2067
The fight for the future has begun.
2020 | 114m | English
Popularity: 2 (history)
| Director: | Seth Larney |
|---|---|
| Writer: | Seth Larney, Gareth Davies |
| Staring: |
| A lowly utility worker is called to the future by a mysterious radio signal, he must leave his dying wife to embark on a journey that will force him to face his deepest fears in an attempt to change the fabric of reality and save humankind from its greatest environmental crisis yet. | |
| Release Date: | Oct 01, 2020 |
|---|---|
| Director: | Seth Larney |
| Writer: | Seth Larney, Gareth Davies |
| Genres: | Science Fiction, Thriller |
| Keywords | climate change, time travel, deforestation, 2060s, extinct plants, synthetic oxygen |
| Production Companies | Arcadia, KOJO Entertainment, Futurism Studios, Elevate Production Finance, Rocketboy |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Kodi Smit-McPhee | Ethan Whyte |
| Ryan Kwanten | Jude Mathers |
| Sana'a Shaik | Xanthe Whyte |
| Aaron Glenane | Richard Whyte |
| Leeanna Walsman | Selene Whyte |
| Deborah Mailman | Regina Jackson |
| Finn Little | Young Ethan Whyte |
| Matt Testro | Young Jude Mathers |
| Damian Walshe-Howling | Billy Mitchell |
| Andy McPhee | Desperate Worker |
| Rachael Wegener | Jade |
| V. Wasylczenko | Radio Broadcaster (voice) |
| Judd Wild | Middle Class Man |
| Natasha Wanganeen | Government Offical |
| Rory Walker | News Broadcaster |
| Meme Thorne | Newsreader |
| Janet Tan | Smiling Woman (Hologram) |
| Name | Job |
|---|---|
| Seth Larney | Writer, Director |
| Denson Baker | Director of Photography |
| Gareth Wilkes | Art Direction |
| Jacinta Leong | Production Design |
| Rick Beecroft | First Assistant Director |
| Veronica Buhagiar | First Assistant Editor |
| Kirsten Axelholm | Music |
| Nick Steele | Boom Operator |
| Marianne Jade | Casting Director |
| Carly Maple | Production Manager |
| Oriana Merullo | Costume Design |
| Regina Lee | Script Editor |
| Matt Byrne | Epk Director |
| Lisa Iona | Production Coordinator |
| Jonathon Hyde-Neary | Set Decoration |
| Kelly Haines | Script Supervisor |
| Bec Janek | Epk Producer, Production Secretary, Visual Effects Producer |
| James Cowie | Online Editor |
| Will Sheridan | Sound Recordist |
| Serhiy Protsenko | Compositor |
| Laurie Hughes | VFX Editor |
| Mark van den Bergen | Visual Effects Supervisor |
| Scott Ashenden | Construction Manager |
| Kaiit Mosby | Property Master |
| Paul Warren | Costume Supervisor |
| Dave Paterson | Additional Writing |
| Michael Hauge | Script Editor |
| Bryn White | First Assistant Camera |
| Jules Wurm | Additional First Assistant Camera |
| Matt Richardson | Key Grip |
| Dane Hallett | Concept Artist |
| Andrew Kattie | Set Designer |
| Sally Blenkinsop | Costumer |
| Karen Gower | Key Hair Stylist, Key Makeup Artist |
| Mark Hollowell | Armorer |
| Serhiy Shirmanov | Compositor |
| Mahdi Manar | Visual Effects, CG Artist |
| John Dietz | Visual Effects Producer |
| Jonah Booth-Remmers | Concept Artist |
| Matteo Medos | Prop Maker |
| Andrea schiavone | Visual Effects |
| Gabrielle Joosten | Visual Effects Producer |
| Jeremy Love | Conceptual Design |
| Marshall Tearle | Prop Maker |
| Sam Uther | Storyboard Artist |
| Thomas Healey | Set Dresser |
| Stephen L. Jones | Location Manager |
| Antonetta Russo | Production Accountant |
| Claire Bishop | Second Assistant Camera |
| Bonnie Paku | Additional Second Assistant Camera |
| Django Nou | Best Boy Electric |
| Annalisa Francesca | Set Decoration |
| Brian Carlin | Concept Artist |
| Michael Wolff | Scenic Artist |
| Lauren Brice | Costume Assistant |
