Popularity: 3 (history)
Director: | David Yarovesky |
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Writer: | Brian Gunn, Mark Gunn |
Staring: |
What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? | |
Release Date: | May 09, 2019 |
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Director: | David Yarovesky |
Writer: | Brian Gunn, Mark Gunn |
Genres: | Science Fiction, Horror |
Keywords | countryside, super power, husband wife relationship, kansas, usa, mother son relationship, child murder, country life, super villain, father son relationship |
Production Companies | Screen Gems, Stage 6 Films, Troll Court Entertainment, The H Collective |
Box Office |
Revenue: $33,224,654
Budget: $6,000,000 |
Updates |
Updated: Aug 20, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
---|---|
Jackson A. Dunn | Brandon Breyer |
Elizabeth Banks | Tori Breyer |
David Denman | Kyle Breyer |
Matt Jones | Noah McNichol |
Meredith Hagner | Merilee McNichol |
Becky Wahlstrom | Erica |
Emmie Hunter | Caitlyn |
Gregory Alan Williams | Sheriff Deever |
Annie Humphrey | Deputy Ayres |
Abraham Clinkscales | Royce |
Christian Finlayson | Fauxhawk |
Jennifer Holland | Ms. Espenschied |
Terence Rosemore | P.E. Teacher |
Elizabeth Becka | Principal Susko |
Steve Agee | EJ |
Stephen Blackehart | Travis |
Mike Dunston | Reporter |
Michael Rooker | The Big T |
Name | Job |
---|---|
Matthew Czarnowsky | Armorer |
John Waldrip | Payroll Accountant |
Joseph Raines | Assistant Location Manager |
Gary Dauberman | Thanks |
Brian Gunn | Screenplay |
Mark Gunn | Screenplay |
Peter Gvozdas | Editor |
Autumn Steed | Costume Designer |
Dan Clifton | Unit Production Manager |
Christian Snell | Art Direction |
Kassandra DeAngelis | Set Decoration |
Boris Martin | Still Photographer |
Erik H. Magnus | Sound Mixer |
Briky Stone | Makeup Department Head |
Anna Quinn | Hair Department Head |
Justin Raleigh | Special Effects Makeup Artist |
Taschi Lynell | Hair Department Head |
Mike Robertson | Sound Mixer |
Diego Perez | Sound Editor |
Nicholas Cochran | Sound Re-Recording Mixer |
Dietrich Hasse | Visual Effects Supervisor |
Heather Morris | Key Hair Stylist |
Melanie Deforrest | Key Makeup Artist |
Jack Lazzaro | Key Makeup Artist |
Paul Stockwell | Best Boy Electric |
Tom Waijers | Dolly Grip |
Andre Sobczak | Dolly Grip |
Kevin Newton | Electrician |
Cris Toebben | Electrician |
Jeremy Emerman | Epk Camera Operator |
Clay Caldwell | Grip |
Aaron Welch | Grip |
Joe Duarte | Key Grip |
German Valle | Gaffer |
Jesse Jaraczewski | Gaffer |
Raul Flores | Lighting Technician |
Eddy Flores | Rigging Gaffer |
Edward Young | Rigging Grip |
Nathan Ward | Rigging Grip |
Lauren Oppelt | Assistant Costume Designer |
Zena Zeizet | Costumer |
Joanie Ming | Key Costumer |
Caitlin 'Cat' Booth | Set Costumer |
Sara Cobbeldick | Set Costumer |
Fabiana Arrastia | ADR Voice Casting |
Skyler Zurn | Casting Assistant |
Adam Richards | Casting Associate |
Brett Hamann | Script Supervisor |
Caius Man | Special Effects Coordinator |
Claudius Urban | Animation Supervisor |
Belen Sousa Domínguez | Animation |
Daniel S. Yuhlmann | Animation |
Chris Smallfield | CG Supervisor |
Sebastian Zilius | CG Supervisor |
Patrick Kreuser | Compositing Supervisor |
Michael Dohne | Compositing Supervisor |
Christian Pundschus | Compositing Supervisor |
Chris Debski | Lighting Artist |
Joerg Unterberg | Lighting Artist |
Philipp Wibisono | Lighting Artist |
Marco Curado | Lighting Artist |
Jan Reichmann | VFX Editor |
Laura Fong-Prospero | VFX Editor |
Tracey Smith | Visual Effects Production Manager |
Sarah Fernandez | Visual Effects Production Manager |
Hannah Smith | Art Department Coordinator |
Matthew Benjamin Parker | Graphic Designer |
Forest Fagan | Property Master |
Megan Chomskis | Assistant Editor |
Michael Costello | Assistant Editor |
Jennifer Raymond | Digital Intermediate Editor |
Patrick M. Allen | Digital Intermediate Producer |
Yu Jung Hou | First Assistant Editor |
Robert Lee | First Assistant Editor |
Shawn W. Logue | Assistant Property Master |
Elizabeth Ralston | Assistant Property Master |
Suzu Tran | Assistant Property Master |
Luca Nemolato | Concept Artist |
Jimmy Duda | Concept Artist |
Michael C. Woodcock | Construction Coordinator |
Madison Stojanowski | Greensman |
Beth Sheldon | Property Master |
Troy N. Satterfield | Prop Maker |
Andre Spencer | Prop Maker |
Michael Green | Set Dresser |
Tye Kerber | Set Dresser |
Christopher Watson | Set Dresser |
Lason White | Set Dresser |
Robert Ballew | Set Painter |
Anna Ragghianti | Set Painter |
Cesar E. Lemus | Storyboard Artist |
John McKey | Storyboard Artist |
Josh Sheppard | Storyboard Artist |
Shannon Murphy | Music Supervisor |
Trygge Toven | Music Supervisor |
Jacques Terblanche | First Assistant Director |
Gene Michael Smith | Second Assistant Director |
JoAnn Bernat | Stunt Double |
Kathryn Howard | Stunt Double |
