsifkovits Sound Re-Recording Mixer
Dave Sheridan Camera Operator
Name Title
Russell Ackerman Executive Producer
Lee Kim Producer
John Schoenfelder Executive Producer
Kabeer Baig Executive Producer
Christina Kubacki Executive Producer
Christopher MacBride Executive Producer
Morgan Emmery Executive Producer
Jean-Charles Levy Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 21 28 14
2024 5 26 44 17
2024 6 25 65 14
2024 7 20 30 13
2024 8 18 29 12
2024 9 13 18 9
2024 10 18 39 10
2024 11 16 39 10
2024 12 14 21 9
2025 1 15 24 10
2025 2 10 16 3
2025 3 5 14 1
2025 4 2 4 1
2025 5 2 4 1
2025 6 2 3 1
2025 7 1 2 1
2025 8 1 2 1
2025 9 4 7 1
2025 10 2 4 1

Trending Position


Year Month High Avg
2025 1 685 784

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Reviews

JPV852
6.0

Interesting ideas and a bit pretentious with the dialogue at times, this one reminded me a bit of The Butterfly Effect. I was mostly confused throughout the entire thing, but can at least admire the performances from both Dylan O'Brien and Maika Monroe, albeit every character doesn't have a whole lo ... t of depth. I normally enjoy mysteries but this one was way out there for me to follow or care about by the end. I'll give it this much, it is unique... **3.0/5**

Jun 23, 2021
MelodicHorizon
10.0

Flashback is more than just a mind-bending thriller; it's a profound exploration of reality, choice, and enlightenment, deeply rooted in Gnostic philosophy. The film follows Fred, whose life takes a radical turn when he decides to defy the conventional path—literally driving the wrong way on a one-w ... ay street. This act symbolizes his break from societal norms and the start of his journey toward higher understanding. At the heart of the film is the concept of the demiurge—a deceptive force from Gnostic teachings known as Yaldabaoth. This invasive life-form seeks to control consciousness by imposing the illusion of the material world, using constructs like language, numbers, color, and shape to keep us confined. It manipulates our perception of time, making us believe in a linear progression of cause and effect, thereby limiting our ability to see the true nature of reality. Fred's experiences aren't just flashbacks; they're revelations that all moments exist simultaneously. The non-linear narrative mirrors this truth, challenging the idea that time is a straight line. When Fred starts taking "Merc," it's not just a drug—it's a symbol of the Gnostic "Monad," the ultimate source of oneness and truth. This substance temporarily frees him from the demiurge's influence, allowing him to perceive reality without the usual filters. Cindy, the enigmatic figure in Fred's life, represents gnosis—the knowledge of spiritual mysteries. She guides him to question everything he's been taught. When she says, "I don't want to be like them—just giving things labels, labeling things that are infinite and unknowable," she's urging him to see beyond the superficial layers imposed by the demiurge. A pivotal moment comes when Fred pieces together a message that encapsulates his awakening: *"The system you are using to interpret reality is not one of your choosing. Numbers. Language. Color. Shape. All a misinterpretation of the information around you—a misinterpretation imposed on you by an invasive life-form that is trying to control your consciousness. The substance you ingested temporarily counteracts the influence of this invasive life-form that forces you to perceive information as it does: in a linear fashion. To perceive choices as having inescapable outcomes—outcomes it has dictated, thereby controlling all of your choices and, in effect, eliminating them. It achieves this by influencing you to perceive the most elaborate of all misinterpretations... Time."* This realization is a direct confrontation with the demiurge's deception. Fred understands that his perceived reality is a construct designed to limit him. By breaking free from this illusion, he gains the power to make authentic choices. Throughout his journey, Fred begins to reclaim his life. He excels in his finals, delivers a stellar presentation, finds true love, and makes peace with his mother's passing. In doing so, he integrates all facets of his existence, transcending the barriers imposed by the false reality. There's a beautiful symmetry in how his relationships intertwine—perhaps recognizing that Cindy and his mother are reflections of the same guiding force toward enlightenment. Flashback ultimately conveys that we're not bound by the limitations others place upon us or the ones we've accepted ourselves. The film encourages us to question the structures that define our reality and to recognize our innate power to choose. By seeing through the illusion of linear time and the constructs of the material world, we can awaken to our true potential. In essence, the movie is a modern reflection of Gnostic teachings—a call to shed the illusions crafted by the demiurge and to embrace the profound freedom that comes with true knowledge. It's a reminder that enlightenment isn't about escaping reality but about seeing it for what it truly is and reclaiming our power within it.

Nov 04, 2024