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Cats

You will believe.
2019 | 110m | English

(58170 votes)

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Popularity: 4 (history)

Details

A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
Release Date: Dec 19, 2019
Director: Tom Hooper
Writer: Tom Hooper, T. S. Eliot, Lee Hall
Genres: Comedy, Fantasy, Drama
Keywords dance, cat, musical, based on play or musical, resurrection, based on song, poem or rhyme, vignette, pathetic, so bad it’s good, disapproving, disheartening, ridiculous
Production Companies Universal Pictures, Amblin Entertainment, LW Entertainment, Working Title Films, Perfect World Pictures, Monumental Pictures
Box Office Revenue: $77,276,321
Budget: $95,000,000
Updates Updated: Feb 01, 2025 (Update)
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Francesca Hayward Victoria
Judi Dench Old Deuteronomy
Idris Elba Macavity
Jason Derulo Rum Tum Tugger
Jennifer Hudson Grizabella
James Corden Bustopher Jones
Ian McKellen Gus, the Theatre Cat
Taylor Swift Bombalurina
Rebel Wilson Jennyanydots
Ray Winstone Growltiger
Larry Bourgeois Plato
Laurent Bourgeois Socrates
Laurie Davidson Mr. Mistoffelees
Robert Fairchild Munkustrap
Danny Collins Mungojerrie
Naoimh Morgan Rumpleteazer
Steven McRae Skimbleshanks, the Railway Cat
Mette Cassandra
Daniela Norman Demeter
Jaih Betote Coricopat
Jonadette Carpio Syllabub
Zizi Strallen Tantomile
Freya Rowley Jellylorum
Bluey Robinson Alonzo
Eric Underwood Admetus
Ida Saki Electra
Cory English Maitre D'
Melissa Madden-Gray Griddlebone
Ponciano Almeida Chorus
Aaron Jenkins Chorus
Shay Barclay Chorus
Samuel Baxter Chorus
Nicole Bondzie Chorus
Chrissy Brooke Chorus
Sharifa Butterfly Chorus
Jon-Scott Clark Chorus
Tom Clark Chorus
Yasmin Cogan Chorus
Olivia Cowley Chorus
Tommy Franzen Chorus
Yasmin Harrison Chorus
Kalene Jeans Chorus
Jaron Johnson Chorus
Lynn Jung Chorus
Kolton Krouse Chorus
Rufus Lacey Chorus
Gabrielle Lewis-Dodson Chorus
Benjamin Milan Chorus
Roxanne Milliner Chorus
Katie Moreton-Hughes Chorus
Muti Musafiri Chorus
Redmand Rance Chorus
Zhanè Samuels Chorus
Corey Snide Chorus
Clemmie Sveaas Chorus
Po-Lin Tung Chorus
Kie Willis Chorus
Maggie Daniels Woman in Car
Olivia Brooks Mouse Sister
Chase Collard Mouse Sister
Meesha Garbett Mouse Sister
Harriet Turnbull Mouse Sister
Jamal Ahmed Mouse Band
Leonardo Feng Mouse Band
Gregory Mann Mouse Band
Temba Mliswa Mouse Band
Joel Swedensky Mouse Band
Erica-Jayne Alden Cockroach
Hannah Amin Cockroach
Emma Caffrey Cockroach
Selina Hamilton Cockroach
Abigayle Honeywill Cockroach
Bethany Huckle Cockroach
Ella Martine Cockroach
Jazz Peters Cockroach
Jade Albertson Macavity Girl
Sophie Carmen-Jones Macavity Girl
Chelsea Hogg Macavity Girl
Hannah Faith-Marram Macavity Girl
Name Job
Melanie Oliver Editor
Tom Hooper Director, Screenplay
Warwick Drucker Key Grip
Paula Casarin Script Supervisor
Sharon Martin Makeup Designer, Hair Designer
Niamh O'Loan Hairstylist, Makeup Artist
Nuria Mbomio Hairstylist, Makeup Artist
Sara Menitra Hairstylist, Makeup Artist
Lesley Hooper Hairstylist, Makeup Artist
Charlotte Hayward Hairstylist, Makeup Artist
Carmel Jackson Hairstylist, Makeup Artist
