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Brightburn

He's not here to save the world
2019 | 91m | English

(115874 votes)

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Popularity: 3 (history)

Details

What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?
Release Date: May 09, 2019
Director: David Yarovesky
Writer: Brian Gunn, Mark Gunn
Genres: Science Fiction, Horror
Keywords countryside, super power, husband wife relationship, kansas, usa, mother son relationship, child murder, country life, super villain, father son relationship
Production Companies Screen Gems, Stage 6 Films, Troll Court Entertainment, The H Collective
Box Office Revenue: $33,224,654
Budget: $6,000,000
Updates Updated: Aug 20, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Jackson A. Dunn Brandon Breyer
Elizabeth Banks Tori Breyer
David Denman Kyle Breyer
Matt Jones Noah McNichol
Meredith Hagner Merilee McNichol
Becky Wahlstrom Erica
Emmie Hunter Caitlyn
Gregory Alan Williams Sheriff Deever
Annie Humphrey Deputy Ayres
Abraham Clinkscales Royce
Christian Finlayson Fauxhawk
Jennifer Holland Ms. Espenschied
Terence Rosemore P.E. Teacher
Elizabeth Becka Principal Susko
Steve Agee EJ
Stephen Blackehart Travis
Mike Dunston Reporter
Michael Rooker The Big T
Name Job
Matthew Czarnowsky Armorer
John Waldrip Payroll Accountant
Joseph Raines Assistant Location Manager
Gary Dauberman Thanks
Brian Gunn Screenplay
Mark Gunn Screenplay
Peter Gvozdas Editor
Autumn Steed Costume Designer
Dan Clifton Unit Production Manager
Christian Snell Art Direction
Kassandra DeAngelis Set Decoration
Boris Martin Still Photographer
Erik H. Magnus Sound Mixer
Briky Stone Makeup Department Head
Anna Quinn Hair Department Head
Justin Raleigh Special Effects Makeup Artist
Taschi Lynell Hair Department Head
Mike Robertson Sound Mixer
Diego Perez Sound Editor
Nicholas Cochran Sound Re-Recording Mixer
Dietrich Hasse Visual Effects Supervisor
Heather Morris Key Hair Stylist
Melanie Deforrest Key Makeup Artist
Jack Lazzaro Key Makeup Artist
Paul Stockwell Best Boy Electric
Tom Waijers Dolly Grip
Andre Sobczak Dolly Grip
Kevin Newton Electrician
Cris Toebben Electrician
Jeremy Emerman Epk Camera Operator
Clay Caldwell Grip
Aaron Welch Grip
Joe Duarte Key Grip
German Valle Gaffer
Jesse Jaraczewski Gaffer
Raul Flores Lighting Technician
Eddy Flores Rigging Gaffer
Edward Young Rigging Grip
Nathan Ward Rigging Grip
Lauren Oppelt Assistant Costume Designer
Zena Zeizet Costumer
Joanie Ming Key Costumer
Caitlin 'Cat' Booth Set Costumer
Sara Cobbeldick Set Costumer
Fabiana Arrastia ADR Voice Casting
Skyler Zurn Casting Assistant
Adam Richards Casting Associate
Brett Hamann Script Supervisor
Caius Man Special Effects Coordinator
Claudius Urban Animation Supervisor
Belen Sousa Domínguez Animation
Daniel S. Yuhlmann Animation
Chris Smallfield CG Supervisor
Sebastian Zilius CG Supervisor
Patrick Kreuser Compositing Supervisor
Michael Dohne Compositing Supervisor
Christian Pundschus Compositing Supervisor
Chris Debski Lighting Artist
Joerg Unterberg Lighting Artist
Philipp Wibisono Lighting Artist
Marco Curado Lighting Artist
Jan Reichmann VFX Editor
Laura Fong-Prospero VFX Editor
Tracey Smith Visual Effects Production Manager
Sarah Fernandez Visual Effects Production Manager
Hannah Smith Art Department Coordinator
Matthew Benjamin Parker Graphic Designer
Forest Fagan Property Master
Megan Chomskis Assistant Editor
Michael Costello Assistant Editor
Jennifer Raymond Digital Intermediate Editor
Patrick M. Allen Digital Intermediate Producer
