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Come Away

A story about courage, wonder and never growing old.
2020 | 94m | English

(6200 votes)

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Popularity: 2 (history)

Details

Before Alice went to Wonderland, and before Peter became Pan, they were brother and sister. When their eldest brother dies in a tragic accident, they each seek to save their parents from their downward spirals of despair until finally they are forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland.
Release Date: Nov 12, 2020
Director: Brenda Chapman
Writer: Marissa Kate Goodhill
Genres: Fantasy, Adventure
Keywords woman director
Production Companies TinRes Entertainment, Yoruba Saxon, Fred Films, Endurance Media, Hammerstone Studios, ACE Pictures Entertainment
Box Office Revenue: $1,746,860
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Angelina Jolie Rose Littleton
Jordan A. Nash Peter
Keira Chansa Alice
Michael Caine Charlie
Gugu Mbatha-Raw Adult Alice
Derek Jacobi Mr. Brown
Anna Chancellor Eleanor Morrow
Clarke Peters Mad Hatter
Johanna Thea Mickeys Patron
Carter Thomas Michael Darling
Ned Dennehy Smee
Ava Fillery Wendy Darling
David Oyelowo Jack Littleton
Jenny Galloway Hannah O'Farrel
Jonathan Garcia John Darling
Keith Chanter Orphanage School Master
Reece Yates David Littleton
Savannah Read Orphan Girl
Name Job
Brenda Chapman Director
J.M. Barrie Characters
Jamie Mills Gaffer
Adam Horton Stunt Coordinator
Marissa Kate Goodhill Screenplay
Jules O'Loughlin Director of Photography, "A" Camera Operator
Luciana Arrighi Production Design
Christopher Tandon Art Direction
Liz Ainley Set Decoration
Louise Stjernsward Costume Design
Eleanor Sabaduquia Key Makeup Artist
Gisela Evert Post Production Supervisor
Will Mackay Stunts
Benos Noble Stunts
Joe Watts Stunts
Natasha Cousins Costume Supervisor
Fabrice Spelta Art Direction
Andrew Munro Supervising Art Director
Kate J. Sullivan Set Decoration
Karen Scott Hair Supervisor, Makeup Supervisor
Richard Graysmark First Assistant Director
Sanchez Mclean Stunts
Tilly Powell Stunts
Giulia Patanè Script Supervisor
Cass Marks Line Producer
Konnie Daniel Makeup Designer, Hair Designer
Lillie Jeffrey Casting
Justin Hawkins First Assistant "B" Camera
Amy Yeats Second Assistant "B" Camera
Rupert Lloyd-Parry Key Grip
Hugh Sherlock Sound Engineer
Katharine Rose Costume Assistant
Pascale Recher Hair Supervisor, Makeup Supervisor
Sally Watterston Makeup & Hair
Reg Poerscout-Edgerton Casting
Damien Walsh First Assistant "A" Camera
Alex Van Heerden Second Assistant "A" Camera
Michael Pentney Digital Imaging Technician
David Lascelles Production Sound Mixer
Françoise Fourcade Assistant Costume Designer
Amber Brabant Wardrobe Master
Jenny Hammond Makeup & Hair
Ross Busby Best Boy Electric
Danny Tyler Electrician
John Bohan Construction Manager
Robert Binnall Second Unit Director of Photography
Amar Ingreji Visual Effects Editor
Lacey Seringer Assistant Editor
Amy Stockdale Post Production Coordinator
Kyrsten Mate Sound Designer
Teresa Eckton Sound Effects Editor
Matthew Hartman Dialogue Editor, ADR Editor
Christopher Barron Assistant Sound Editor
Scott Curtis Foley Mixer
Kimberly Patrick Foley Editor
Sean England Foley Artist
Jeff Carson Music Editor
Tanya Noel Hill Music Editor
Noel Cowell Property Master
James Summers Rigging Gaffer
Jamie Bruce Electrician
Greg Whitbrook Electrician
Rory Okey Casting Assistant
Emma McCleave Associate Editor
