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Salò, or the 120 Days of Sodom Poster

Salò, or the 120 Days of Sodom

The final vision of a controversial filmmaker.
1976 | 116m | Italian

(70796 votes)

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Popularity: 3 (history)

Details

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
Release Date: Jan 10, 1976
Director: Pier Paolo Pasolini
Writer: Sergio Citti, Pupi Avati, Donatien Alphonse François de Sade, Pier Paolo Pasolini
Genres: Drama, Horror, War
Keywords christianity, philosophy, sexual abuse, based on novel or book, italian, fascism, world war ii, bishop, nazi, rage and hate, political instability, sadism, conflict, torture, taboo, evil, libertine, catholicism, political corruption, nazism, abuse, 1940s, coprophagia, power abuse, abuse of power, italian fascism, banned film, bold
Production Companies Les Productions Artistes Associés, PEA
Box Office Revenue: $1,800,000
Budget: $800,000
Updates Updated: Jul 30, 2025
Entered: Mar 06, 2025
Trailers and Extras

International Posters

Full Credits

Name Character
Paolo Bonacelli The Duke
Giorgio Cataldi The Bishop
Uberto Paolo Quintavalle The Magistrate
Aldo Valletti The President
Caterina Boratto Signora Castelli
Elsa De Giorgi Signora Maggi
Hélène Surgère Signora Vaccari
Sonia Saviange The Pianist
Sergio Fascetti Sergio - Male Victim
Bruno Musso Carlo Porro - Male Victim
Antonio Orlando Tonino - Male Victim
Claudio Cicchetti Male Victim
Franco Merli Male Victim
Umberto Chessari Male Victim
Lamberto Book Lamberto Gobbi - Male Victim
Gaspare Di Jenno Rino - Male Victim
Giuliana Melis Female Victim
Faridah Malik Fatimah - Female Victim
Graziella Aniceto Female Victim
Renata Moar Female Victim
Dorit Henke Doris - Female Victim
Antiniska Nemour Female Victim
Benedetta Gaetani Female Victim
Olga Andreis Eva - Female Victim
Tatiana Mogilansky Daughter
Susanna Radaelli Daughter
Giuliana Orlandi Daughter
Liana Acquaviva Daughter
Rinaldo Missaglia Guard
Giuseppe Patruno Guard
Guido Galletti Guard
Efisio Etzi Guard
Claudio Troccoli Collaborator
Fabrizio Menichini Collaborator
Maurizio Valaguzza Collaborator
Ezio Manni Collaborator
Paola Pieracci Wife
Carla Terlizzi Wife
Anna Maria Dossena Wife
Anna Recchimuzzi Wife
Ines Pellegrini The Slave Girl
Marco Lucantoni First Male Victim (uncredited)
Dante Trazzi Boys Recruiter (uncredited)
Name Job
Sergio Citti Writer
Danilo Donati Costume Design
Maurizio Forti Administration
Pupi Avati Writer
Ennio Morricone Music, Music Consultant
Maurice Blanchot Thanks
Pietro Innocenti Administration
Simone de Beauvoir Thanks
Pierre Klossowski Thanks
Emilio Bestetti Camera Operator
Giusy Bovino Hairstylist
Vanni Castellani Costume Assistant
Ugo De Rossi Assistant Editor
Beatrice Banfi Script Supervisor
Enzo Ocone Post Production Coordinator
Osvaldo Desideri Set Decoration, Makeup Artist
Massimo Anzellotti Sound Effects Editor
Alessandro Mattei Production Supervisor
Giorgio Loviscek Sound
Tonino Delli Colli Director of Photography
Antonio Girasante Production Manager
Alfredo Menchini Assistant Editor
Nico Naldini Publicist
Alfredo Tiberi Special Effects, Makeup Artist
Dante Ferretti Production Design
Roland Barthes Thanks
Philippe Sollers Thanks
Domenico Pasqua Di Bisceglie Sound
Donatien Alphonse François de Sade Novel
Giuseppina Sagliano Boom Operator
Pier Paolo Pasolini Writer, Director
Arnaldo Graziosi Musician
Maria Teresa Barbasso Draughtsman
Alberto Grimaldi Presenter
Fausto Ancillai Sound Mixer
Umberto Angelucci First Assistant Director
Fiorella Infascelli Second Assistant Director
Italo Tomassi Painter
Alberto De Stefanis Unit Manager
Deborah Imogen Beer Still Photographer
Angelo Zemella Production Supervisor
Giancarlo Granatelli Second Assistant Camera
Nino Baragli Editor
Carlo Tafani Camera Operator
Renzo David Production Supervisor
Sandro Battaglia First Assistant Camera
Name Title
Antonio Girasante Producer
Alberto De Stefanis Producer
Alberto Grimaldi Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 26 40 17
2024 5 24 29 16
2024 6 24 35 16
2024 7 31 47 16
2024 8 27 43 19
2024 9 24 31 20
2024 10 30 56 23
2024 11 21 25 16
2024 12 33 68 18
2025 1 30 38 22
2025 2 21 35 4
2025 3 12 30 1
2025 4 4 5 3
2025 5 3 5 2
2025 6 3 4 2
2025 7 3 3 2
2025 8 3 4 2
2025 9 3 3 2
2025 10 3 3 3

Trending Position


Year Month High Avg
2025 9 478 611
Year Month High Avg
2025 8 559 750
Year Month High Avg
2025 7 377 728
Year Month High Avg
2025 6 246 474
Year Month High Avg
2025 5 758 889
Year Month High Avg
2025 4 855 917
Year Month High Avg
2025 3 280 600

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Reviews

Geronimo1967
5.0

Well you have to hand it to Pier Paolo Pasolini - he had one hell of an imagination. Here he devises a story of a group of nine young men and women who are apprehended by four powerful Fascist officials and held captive for use in some of the most degrading and painful games of sex, humiliation and ... abuse. I was warned not to eat chocolate before I saw this, and towards the end of this bizarre depiction of cruelty, depravity and exploitation it became quite clear why - and I'd reiterate that here. There is something profoundly desperate about the film. It has nothing even vaguely redeeming about it. Is it allegorical? Perhaps Pasolini is swiping at what he perceived to be the beginning of the disposable culture? Perhaps the illustration of mankind at it's more obscene offers us his perspective on just what humanity had become by the mid 1970s? In any case, this is frankly rather a disgusting film to watch and though I did feel the ending had a great deal of suitable retribution to it, I still struggled to quite get my head around this epitome of man's inhumanity to their own kind. I doubt I shall ever watch it again, but it packed out the cinema in which I watched it and there was plenty of provocative conversation in the bar about it afterwards...

Aug 29, 2022
DougG_YVR
7.0

Wow! You can't escape the fact that this movie pushes the limits of disturbing art! Many will call it sick. I suspect the point of this film is more about the depravity and dehumanization of fascism, political corruption, totalitarianism, and morality. I have not read the Marquis de Sade's work on w ... hich this film was based. **It isn't possible to "un-see" a film, so be prepared if you choose the experience.** It was described to me as "horror" before I watched it, and I'm not sure it truly captures the film's genre. I can't think of a film genre that adequately describes it. I will probably never watch it again or forget the images it seared on my brain. But I was challenged to think about various political and societal themes that are still very relevant today.

Jun 07, 2023