Yu Jung Hou First Assistant Editor
Robert Lee First Assistant Editor
Shawn W. Logue Assistant Property Master
Elizabeth Ralston Assistant Property Master
Suzu Tran Assistant Property Master
Luca Nemolato Concept Artist
Jimmy Duda Concept Artist
Michael C. Woodcock Construction Coordinator
Madison Stojanowski Greensman
Beth Sheldon Property Master
Troy N. Satterfield Prop Maker
Andre Spencer Prop Maker
Michael Green Set Dresser
Tye Kerber Set Dresser
Christopher Watson Set Dresser
Lason White Set Dresser
Robert Ballew Set Painter
Anna Ragghianti Set Painter
Cesar E. Lemus Storyboard Artist
John McKey Storyboard Artist
Josh Sheppard Storyboard Artist
Shannon Murphy Music Supervisor
Trygge Toven Music Supervisor
Jacques Terblanche First Assistant Director
Gene Michael Smith Second Assistant Director
JoAnn Bernat Stunt Double
Kathryn Howard Stunt Double
Teresa Strebler Leadman
Jonathan McCarter Art Department Assistant
Jan Ruona "B" Camera Operator
Jackson McDonald First Assistant "B" Camera
Sagar Desai Second Assistant "A" Camera
Callie Moore Second Assistant "B" Camera
Freddy Chancellor Boom Operator
Greg Argarin Best Boy Electric
Won Chung Production Supervisor
Inés Michelena Assistant Production Coordinator
Isaac Sever Production Secretary
Jana Davis Script Supervisor
Allie Toman Second Second Assistant Director
Allison Scott II Production Accountant
Matthew Borysewicz Assistant Accountant
Chris Sands Assistant Location Manager
Kyle Olsen Construction Foreman
Caley Brooks Makeup Artist
Heather Taylor Extras Casting
Kalas Pendergraft Extras Casting Assistant
Dan Delage Set Medic
Saena Yi Studio Teacher
Abby Hilton Studio Teacher
Dale Combs Transportation Coordinator
Sidney Ruffin Transportation Captain
Renee Minasian Post Production Supervisor
Ryan Cole ADR Supervisor, Dialogue Editor
Ken McGill Sound Effects Editor
Andrew Twite Sound Effects Editor
Trevor Gates Sound Effects Editor
Rustam Gimadiyev Foley Mixer
Bogdan Zavarzin Foley Artist
Sergey Timoschuk Foley Editor
Andrey Medvedkov Foley Editor
Nathaniel Hill Music Editor
Andrew S. Eisen Editor
Rich Delia Casting Director
Michael Dallatorre Director of Photography
Tim Williams Original Music Composer
P.K. Hooker Sound Designer, Supervising Sound Editor
Tom Myers Sound Re-Recording Mixer
Tara Feldstein Bennett Casting Director
Josh Hakian Special Effects Coordinator
Spencer Steadman Set Dresser
Brian Murray Storyboard Artist
Simeon Wilkins Storyboard Artist
Lonnie R. Smith Jr. Stunt Coordinator
Ramon Engle Steadicam Operator, "A" Camera Operator
Tulio Dueñas First Assistant "A" Camera
Michael Woodruff Location Manager
Ian Campbell First Assistant Camera
David Yarovesky Director
Patrick M. Sullivan Jr. Production Design
Chase Paris Casting Director
Bongani Mlambo Camera Operator
Riki LeCotey Set Costumer
Gábor Szabó Concept Artist
Name Title
Kent Huang Executive Producer
Kenneth Huang Producer
Nic Crawley Executive Producer
Dan Clifton Executive Producer
Matthew Medlin Co-Producer
Brian Gunn Executive Producer
Mark Gunn Executive Producer
Ali Jazayeri Executive Producer
David Gendron Executive Producer
Tessie Groff Associate Producer
Simon Hatt Executive Producer
James Gunn Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 87 191 56
2024 5 232 309 185
2024 6 134 246 54
2024 7 67 106 32
2024 8 41 79 23
2024 9 29 34 23
2024 10 33 70 19
2024 11 30 41 23
2024 12 28 38 20
2025 1 33 56 17
2025 2 23 37 4
2025 3 10 36 3
2025 4 6 10 4
2025 5 5 11 4
2025 6 5 7 3
2025 7 5 7 3
2025 8 5 6 4
2025 9 4 7 3