Sarah K. Reimers Additional Editor
Esther Bailey Assistant Editor
Shaheen Schleifer Post Production Coordinator
Stuart McCowan ADR Editor
Alyssa Nevarez Assistant Sound Editor
Shelley Roden Foley Artist
Lola Debney Music Coordinator
Jim Harrison Music Editor
Will Taggart Music Coordinator
John Debney Original Music Composer
Dody Dorn Editor
Marvin Campbell Stunts
Amanda Foster Stunts
James Pavey Stunts
Rob Pavey Stunts
Nik Schodel Stunt Coordinator
Shane Steyn Stunts
Alex Bailey Still Photographer
Dave Isern "B" Camera Operator, Steadicam Operator
Oliver Garcia Assistant Costume Designer
Sian Crisp Casting Assistant
Stevee Davies Casting Assistant
Anisha Acharya Additional Editor
Mac Smith Supervising Sound Editor
Christopher Barnett Sound Re-Recording Mixer
Juan Peralta Sound Re-Recording Mixer
Shaun Farley Sound Effects Editor
Chris Manning Foley Editor
Name Title
James Spring Producer
Andrea Keir Producer
Steve Richards Producer
Leesa Kahn Producer
Minglu Ma Executive Producer
Johnny Chang Executive Producer
Timur Bekbosunov Executive Producer
Courtney Chenn Executive Producer
David Haring Executive Producer
Pervez Delawalla Executive Producer
Gia Muresan Executive Producer
Steve Ponce Executive Producer
Richard Graysmark Co-Producer
George Acogny Executive Producer
Peter Wong Executive Producer
Emma Lee Executive Producer
Waylen Lin Executive Producer
Christian Mercuri Executive Producer
Simon Fawcett Executive Producer
Jane Hooks Executive Producer
Michelle Manning Executive Producer
Reg Poerscout-Edgerton Co-Producer
Shereen Ali Associate Producer
David Oyelowo Producer
Steve Barnett Executive Producer
Alex Lebovici Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 33 55 22
2024 5 41 73 31
2024 6 29 54 16
2024 7 24 61 12
2024 8 22 49 11
2024 9 13 19 10
2024 10 16 28 11
2024 11 15 41 6
2024 12 13 27 8
2025 1 14 27 8
2025 2 10 14 3
2025 3 5 12 1
2025 4 2 5 1
2025 5 2 6 1
2025 6 1 3 1
2025 7 1 2 0
2025 8 1 2 1
2025 9 4 10 2
2025 10 3 3 2

Trending Position


Year Month High Avg
2024 12 748 812

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Reviews

tmdb28039023
1.0

Come Away is a film about the power of imagination made by people who have none. This is not a script; it’s a mashup. Because it’s not enough to ruin one beloved children’s classic, this movie turns Alice and Peter Pan into biracial siblings whose parents are David Oyelowo and Angelina Jolie. Th ... e only way any of this would make any sense is if the entire story took place in either Neverland or Wonderland, which it most certainly doesn’t. Movies like this always remind me of Fran Lebowitz explaining that art shouldn’t be a democracy but an intellectual aristocracy. Here we have an interracial marriage set in a time and place where such a union would have been all but impossible. Ignoring the struggle for equality does a disservice to those who fought and died for it. The worst part is that the filmmakers lack the courage of their convictions, giving the dark-skinned Alice blonde highlights (which of course no one had in Victorian England). Do they actually think this is what happens when a blonde woman and a black man reproduce? Or are they afraid to make the character 'too black'? All these distractions, however, do not change the fact that the plot is hopelessly pedestrian; say what you will of Hook, but at least it had joie de vivre. How bad do you have to suck to co-opt two iconic characters and still come out with less than the sum of the parts?

Sep 06, 2022