Giles Keyte Still Photographer
Catherine Bensley Casting Assistant
Cecile Tournesac Music Editor
Jed Loughran Sound Designer
Mark Appleby ADR Mixer
Victoria Freund Assistant Sound Editor
Prakash Goyal VFX Artist
Oliver Ferris Foley Artist
Andrew Lloyd Webber Original Music Composer, Musical, Songs
David Mackie Sound Effects Editor
Ben Chick Foley Editor
Sue Harding Foley Artist
T. S. Eliot Lyricist, Author
Christopher Ross Director of Photography
Ketan Waikar Art Direction
Uxue Laguardia Hairstylist, Makeup Artist
Rebecca Tredget Costume Coordinator
Nick Fulton Unit Production Manager
Tom Weaving Supervising Art Director
Jo Burn Unit Production Manager
Matt Sharp Art Direction
Rebecca Pilkington Assistant Set Decoration
Mark Clayton Gaffer
Ben Howarth First Assistant Director
Kirstin Hall Visual Effects Supervisor
John Warhurst Supervising Music Editor, Supervising Sound Editor
Greg Bradlaugh Assistant Art Director
Craig Price Property Master
Oliver Loncraine "C" Camera Operator
Ben Brown First Assistant "B" Camera
Jason Billington Visual Effects Supervisor
Matt Jacobs Visual Effects Supervisor
Michael Minkler Sound Re-Recording Mixer
Rupert Smith Visual Effects Producer
Joanne Ridler Standby Art Director
Iain Mackay "B" Camera Operator, Steadicam Operator
Emiliano Topai First Assistant "A" Camera
Alex Finlayson Second Assistant "B" Camera
Paul Dimmer Special Effects Supervisor
Sharon Day Hairstylist, Makeup Artist
Magdalena Janusinska-Surma Hairstylist, Makeup Artist
Freya Evans Production Secretary
Olivia Grant Casting Assistant
Victor Chaga Music Editor
Luke Gentry Sound Effects Editor
Sophia Hardman Foley Editor
James Shirley Assistant Sound Editor
Jane Karen Dialect Coach
Phil Brennan Visual Effects Supervisor
Jessica Norman Visual Effects Supervisor
Mike Dowson Sound Re-Recording Mixer
Alex Anstey Associate Editor
Susannah Brough Assistant Art Director
Esther Venanzi Second Assistant "A" Camera
Max Glickman First Assistant "C" Camera
Kate O'Farrell Costume Supervisor
Debbie Scott Assistant Costume Designer
Vicky Bishop Production Coordinator
Emily Brockmann Casting Associate
Paula Hind Transportation Captain
Kutay Cengil VFX Artist
Reetu Aggarwal 3D Artist
Lee Hall Screenplay
Eve Stewart Production Design
Taylor Swift Lyricist
Trevor Nunn Lyricist
Vladyslav Driuchyn Digital Compositor
Lucy Bevan Casting
Paco Delgado Costume Design
Simon Hayes Production Sound Mixer
Becky Bentham Music Supervisor
Jo McLaren Stunt Coordinator
Michael Standish Set Decoration
Sami Fendall Art Department Assistant
Damon Sewell Camera Trainee
Greg Wells Executive Music Producer, Musician
Name Title
Jo Burn Executive Producer
Ben Howarth Co-Producer
Angela Morrison Executive Producer
Sarah-Jane Robinson Co-Producer
Tim Bevan Producer
Eric Fellner Producer
Debra Hayward Producer
Tom Hooper Producer
Andrew Lloyd Webber Executive Producer
Liza Chasin Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 27 53 16
2024 5 33 68 19
2024 6 28 41 17
2024 7 23 37 12
2024 8 27 59 13
2024 9 15 22 10
2024 10 18 41 12
2024 11 15 20 10
2024 12 15 19 11
2025 1 18 47 10
2025 2 11 18 3
2025 3 6 19 1
2025 4 3 8 1
2025 5 3 9 2
2025 6 3 5 1
2025 7 2 3 1
2025 8 2 3 1
2025 9 4 4 3