Teresa Strebler | Leadman |
Jonathan McCarter | Art Department Assistant |
Jan Ruona | "B" Camera Operator |
Jackson McDonald | First Assistant "B" Camera |
Sagar Desai | Second Assistant "A" Camera |
Callie Moore | Second Assistant "B" Camera |
Freddy Chancellor | Boom Operator |
Greg Argarin | Best Boy Electric |
Won Chung | Production Supervisor |
Inés Michelena | Assistant Production Coordinator |
Isaac Sever | Production Secretary |
Jana Davis | Script Supervisor |
Allie Toman | Second Second Assistant Director |
Allison Scott II | Production Accountant |
Matthew Borysewicz | Assistant Accountant |
Chris Sands | Assistant Location Manager |
Kyle Olsen | Construction Foreman |
Caley Brooks | Makeup Artist |
Heather Taylor | Extras Casting |
Kalas Pendergraft | Extras Casting Assistant |
Dan Delage | Set Medic |
Saena Yi | Studio Teacher |
Abby Hilton | Studio Teacher |
Dale Combs | Transportation Coordinator |
Sidney Ruffin | Transportation Captain |
Renee Minasian | Post Production Supervisor |
Ryan Cole | ADR Supervisor, Dialogue Editor |
Ken McGill | Sound Effects Editor |
Andrew Twite | Sound Effects Editor |
Trevor Gates | Sound Effects Editor |
Rustam Gimadiyev | Foley Mixer |
Bogdan Zavarzin | Foley Artist |
Sergey Timoschuk | Foley Editor |
Andrey Medvedkov | Foley Editor |
Nathaniel Hill | Music Editor |
Andrew S. Eisen | Editor |
Rich Delia | Casting Director |
Michael Dallatorre | Director of Photography |
Tim Williams | Original Music Composer |
P.K. Hooker | Sound Designer, Supervising Sound Editor |
Tom Myers | Sound Re-Recording Mixer |
Tara Feldstein Bennett | Casting Director |
Josh Hakian | Special Effects Coordinator |
Spencer Steadman | Set Dresser |
Brian Murray | Storyboard Artist |
Simeon Wilkins | Storyboard Artist |
Lonnie R. Smith Jr. | Stunt Coordinator |
Ramon Engle | Steadicam Operator, "A" Camera Operator |
Tulio Dueñas | First Assistant "A" Camera |
Michael Woodruff | Location Manager |
Ian Campbell | First Assistant Camera |
David Yarovesky | Director |
Patrick M. Sullivan Jr. | Production Design |
Chase Paris | Casting Director |
Bongani Mlambo | Camera Operator |
Riki LeCotey | Set Costumer |
Gábor Szabó | Concept Artist |
Name | Title |
---|---|
Kent Huang | Executive Producer |
Kenneth Huang | Producer |
Nic Crawley | Executive Producer |
Dan Clifton | Executive Producer |
Matthew Medlin | Co-Producer |
Brian Gunn | Executive Producer |
Mark Gunn | Executive Producer |
Ali Jazayeri | Executive Producer |
David Gendron | Executive Producer |
Tessie Groff | Associate Producer |
Simon Hatt | Executive Producer |
James Gunn | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 87 | 191 | 56 |
2024 | 5 | 232 | 309 | 185 |
2024 | 6 | 134 | 246 | 54 |
2024 | 7 | 67 | 106 | 32 |
2024 | 8 | 41 | 79 | 23 |
2024 | 9 | 29 | 34 | 23 |
2024 | 10 | 33 | 70 | 19 |
2024 | 11 | 30 | 41 | 23 |
2024 | 12 | 28 | 38 | 20 |
2025 | 1 | 33 | 56 | 17 |
2025 | 2 | 23 | 37 | 4 |
2025 | 3 | 10 | 36 | 3 |
2025 | 4 | 6 | 10 | 4 |
2025 | 5 | 5 | 11 | 4 |
2025 | 6 | 5 | 7 | 3 |
2025 | 7 | 5 | 7 | 3 |
2025 | 8 | 5 | 6 | 4 |
2025 | 9 | 4 | 7 | 3 |
Trending Position
Year | Month | High | Avg |
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2025 | 9 | 860 | 890 |
Year | Month | High | Avg |
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2025 | 8 | 326 | 756 |
Year | Month | High | Avg |
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2025 | 7 | 453 | 752 |
Year | Month | High | Avg |
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2025 | 6 | 468 | 677 |
Year | Month | High | Avg |
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2025 | 5 | 609 | 723 |
Year | Month | High | Avg |
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2025 | 4 | 729 | 857 |
Year | Month | High | Avg |
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2025 | 3 | 758 | 791 |
Year | Month | High | Avg |
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2024 | 8 | 867 | 935 |
Bad Superman What if superman was a bad guy? That's the premise Brightburn is built upon. To my mind its a more mature concept than the traditional good guy Superman. It makes sense on a certain level too. A superior being would inevitably assert its superiority over lesser beings. That's how ... evolution and predator/prey relationships tend to work. Whether you agree with my Darwinian assumptions or not, this is a decent horror sci fi film. There's a sense of the comfortable and familiar family dynamic being turned on its head. The innocent, much loved, adopted son, transformed into something so overwhelming powerful and ruthlessly destructive, that even his parents come to fear him. Its the abrupt contrast between these two realities, that makes this film genuinely unnerving.Helped in no small part by a clever climax, that underlines the fall from grace humanity faces, at the hands of this alien other. A decent watch I rate 7/10.
