Popularity: 3 (history)
Director: | Simon Stone |
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Writer: | Moira Buffini, John Preston |
Staring: |
As WWII looms, a wealthy widow hires an amateur archaeologist to excavate the burial mounds on her estate. When they make a historic discovery, the echoes of Britain's past resonate in the face of its uncertain future. | |
Release Date: | Jan 14, 2021 |
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Director: | Simon Stone |
Writer: | Moira Buffini, John Preston |
Genres: | Drama, History |
Keywords | single parent, based on novel or book, excavation, based on true story, class differences, archaeologist, archaeological dig, excavator, 1930s, suffolk, england, widowed mother, eve of world war ii, ipswich |
Production Companies | Clerkenwell Films, Magnolia Mae Films |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Carey Mulligan | Edith Pretty |
Ralph Fiennes | Basil Brown |
Lily James | Peggy Piggott |
Johnny Flynn | Rory Lomax |
Ben Chaplin | Stuart Piggott |
Ken Stott | Charles Phillips |
Archie Barnes | Robert Pretty |
Monica Dolan | May Brown |
Eamon Farren | John Brailsford |
Paul Ready | James Reid Moir |
Peter McDonald | Guy Maynard |
Stephen Worrall | Ferryman |
Danny Webb | John Grateley |
Robert Wilfort | Billy Lyons |
James Dryden | George Spooner |
Joe Hurst | John Jacobs |
Christopher Godwin | Dr Parry |
Ellie Piercy | Mrs Lyons |
Bronwyn James | Ellen Mckenzie |
Des Kaliszewski | Barge Skipper |
Jonah Rzeskiewicz | London Man |
Jack Bennett | Air Raid Warden |
John Macmillan | Dr Rothman |
Arsher Ali | William Grimes |
Amelia Stephenson | Amelia |
Grant Crookes | Police Officer (uncredited) |
Kemal Shah | Barfly |
Name | Job |
---|---|
Alice Babidge | Costume Design |
Stefan Gregory | Original Music Composer, Orchestrator |
Benos Noble | Stunts |
Georgia Rose Fairman | Dressing Prop |
Samuel Cook | Dressing Prop |
Sophie Whittle | Greensman |
Gary Baggaley | Greensman |
Jim Swanson | Drone Operator |
Agnieszka Szeliga | "B" Camera Operator |
Stephen Lee | Video Assist Operator |
Anthony Farrell | Electrician |
Bruce Magahy | Electrician |
Pat Crawford | Electrician |
David Mitchell | Electrician |
Mark Fortune | Electrician |
Liam Perry | Electrician |
Thomas Woodvine | Electrician |
Sergio Bernuzzi | Key Grip |
Dave Hideg | Libra Head Technician |
Marta Torres Pena | Costume Standby |
David Draper | Grip |
Alex Locke | Costume Supervisor |
Anna Cavaliere | Costumer |
Louise Fisher | Hairstylist, Makeup Artist |
Jon Henry Gordon | Hairstylist |
Lucy Moore | Makeup Trainee |
Sam Martin | Production Secretary |
Josh Newiss | Production Assistant |
Mark Birtchnell | Payroll Accountant |
Joseph Gould | Assistant Location Manager |
Duncan Flower | Unit Manager |
Ali Alkan | Security |
Emmanuel Osei | Security |
Trevor Fleming | Security |
Akam Faraj | Location Assistant |
Alexandra Beahan | Third Assistant Director |
Benji Greenwell | Floor Runner |
Ronnie Evans | Stand In |
Emily Lowe | Producer's Assistant |
Jamie Matthewman | Dialect Coach |
Paul Carter | Sound Re-Recording Mixer, Sound Designer |
Oskar von Unge | Dialogue Editor |
Emil Þorri Emilsson | Musician |
Julian Kershaw | Orchestrator |
James D. Etherington | Visual Effects Supervisor |
Dom Maidlow | CG Artist |
Alexander Ha | CG Artist |
Louise Aubertin | VFX Artist |
Jacob Green | Visual Effects Compositor |
Dan Victoire | Visual Effects Compositor |
Vadim Davidoff | Visual Effects Compositor |
Adam Glasman | Digital Colorist |
Matt Curtis | Main Title Designer |
Jenny Shircore | Hair Designer, Makeup Designer |
Barrie McCulloch | First Assistant Director |
Christian Cole | Stunts |
Heather Phillips | Stunts |