Trending Position


Year Month High Avg
2025 1 589 640
Year Month High Avg
2024 12 923 923

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Reviews

maketheSWITCH
3.0

I was always excited for ‘Cats’, and to learn about it as a musical fan. The first trailer made me more excited, because seeing those god-awful effects only made me want to see it more. I always get excited for big-budget musicals because it means we could get more, but ‘Cats’ just fails on every le ... vel. It’s a boring musical with forgettable songs and uninteresting choreography... and then it also fails as a bad film, since it offers no batshit fun. Poking fun at the CGI is all well and good, but you can do that from the trailer, so there's no point being bored for two hours during this holiday season. Meow, that hurt indeed. - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-cats-no-bad-kitty-no-one-is-the-jellicle-cat

Jun 23, 2021
Luis_989
4.0

Theatrical plays or musicals will not always translate well into filmic language, that's well known and will not change, because both media are very different by nature. To question it is to deceive yourself. Personally I've never believed that Cats is a great musical but perhaps its success says ... something else but even so a film adaptation in my view just could not work. I didn't see how, especially considering the costumes but it was being made so the question now was how it was going to look. I know there's already a ''movie'' but that's basically a recording of the play. Then the trailers appeared and what they showed looked weird, off putting and scary, but the visual work is not always everything in a movie, yet something decisive was being played here. Eventually the defeat was inevitable. Cats is full of good intentions but it's a failure, not only because of terrible work in CGI and how it makes you feel but because it never manages to immerse you in the world of the story and is a bizarre world and I can have fun in bizarre worlds, it's only that this one is pretty misguided. I don't think it's that huge fiasco that a lot of film critics are saying it is and maybe eventually will find its niche and audience, after all worse films have become cults films, so that can surely happen but right now Cats is simply an idea that didn't work, that it wasn't well executed or directed and that although it's not a monumental catastrophe, it's indeed a gigantic disappointment.

Jun 23, 2021
screenzealots
N/A

Sometimes a movie struts its awfulness with such glee that it becomes an enjoyably sadistic pleasure rather than a chore to watch. Such is the case with “Cats,” the big screen adaptation of Andrew Lloyd Webber’s 1982 musical that became one of Broadway’s longest-running shows. The stage version o ... f “Cats” has grossed over $4 billion dollars, so of course Hollywood had to get their greedy claws in the mix and bring it to the local cineplex (where it promptly flopped). Anyone with a brain could see that all of this would prove to be a huge mistake, because when the source material is god-awful, how would you expect the film to turn out? Let’s start with the good: the costuming and makeup artistry are both brilliant, if creepy. At first it’s disturbing and laughable to watch humans prance around and groom themselves but it doesn’t take long until you actually start to see them as cats. (And yes, it’s precisely the type of disconcerting feeling that will provide haunting nightmares for years to come). The dancing is beautifully proficient and the choreography creative, with some lovely ballet numbers. Those who enjoy classic theater and dance will find plenty to keep them engaged. That’s where the positives end. The movie’s plot closely follows the Broadway play, which means it’s just as awful. The gist is that a tribe of street cats all gather together on the night of the Jellicle moon and perform in a feline talent show so head cat Old Deuteronomy (Judi Dench) can decide which cat is worthy to ascend to a new life. It’s a creepy story that’s made even more disturbing when you stop and think about it. To keep today’s idiot audiences engaged, director Tom Hooper throws in your standard issue fatty-fall-down slapstick gags and crotch hits that are sure to elicit a tornado of laughter. And although every cast member appears downright terrifying as a human/cat hybrid, the worst is the cameo from Taylor Swift as a sexed-up feline provocateur and purveyor of enchanted catnip. Yikes. Weber’s repetitive songs are even more grating when translated to the screen (but hey, at least there’s “Memory”). The vocal performances are second-rate too. Jennifer Hudson has become a self-parody with her overacting and oversinging. Hudson’s angsty, tear-filled, snot-flying rendition of “Memory” is hilariously awful. Rebel Wilson‘s tap dance feels like an acid trip gone wrong as she trains her army of child-faced mice to dance for her pleasure (as she gleefully bites live cockroaches with human faces in half as they scream for mercy). I’m not sure if anyone should see this movie of their own accord, but it absolutely could have legs as a midnight movie a’la Tommy Wiseau’s “The Room.”

