 
  Popularity: 6 (history)
| Director: | Janicza Bravo | 
|---|---|
| Writer: | Janicza Bravo, David Kushner, Jeremy O. Harris, A'Ziah King | 
| Staring: | 
| A waitress agrees to accompany an exotic dancer, her put-upon boyfriend, and her mysterious and domineering roommate on a road trip to Florida to seek their fortune at a high-end strip club. | |
| Release Date: | Jun 30, 2021 | 
|---|---|
| Director: | Janicza Bravo | 
| Writer: | Janicza Bravo, David Kushner, Jeremy O. Harris, A'Ziah King | 
| Genres: | Comedy, Crime | 
| Keywords | waitress, florida, narration, stripper, based on true story, pole dancer, boyfriend, twitter, road movie, woman director, sex worker, tampa, florida | 
| Production Companies | Killer Films, Gigi Films, Ramona Films | 
| Box Office | Revenue: $3,500,000 Budget: $5,000,000 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 13, 2024 | 
| Name | Job | 
|---|---|
| Janicza Bravo | Screenplay, Director | 
| Kim Taylor-Coleman | Casting Director | 
| Joi McMillon | Editor | 
| David Kushner | Story | 
| Jeremy O. Harris | Screenplay | 
| Diana Sagristá | Sound Mixer | 
| Ruston Head | Set Decoration | 
| Derica Cole Washington | Costume Design | 
| Charles Gregory Ross | Hair Department Head | 
| Kristen Alimena | Makeup Department Head | 
| Rose Bladh | Boom Operator | 
| Kristin Catuogno | ADR Recordist | 
| Jon Flores | Supervising Sound Editor | 
| Laura Heinzinger | Foley Editor | 
| Ricky R. Weaver | Second Second Assistant Director | 
| Mary Florence Brown | Assistant Art Director | 
| John Rusnak | Props | 
| Kurt Thoresen | Property Master | 
| Lisa Daly | Compositor | 
| Andrew Lim | Visual Effects Supervisor | 
| Jason Sanford | Visual Effects Producer | 
| Lydia H. Parker | Costume Assistant | 
| Candace Rice | Key Costumer | 
| Nicole Suerez | Assistant Costume Designer | 
| Devin Kina | Location Assistant | 
| Mandi Collier | Music Supervisor | 
| Bridget Samuels | Music Supervisor | 
| Jay Palomino | Transportation Captain | 
| Tony Armer | Thanks | 
| Rashida Bolden | Makeup Artist | 
| Naomi Raddatz | Key Makeup Artist | 
| Devin Myer | Set Dresser | 
| Stéphane Renard | First Assistant "A" Camera | 
| Mark Sean Haynes | Post Production Supervisor | 
| Mike McGowan | Steadicam Operator | 
| Chris Hill | Gaffer | 
| Jon Read | Production Supervisor | 
| Billy Wells | Second Assistant Camera | 
| Stephen I. Erdberg | Art Direction | 
| Michael P. DeVries | Construction Coordinator | 
| Mike L. Germaine | Key Grip | 
| Joe Fragassi | Post Production Accountant | 
| Daniel Morfesis | First Assistant Editor | 
| Damien van der Cruyssen | Colorist | 
| Fernanda Starling | Boom Operator | 
| Eric Scott Williamson | Second Assistant Director | 
| Natalie Montoya | Art Department Coordinator | 
| Chris Scharffenberg | Leadman | 
| Alexandra Tibbe | Assistant Property Master | 
| Lauren Hulsey | Compositor | 
| Alex Noble | Visual Effects Supervisor | 
| Mildred Brignoni | Costume Supervisor | 
| Rachel Pollen | Costumer | 
| Catharine Stuart | Costumer | 
| Will Hammargren | Location Scout | 
| Sherrill Smith | Location Manager | 
| Jen Malone | Music Supervisor | 
| Jahn Sood | Music Editor | 
| Michael Kefeyalew | Script Supervisor | 
| Israel Vasquez | Thanks | 
| Hannah Berke | Key Makeup Artist | 
| T.A. Henderson | Key Hair Stylist | 
| Brandon Nelson | Visual Effects Supervisor | 
| Ross Ostrom | Set Dresser | 
| Osvaldo Silvera Jr. | Steadicam Operator | 
| Allison Rose Carter | Unit Production Manager | 
| Theresa Frankel | Production Coordinator | 
| Douglas W. Johnson | Camera Loader | 
| Ryan Maharaj | Casting Assistant | 
| Cornelius Blaga | Art Department Assistant | 
| Rick Pilcher | Best Boy Electric | 
| Abby Bailey | Post Production Accountant | 
| Donny Smith | Transportation Co-Captain | 
| Emily Nine | Assistant Editor | 
| David Garrett | Legal Services | 
| Lora Hirschberg | Sound Re-Recording Mixer | 
| Ari Wegner | Director of Photography | 
| Katie Byron | Production Design | 
| Mica Levi | Original Music Composer | 
| A'Ziah King | Story | 
| Leslie Bloome | Foley Artist | 
| Ryan Collison | Foley Mixer | 
| Mark DeSimone | ADR Mixer | 
| Joanna Fang | Foley Artist | 
| Josh Gold | Sound Effects Editor | 
| Nick Seaman | Foley Mixer | 
| Dulany Foster IV | Compositor | 
| Zach Hamelton | Visual Effects Coordinator | 
| Michael Opal | Stunts | 
| Eric Salas | Stunt Coordinator | 
| Shahrzad Davani | First Assistant Director | 
| Alex Sherman | Assistant Production Manager | 
| Leslie Shatz | Sound Re-Recording Mixer, Sound Designer | 
| Tim LeDoux | Visual Effects Supervisor | 
| Anna Kooris | Still Photographer | 
| Kristin Wollett | Local Casting | 
| Aris Mendoza | Dialect Coach | 
| Teddy Blanks | Title Designer | 
| Scott Remington | Set Dresser | 
| Name | Title | 
|---|---|
| Vince Jolivette | Producer | 
| Gia Walsh | Producer | 
| Elizabeth Haggard | Producer | 