Andrew Bonner | Unit Production Manager |
Paul Cotterell | Sound Re-Recording Mixer |
Robbie Keane | Stunts |
Danny Sheehan | Supervising Sound Editor |
Susanna Lenton | Script Supervisor |
Max Klaentschi | Art Direction |
James Corker | Assistant Art Director |
Iveta Smidtaite | Draughtsman |
Liz Ainley | Set Decoration Buyer |
Len Wheeler | Prop Maker |
Nick Barton | Dressing Prop |
Lukas Oheix | Dressing Prop |
Toby Carpenter | Greensman |
Jeremy Braben | Aerial Director of Photography, Drone Operator |
Alan Perrin | Drone Pilot |
Marie-Sophie Daniel | First Assistant "A" Camera |
Dion M. Casey | "B" Camera Operator |
Ruth Antoine | First Assistant Editor |
Steve Carter | Art Direction |
Charis Theobald | Graphic Designer |
Franco Voltolini | Art Department Assistant |
Isabella Faull | Assistant Set Decoration |
Gordon Fitzgerald | Property Master |
Lisa Ioane | Dressing Prop |
Thomas Davies | Dressing Prop |
Dale Trotter | Greensman |
Karen Wakefield | Supervising Art Director |
Zuzia Mazurczak-Beska | Standby Art Director |
Rachel Garlick | Storyboard Artist |
Tatiana Macdonald | Set Decoration |
Katie Carr | Petty Cash Buyer |
Dave Shaw | Marine Coordinator |
Emin Atilgan | Second Assistant "A" Camera |
Michael Hannan | First Assistant "B" Camera |
Pippa Griffith-Jones | Second Assistant "B" Camera |
Mark Silk | Underwater Director of Photography |
Louis Spanswick O'Brien | Data Wrangler |
Jessie Brough | First Assistant "B" Camera |
Natasha Saxby | Camera Trainee |
Phoebe Fraser | Digital Imaging Technician |
Robert Chen | Second Assistant Sound |
Matt Moffatt | Gaffer |
George Lengyel | Electrician |
Ian Jewels | Electrician |
Fabien Peulvast | Electrician |
Bernie Prentice | Underwater Gaffer |
James R. Powell | Grip |
Victoria Hanna | Second Assistant "B" Camera |
Niall Daly Enright | Camera Trainee |
Adam Shell | Digital Imaging Technician |
Nick Kenealy | Video Assist Operator |
Gavin Ogden | Best Boy Electric |
Rose Grant | Costumer |
Claire Pompili | Hairstylist, Makeup Artist |
Grace Firmin | Makeup Trainee |
Bettina Lyster | Production Coordinator |
Josephina van Leeuwen | Travel Coordinator |
Lily Lanham-Brown | Production Assistant |
Damon Crane | Location Manager |
Sarah Worsley | Assistant Location Manager |
Thomas Kingett | Unit Manager |
Delraj Janju | Security |
Olivia Simpson | Costume Assistant |
Amy De Rees | Hairstylist, Makeup Artist |
Lucy Hannah Vick | Makeup Trainee |
Alexandra McArdle | Assistant Production Coordinator |
Faye Robinson | Travel Coordinator |
Sophie Lyell | First Assistant Accountant |
Caroline Dreesmann | Assistant Location Manager |
Ruben Pereira | Assistant Location Manager |
Jamie Smith | Assistant Unit Manager |
Martine Cooper | Costumer |
Mark Bamfield | Security |
Akar Faraj | Location Assistant |
Lucy Heno | Location Assistant |
Dan Marsden | Construction Manager |
Mick Hurrell | Health and Safety |
Gary Jobber | Supervising Carpenter |
Kris Szydlowski | Painter |
James Dean | Sculptor |
Erion Pemaj | Standby Rigger |
Chris Watson | Special Effects Technician |
Holly Blenkins | Special Effects Technician |
Andrew Blackburn | Transportation Captain |
Steve Sexton | Specialized Driver |
Akram Aleswood | Specialized Driver |
Tristan Folaranmi | Specialized Driver |
Joseph Jones | Specialized Driver |
Tomasz Sienicki | Specialized Driver |
Lee Green | Specialized Driver |
Paul Etherington | Security |
Matthew Harrison | Location Assistant |
Harriet Stovold | Location Assistant |
Milly Webster | Construction Coordinator |
Joe Vassallo | Painter |
Mel Ward | Painter |
Andrew Harvey | Standby Painter |
Alan Senior | Special Effects Technician |
Destiny Trow | Special Effects Technician |