Jun 23, 2021
screenzealots
N/A

Sometimes a movie struts its awfulness with such glee that it becomes an enjoyably sadistic pleasure rather than a chore to watch. Such is the case with “Cats,” the big screen adaptation of Andrew Lloyd Webber’s 1982 musical that became one of Broadway’s longest-running shows. The stage version o ... f “Cats” has grossed over $4 billion dollars, so of course Hollywood had to get their greedy claws in the mix and bring it to the local cineplex (where it promptly flopped). Anyone with a brain could see that all of this would prove to be a huge mistake, because when the source material is god-awful, how would you expect the film to turn out? Let’s start with the good: the costuming and makeup artistry are both brilliant, if creepy. At first it’s disturbing and laughable to watch humans prance around and groom themselves but it doesn’t take long until you actually start to see them as cats. (And yes, it’s precisely the type of disconcerting feeling that will provide haunting nightmares for years to come). The dancing is beautifully proficient and the choreography creative, with some lovely ballet numbers. Those who enjoy classic theater and dance will find plenty to keep them engaged. That’s where the positives end. The movie’s plot closely follows the Broadway play, which means it’s just as awful. The gist is that a tribe of street cats all gather together on the night of the Jellicle moon and perform in a feline talent show so head cat Old Deuteronomy (Judi Dench) can decide which cat is worthy to ascend to a new life. It’s a creepy story that’s made even more disturbing when you stop and think about it. To keep today’s idiot audiences engaged, director Tom Hooper throws in your standard issue fatty-fall-down slapstick gags and crotch hits that are sure to elicit a tornado of laughter. And although every cast member appears downright terrifying as a human/cat hybrid, the worst is the cameo from Taylor Swift as a sexed-up feline provocateur and purveyor of enchanted catnip. Yikes. Weber’s repetitive songs are even more grating when translated to the screen (but hey, at least there’s “Memory”). The vocal performances are second-rate too. Jennifer Hudson has become a self-parody with her overacting and oversinging. Hudson’s angsty, tear-filled, snot-flying rendition of “Memory” is hilariously awful. Rebel Wilson‘s tap dance feels like an acid trip gone wrong as she trains her army of child-faced mice to dance for her pleasure (as she gleefully bites live cockroaches with human faces in half as they scream for mercy). I’m not sure if anyone should see this movie of their own accord, but it absolutely could have legs as a midnight movie a’la Tommy Wiseau’s “The Room.”

Jun 23, 2021
MonsterMartha
7.0

I don't understand why people reviewed this so badly. Minus James Corden this was a very amusing take on a musical I have always loved. Ian McKellen shined as Gus. Jennifer Hudson made me cry as Grizabella. Idris Elba was purr-fect as Macavity. Judy Dench was the perfect choice for Old Deuteronomy. ... The cast was really good, save for James Corden who grossed me out eating like a pig and hitting wrong notes.

Jul 26, 2022
GenerationofSwine
1.0

What?! I'll be honest, I didn't like the musical back in the 90s, I thought it was just plain awful and kind of pretentious. But the good news is that this is so much worse. Even Dame Judy Dench doesn't seem to be able to find a footing, and she's a Dame for a reason, she's probably one of the ... greatest living actresses on the face of the earth... and Cats makes her look utterly incompetent. It's a cringe fest from start to finish. And all I can say is that I am so sorry so many talented and respected people had to be in this train wreck.

Jan 11, 2023
JN2012
N/A

Ever thought you’d found the worst film in existence, well you were wrong. It’s this. ...

Oct 19, 2023