| Davi Soesilo | Second Assistant Camera |
| Keir Beck | Stunt Coordinator |
| Sam Hayward | Sound Re-Recording Mixer |
| William Gammon | VFX Supervisor |
| Joe Stenning | Compositing Lead |
| Charles Whittington | Draughtsman |
| Michael Kumnick | Carpenter |
| Michael Bawden | Carpenter |
| Raph Atkins | CG Artist |
| Benjamin Bode | Creative Director |
| Nick Moore | Carpenter |
| Eddie Hopton | Carpenter |
| Nicole Ashford | CG Artist |
| Jim Dodd | CG Artist |
| Damian Walshe-Howling | Second Unit Director |
| Enzo Ferraro | Draughtsman |
| Alex Heath | Carpenter |
| Mark Chataway | CG Artist |
| Sam Loxton | CG Artist |
| Gareth Davies | Additional Dialogue, Writer |
| Dustin Cumming | Compositor |
| Kenneth Lampl | Music |
| Andrew Miller | Sound Effects Editor |
| Viacheslav Degtar | Compositor |
| Dean Richichi | Digital Compositor |
| Wayne Nassereddine | Second Assistant Director |
| Christopher Vogler | Script Editor |
| Mik Gojic | Data Wrangler |
| Caleb Hecht | VFX Lighting Artist |
| Matan Tatarko | Best Boy Grip |
| Matt Hatton | Concept Artist |
| Kate Rawlins | Set Designer |
| Stephen Roedel | Set Painter |
| Jonathan Rossiter | Second Unit Director of Photography |
| Caleb Thomas | Drone Pilot |
| Glenn Jones | Gaffer |
| Ben Eagleton | Colorist |
| Derryn Pasquill | Dialogue Editor |
| Lisa Simpson | Foley Mixer |
| Sandra Mondange | Visual Effects Production Manager |
| Caleb Thompson | Compositing Lead |
| Bec Triosi | Makeup & Hair |
| Alina Gozin'a | Still Photographer |
| Logan Collier | Key Grip |
| Glenn Stewart | Main Title Designer |
| Nigel Christensen | Sound Designer |
| Michael Ackroyd | Assistant Sound Editor |
| Angus Robertson | Dialogue Editor |
| John Simpson | Foley Recordist |
| Richard Hall | Compositing Lead |
| Stefan Litterini | CG Artist |
| Joan Sauers | Script Editor |
| Sean Lahiff | Editor |
| Kelly Valentine Hendry | Casting |
| Sheila Hanahan | Script Editor |
| Storm Ashwood | Gaffer |
| Name | Title |
|---|---|
| Alexandra Burke | Executive Producer |
| Kate Croser | Producer |
| Bryce Menzies | Executive Producer |
| Jason Taylor | Producer |
| Jacinta Leong | Associate Producer |
| Martin Gallery | Executive Producer |
| Lisa Shaunessy | Producer |
| Michael Rymer | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 25 | 33 | 19 |
| 2024 | 5 | 24 | 37 | 14 |
| 2024 | 6 | 24 | 44 | 16 |
| 2024 | 7 | 28 | 49 | 17 |
| 2024 | 8 | 21 | 32 | 12 |
| 2024 | 9 | 17 | 26 | 13 |
| 2024 | 10 | 15 | 24 | 9 |
| 2024 | 11 | 20 | 39 | 9 |
| 2024 | 12 | 20 | 26 | 14 |
| 2025 | 1 | 23 | 40 | 13 |
| 2025 | 2 | 14 | 21 | 3 |
| 2025 | 3 | 7 | 19 | 2 |
| 2025 | 4 | 3 | 7 | 2 |
| 2025 | 5 | 6 | 11 | 3 |
| 2025 | 6 | 4 | 6 | 3 |
| 2025 | 7 | 2 | 3 | 1 |
| 2025 | 8 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 40 | 365 |
maketheSWITCH
4.0
I live in Sydney, a city which suffered its worst air quality in ten years in 2020 due to smoke caused by bushfires. Not only that, but a long-promised clean air strategy for the state of New South Wales is already three years overdue. Deforestation, pollution and species extinction are some of the ... most pressing issues of our time, and many of the world's best storytellers are bringing these issues to life on film. That's a great thing: a well-crafted movie can actually bring us closer to nature and inspire us to protect it. Unfortunately, despite boasting some slick-looking effects, nifty set design and scarily relevant themes, the lumpy screenplay of '2067' makes it hard to recommend. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-2067-muddled-sci-fi-with-an-ecological-conscience
Jun 23, 2021