John Rafique | Special Effects Technician |
Imran Hussain | Specialized Driver |
Mo Din | Specialized Driver |
Salah Dhipan | Specialized Driver |
Val Jones | Specialized Driver |
Musa Uysal | Specialized Driver |
Piotr Wolczek | Specialized Driver |
Ellen Steers | Unit Publicist |
Olivia Grant | Casting Associate |
James Metcalf | Additional Second Assistant Director |
Lucine Canel | Floor Runner |
Tyro Heath | Producer's Assistant |
Jay Ducker | Actor's Assistant |
Susanna Drew | Chaperone |
Dan Evans | Set Medic |
Wayne Buck | Catering |
Meg Clark | Post Production Supervisor |
Tom Macken | Carpenter |
Teresa Kelly | Painter |
Paul House | Standby Carpenter |
Nick Rideout | Special Effects Supervisor |
Dan Vico | Special Effects Technician |
Simon Yearwood | Specialized Driver |
Paul Gatley | Specialized Driver |
Danyaal Ayyaz | Specialized Driver |
Lester Jones | Specialized Driver |
Joseph Jones Snr | Specialized Driver |
Grzegorz Zalewski | Specialized Driver |
Andrew McCormick | Specialized Driver |
Larry D. Horricks | Still Photographer |
Emma Crompton | Casting Assistant |
Liam Taylor | Floor Runner |
Elspeth Edmonds | Stand In |
Leah Foster | Producer's Assistant |
Helena Barnes | Chaperone |
John Carbine | Set Medic |
Steve Clark | Catering Head Chef |
Bart Mojcik | Catering |
Lara Sargent | Post Production Accountant |
Matt Davies | Dialogue Editor |
Mark Appleby | ADR Mixer |
Glen Gathard | Foley Mixer |
Jonathan Rutter | Unit Publicist |
Katie Brydon | Casting Assistant |
Tom Crossland | Chaperone Tutor |
Agnass Babisz | Set Medic |
Chris Leach | Catering |
Lucy Randolph | Post Production Coordinator |
Martin Cantwell | Sound Effects Editor |
Rob Turner | Foley Supervisor |
Zoe Freed | Foley Artist |
Bryndís Björgvinsdóttir | Musician |
Bjarni Frímann Bjarnason | Musician |
Zafar Janjua | Visual Effects Producer |
Emanuele Farnesi | CG Artist |
Christopher Lok Wah Tang | Visual Effects Compositor |
Tom Mortelette | Visual Effects Compositor |
Laurence Lavoie | Visual Effects Compositor |
Jonathan Atkins-Pott | Visual Effects Compositor |
Maybrit Bulla | VFX Artist |
Hyson Pereira | Visual Effects Compositor |
Joanna Barcikowska | Visual Effects Compositor |
Iain Read | Visual Effects Compositor |
Zeki Doru Ondun | Visual Effects Compositor |
Philip Johnson | Rotoscoping Artist |
Katie Hardwick | Visual Effects Compositor |
Karolina Dziwinska | Digital Intermediate Producer |
Eugene O'Connor | Unit Publicist |
Serena Lee | Visual Effects Compositor |
Cameron Butler | Rotoscoping Artist |
Blanca Del Pozo Cavallé De Moya | Rotoscoping Artist |
Connor Tong | Rotoscoping Artist |
Alexander Phillips | Digital Intermediate Assistant |
Steve Wright | Orchestrator |
Kye Mckee | Stunt Double |
Elysia Cunningham | Visual Effects Compositor |
Russell White | Online Editor |
Mark Johnson | Rigging Gaffer |
Simon Stone | Director |
Moira Buffini | Screenplay |
John Preston | Novel |
Maria Djurkovic | Production Design |
Jon Harris | Editor |
Mike Eley | Director of Photography, "A" Camera Operator |
Lucy Bevan | Casting Director |
Andy Bennett | Stunt Coordinator |
Marc Cass | Stunt Coordinator |
Alexander Bracq | Stunts |
Matt Hermiston | Stunts |
Stephen McLaughlin | Music Producer |
Matthias Gohl | Music Producer, Orchestrator |
Atli Örvarsson | Conductor |
Mel Page | Assistant Costume Designer |
Steve Morphew | Stand In |
Laura Coates | Actor's Assistant |
Marcus Mumford | ADR Mixer |
Greta Salóme Stefànsdóttir | Musician |
Tom Paine | Special Effects Technician |
Name | Title |
---|---|
Carolyn Marks Blackwood | Producer |
Meg Clark | Co-Producer |
Redmond Morris | Co-Producer |
Murray Ferguson | Producer |