Trending Position


Year Month High Avg
2025 9 860 890
Year Month High Avg
2025 8 326 756
Year Month High Avg
2025 7 453 752
Year Month High Avg
2025 6 468 677
Year Month High Avg
2025 5 609 723
Year Month High Avg
2025 4 729 857
Year Month High Avg
2025 3 758 791
Year Month High Avg
2024 8 867 935

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Reviews

MovieGuys
N/A

Bad Superman What if superman was a bad guy? That's the premise Brightburn is built upon. To my mind its a more mature concept than the traditional good guy Superman. It makes sense on a certain level too. A superior being would inevitably assert its superiority over lesser beings. That's how ... evolution and predator/prey relationships tend to work. Whether you agree with my Darwinian assumptions or not, this is a decent horror sci fi film. There's a sense of the comfortable and familiar family dynamic being turned on its head. The innocent, much loved, adopted son, transformed into something so overwhelming powerful and ruthlessly destructive, that even his parents come to fear him. Its the abrupt contrast between these two realities, that makes this film genuinely unnerving.Helped in no small part by a clever climax, that underlines the fall from grace humanity faces, at the hands of this alien other. A decent watch I rate 7/10.

Jun 23, 2021
EgorSushko
10.0

Greatful film with good special effects, interesting story and cool cast. Superman vision of horror became best anti-superhero movie I have ever seen. But the movie has one big problem. There is no Sergey A. at the lead role. I think, that Sergey could be good lead character of this film. ...

Jun 23, 2021
Yinse
6.0

Great concept, very gory, just did not live up to the hype. ...

Jun 23, 2021
msbreviews
7.0

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) Brightburn is one of those few movies throughout the year that can grab everyone’s attention solely due to its premise. In a world where the superhero genre is oversaturated with almost a comic-book-based film each month, the ... Gunn family delivers an unique concept that I don’t think it was ever explored this way. “What if Superman was evil?” is an idea that can be developed through so many different ways, depending on the director and screenwriters’ approach. David Yarovesky clearly drew inspiration from Zack Snyder’s version (Man of Steel), and that’s where the movie is best: in exploring the vast and interesting possibilities that a screenplay like this can pursue. Usually, when someone writes something along the lines of “it felt like two movies”, it’s not a good sign. Brightburn is a dark, mysterious and suspenseful film during the first half, but then it pretty much transforms itself into a horror-slasher flick, which isn’t necessarily a bad thing. I firmly believe that no audience member (and I would even dare write critics as well) will leave the theater completely satisfied or entirely disappointed. If you expected the Gunn family to delve deep into Superman’s mythology and explore some twisty paths, they do rely on classic scenes to show how it all could have been if “Clark Kent” wasn’t a nice boy. If you were expecting a movie closer to the horror genre, the last half of the film offers some good sequences. However, that’s when the movie loses what made me go watch it in the first place. It’s a very short film and it ends in a way that leaves me wanting more. The big problem here is that it’s likely not going to get a sequel, and it could have easily added extra 20-30 minutes to deliver a more fulfilled story. Production-wise, having in mind its low budget, it looks remarkably great. Some good moments of gorgeous cinematography, and beautiful wide shots. The jump scare sequences of the second half aren’t nearly as effective as they could be, but at least the editing throughout the entire runtime is seamless. With a few more creative and entertaining scenes, Brightburn could have been a lot more menacing and scarier. I only remembered it was R-rated once the first bloody and quite violent moment occurs, and these specific moments are definitely eye-opening, gruesome and horrifying, even though it gets too over-the-top a couple of times. Elizabeth Banks (Tori Breyer) delivers a notable performance, as well as David Denman (Kyle Breyer). Their characters have a compelling backstory, and they actually have a well-developed script. They don’t make dumb or irrational decisions, like the generic horror characters that we all recognize. Jackson A. Dunn (Brandon) is pretty good as the evil Superman, even if his performance ends up being too monotonous for me. Looking at the overall feedback from both critics and audience, this seems to be part of those rare films each year which I enjoy a bit more than most people. All in all, Brightburn doesn’t take off powerfully like Superman, but it’s still able to fly for a bit. With good performances, remarkable production design, and an adequate use of its R-rating, the Gunn family delivers an incredibly captivating concept which is explored through an interesting yet unfulfilling screenplay. The second half turns the movie into a pure slasher flick, which might positively affect some viewers, but for me it took away what was really entertaining. The ending is just a taste of what the film could have been and it’s disappointing that it doesn’t explore its fantastic idea more in-depth, but the final feeling about the movie isn’t too bad either. Rating: B

Jun 23, 2021
Ruuz
6.0

Given that the premise of the movie is pretty much entirely "What if Superman was a dick?" (something that has already been explored pretty thoroughly by DC themselves) I did not expect so much of the focus of the film to be taken up by the family dynamix inherent in the difficulties of parenting. ... A pretty mismarketed movie I think. Presented in trailers initially to be a sort of a twist on the superhero genre, and as we got closer to the release of the film, to be a Scary Supes movie, who _Brightburn_ should really be targetting is gorehounds, because it's their avenue in which it most excels. Neat sting at the credits though. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._

Jun 23, 2021