Greatful film with good special effects, interesting story and cool cast. Superman vision of horror became best anti-superhero movie I have ever seen. But the movie has one big problem. There is no Sergey A. at the lead role. I think, that Sergey could be good lead character of this film. ...
Great concept, very gory, just did not live up to the hype. ...
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Brightburn is one of those few movies throughout the year that can grab everyone’s attention solely due to its premise. In a world where the superhero genre is oversaturated with almost a comic-book-based film each month, the ... Gunn family delivers an unique concept that I don’t think it was ever explored this way. “What if Superman was evil?” is an idea that can be developed through so many different ways, depending on the director and screenwriters’ approach. David Yarovesky clearly drew inspiration from Zack Snyder’s version (Man of Steel), and that’s where the movie is best: in exploring the vast and interesting possibilities that a screenplay like this can pursue. Usually, when someone writes something along the lines of “it felt like two movies”, it’s not a good sign. Brightburn is a dark, mysterious and suspenseful film during the first half, but then it pretty much transforms itself into a horror-slasher flick, which isn’t necessarily a bad thing. I firmly believe that no audience member (and I would even dare write critics as well) will leave the theater completely satisfied or entirely disappointed. If you expected the Gunn family to delve deep into Superman’s mythology and explore some twisty paths, they do rely on classic scenes to show how it all could have been if “Clark Kent” wasn’t a nice boy. If you were expecting a movie closer to the horror genre, the last half of the film offers some good sequences. However, that’s when the movie loses what made me go watch it in the first place. It’s a very short film and it ends in a way that leaves me wanting more. The big problem here is that it’s likely not going to get a sequel, and it could have easily added extra 20-30 minutes to deliver a more fulfilled story. Production-wise, having in mind its low budget, it looks remarkably great. Some good moments of gorgeous cinematography, and beautiful wide shots. The jump scare sequences of the second half aren’t nearly as effective as they could be, but at least the editing throughout the entire runtime is seamless. With a few more creative and entertaining scenes, Brightburn could have been a lot more menacing and scarier. I only remembered it was R-rated once the first bloody and quite violent moment occurs, and these specific moments are definitely eye-opening, gruesome and horrifying, even though it gets too over-the-top a couple of times. Elizabeth Banks (Tori Breyer) delivers a notable performance, as well as David Denman (Kyle Breyer). Their characters have a compelling backstory, and they actually have a well-developed script. They don’t make dumb or irrational decisions, like the generic horror characters that we all recognize. Jackson A. Dunn (Brandon) is pretty good as the evil Superman, even if his performance ends up being too monotonous for me. Looking at the overall feedback from both critics and audience, this seems to be part of those rare films each year which I enjoy a bit more than most people. All in all, Brightburn doesn’t take off powerfully like Superman, but it’s still able to fly for a bit. With good performances, remarkable production design, and an adequate use of its R-rating, the Gunn family delivers an incredibly captivating concept which is explored through an interesting yet unfulfilling screenplay. The second half turns the movie into a pure slasher flick, which might positively affect some viewers, but for me it took away what was really entertaining. The ending is just a taste of what the film could have been and it’s disappointing that it doesn’t explore its fantastic idea more in-depth, but the final feeling about the movie isn’t too bad either. Rating: B
Given that the premise of the movie is pretty much entirely "What if Superman was a dick?" (something that has already been explored pretty thoroughly by DC themselves) I did not expect so much of the focus of the film to be taken up by the family dynamix inherent in the difficulties of parenting. ... A pretty mismarketed movie I think. Presented in trailers initially to be a sort of a twist on the superhero genre, and as we got closer to the release of the film, to be a Scary Supes movie, who _Brightburn_ should really be targetting is gorehounds, because it's their avenue in which it most excels. Neat sting at the credits though. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._