Ellie Wood | Producer |
Gabrielle Tana | Producer |
Anne Sheehan | Executive Producer |
Andrew Semans | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 22 | 44 | 12 |
2024 | 5 | 26 | 53 | 15 |
2024 | 6 | 17 | 25 | 10 |
2024 | 7 | 23 | 49 | 11 |
2024 | 8 | 19 | 37 | 11 |
2024 | 9 | 12 | 18 | 8 |
2024 | 10 | 16 | 35 | 9 |
2024 | 11 | 12 | 16 | 8 |
2024 | 12 | 12 | 16 | 9 |
2025 | 1 | 17 | 34 | 9 |
2025 | 2 | 10 | 19 | 3 |
2025 | 3 | 5 | 14 | 1 |
2025 | 4 | 2 | 6 | 1 |
2025 | 5 | 2 | 6 | 1 |
2025 | 6 | 2 | 3 | 1 |
2025 | 7 | 1 | 2 | 1 |
2025 | 8 | 1 | 2 | 1 |
2025 | 9 | 3 | 7 | 2 |
2025 | 10 | 3 | 4 | 3 |
Trending Position
Before watching this film, I had absolutely no idea who Basil Brown (Ralph Fiennes), Edith Pretty (Carey Mulligan), or even Peggy Piggott (Lily James) were and what they did. As an engineer and a science enthusiast myself, I rarely struggle to find some sort of enjoyment in movies based on true stor ... ies about scientific discoveries, technological advancements, or impactful historical events. Therefore, despite a premise that doesn't immediately catch my attention, Simon Stone does a wonderful job in making this film quite interesting. Mike Eley's cinematography produces some of the most gorgeous shots of the year, transforming The Dig into a visually satisfying movie to look at. The main narrative focuses on the excavation itself and the findings of a shockingly old (Anglo-Saxon) ship, which turns out to be more captivating than I ever anticipated. However, the romantic subplot involving Peggy Piggott feels out-of-place and rather dull considering the objective of this film. It really hurts the overall pacing, dragging an otherwise well-balanced flick. Moira Buffini's already excellent screenplay is still elevated by the remarkable cast. Fiennes (Harry Potter) and Mulligan (Promising Young Woman) share a heartwarming chemistry that really suits their characters. Lily James (Rebecca) also demonstrates her impressive emotional range once again. Overall, I recommend it to any viewer who's interested in knowing more about the real-life story or who's simply a fan of this specific genre. Rating: B
The Dig reminded me of another movie about archaeology and which was not only also based on a true story but also involved a woman’s contribution to that scientific field. That other movie was Ammonite, about a woman archaeologist in a time when women were more than rare in that field of endeavor. ... Unlike that character, however, Edith Pretty in The Dig does not do the work herself. Instead, her interest in archaeology and curiosity about the mounds on her property leads her to hire Basil Brown, a self-trained archaeologist, or “excavator,” as he refers to himself in the film. I enjoyed the movie despite —or perhaps even because of its relaxed pace and subdued action. If you are sleepy but decide to watch a movie instead, you may want to save this foils for a more alert viewing. As with most biopics and other films based on true events, changes have been made to spice up the telling. Apparently some of them occurred first in the novel it is based on. For example, because some sort of “bad guy” is required for most movies, the British Museum seems to be depicted in a slightly more adversarial role than what was the case. Also, because a romance didn’t occur between the main characters, a romance was invented between two of the supporting characters. And of course actress Carrie Mulligan was 20 years younger than Edith Pretty was at that time, but they do use makeup to age her somewhat. Changes like this are to be expected. The result is a movie that is both entertaining and, dare I say it, a little educational all at once.