| Jennifer Konawal | Executive Producer | 
| David Hinojosa | Producer | 
| Christine Vachon | Producer | 
| Kara Baker | Producer | 
| Dave Franco | Producer | 
| A'Ziah King | Executive Producer | 
| David Kushner | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 27 | 42 | 17 | 
| 2024 | 5 | 30 | 54 | 16 | 
| 2024 | 6 | 18 | 28 | 11 | 
| 2024 | 7 | 34 | 70 | 11 | 
| 2024 | 8 | 27 | 70 | 13 | 
| 2024 | 9 | 15 | 23 | 11 | 
| 2024 | 10 | 18 | 41 | 8 | 
| 2024 | 11 | 12 | 18 | 8 | 
| 2024 | 12 | 12 | 19 | 8 | 
| 2025 | 1 | 17 | 38 | 9 | 
| 2025 | 2 | 12 | 24 | 3 | 
| 2025 | 3 | 5 | 16 | 1 | 
| 2025 | 4 | 2 | 7 | 1 | 
| 2025 | 5 | 2 | 7 | 1 | 
| 2025 | 6 | 2 | 5 | 2 | 
| 2025 | 7 | 2 | 3 | 1 | 
| 2025 | 8 | 1 | 1 | 1 | 
| 2025 | 9 | 4 | 6 | 1 | 
| 2025 | 10 | 5 | 6 | 4 | 
Trending Position
“You wanna hear a story about why me and this b--ch here fell out? It’s kind of long but full of suspense.” On paper (or on an iPhone screen), “Zola” sounds like one of the worst ever ideas for a feature-length film. Based on a real-life Twitter thread between a Hooters waitress and a stripper, t ... his stranger than fiction story played out over social media in 2015 — and damn if it doesn’t make for a wildly original, outrageously entertaining movie. Zola (Taylour Paige) meets Stefani (Riley Keough) at a restaurant in Detroit, where the two begin chatting about their common interest: pole dancing. Soon after they meet, Stefani invites Zola on a cross-country road trip to Tampa, where they hope to make thousands of dollars dancing in the swanky Florida strip clubs. What starts out as a promising business venture turns into an absolutely crazy (and dangerous) outing with violent pimps, prostitution, attempted suicide, and murder. You have to see it to believe it. It’s crazy. The story is (mostly) true, and writer – director Janicza Bravo focuses on Zola’s side of the story (although Stefani has a chance to present her version in one of the most hilarious bits in the film). You could say it’s all about individual perspective, but Zola is presented as the lone truth teller. Will we ever know the full truth? It’s unlikely. The performances are as sensational as the story, with challenging and risky roles for all of the actors involved. Paige and Keough (in what was my favorite performance at Sundance this year) are particularly fearless as they go all-in on Zola and Stefani, Nicholas Braun is sympathetic as a kind, long-suffering boyfriend, and Colman Domingo is downright frightening as an intimidating, violent pimp. The cast takes the script and runs wild with it, and it works. Bravo has achieved something incredible here, as she literally takes tweets and has crafted them into a saucy screenplay. The film has an appealing eccentricity to it, and it’s directed with a tongue-in-cheek style that fits the material like a glove. Her attention to detail is stellar, and the look of the film is perfectly matched to its source material. “Zola” has a few missteps and feels overly long, but the confidence from Bravo and her cast makes the majority of its flaws disappear. It manages to stay funny, even when things get very, very dark. This is one of those wacky movies that is sure to be talked about, if only for the sheer insanity of the story.
Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/american-nightmare-zola-review<a> Janicza Bravo’s long-awaited star of Sundance, _@zola_, could not feel more timely, despite the year-long delay. Adapted from the viral Twitter thread of 2015 by Aziah “Zola” King, ... @zola tells the story of a trip to Tampa gone horribly wrong. After a chance meeting in a Detroit restaurant, Zola (an impeccable Taylour Paige) agrees to accompany Stefani (Riley Keough), Stefani’s roommate X (Colman Domingo), and Stefani’s boyfriend (Nicolas Braun) on a trip to Tampa to earn money by dancing in strip clubs. Stefani has done this before and assures Zola that she can make really good money. What follows is a nightmare of Floridian proportions.
Different, but I actually liked it. <em>'Zola'</em> takes a few scenes to get into it and to get used to the stylistic choices, namely with the editing and dialogue, though by the end I did in fact enjoy this film. It's a bonkers story, one that I semi heard about when it became known that a film ... was going to be made based on a thread of tweets. It's probably much better than it was any right to be in truth, all things considered, but the filmmakers made it work and deserve credit for that - and also for the astutely chosen short run time, too. The acting talent bring noteworthy performances, with particularly Taylour Paige and also Riley Keough putting in the work. Colman Domingo is also good - I already like that guy from TV's <em>'<a href="https://en.wikipedia.org/wiki/Fear_the_Walking_Dead" rel="nofollow">Fear the Walking Dead</a>'</em>, so it's always a pleasure to see him act elsewhere. Recommended.