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Zola Poster

Zola

Y'all wanna hear a story?
2021 | 86m | English

(19550 votes)

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Popularity: 6 (history)

Details

A waitress agrees to accompany an exotic dancer, her put-upon boyfriend, and her mysterious and domineering roommate on a road trip to Florida to seek their fortune at a high-end strip club.
Release Date: Jun 30, 2021
Director: Janicza Bravo
Writer: Janicza Bravo, David Kushner, Jeremy O. Harris, A'Ziah King
Genres: Comedy, Crime
Keywords waitress, florida, narration, stripper, based on true story, pole dancer, boyfriend, twitter, road movie, woman director, sex worker, tampa, florida
Production Companies Killer Films, Gigi Films, Ramona Films
Box Office Revenue: $3,500,000
Budget: $5,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

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Full Credits

Name Job
Janicza Bravo Screenplay, Director
Kim Taylor-Coleman Casting Director
Joi McMillon Editor
David Kushner Story
Jeremy O. Harris Screenplay
Diana Sagristá Sound Mixer
Ruston Head Set Decoration
Derica Cole Washington Costume Design
Charles Gregory Ross Hair Department Head
Kristen Alimena Makeup Department Head
Rose Bladh Boom Operator
Kristin Catuogno ADR Recordist
Jon Flores Supervising Sound Editor
Laura Heinzinger Foley Editor
Ricky R. Weaver Second Second Assistant Director
Mary Florence Brown Assistant Art Director
John Rusnak Props
Kurt Thoresen Property Master
Lisa Daly Compositor
Andrew Lim Visual Effects Supervisor
Jason Sanford Visual Effects Producer
Lydia H. Parker Costume Assistant
Candace Rice Key Costumer
Nicole Suerez Assistant Costume Designer
Devin Kina Location Assistant
Mandi Collier Music Supervisor
Bridget Samuels Music Supervisor
Jay Palomino Transportation Captain
Tony Armer Thanks
Rashida Bolden Makeup Artist
Naomi Raddatz Key Makeup Artist
Devin Myer Set Dresser
Stéphane Renard First Assistant "A" Camera
Mark Sean Haynes Post Production Supervisor
Mike McGowan Steadicam Operator
Chris Hill Gaffer
Jon Read Production Supervisor
Billy Wells Second Assistant Camera
Stephen I. Erdberg Art Direction
Michael P. DeVries Construction Coordinator
Mike L. Germaine Key Grip
Joe Fragassi Post Production Accountant
Daniel Morfesis First Assistant Editor
Damien van der Cruyssen Colorist
Fernanda Starling Boom Operator
Eric Scott Williamson Second Assistant Director
Natalie Montoya Art Department Coordinator
Chris Scharffenberg Leadman
Alexandra Tibbe Assistant Property Master
Lauren Hulsey Compositor
Alex Noble Visual Effects Supervisor
Mildred Brignoni Costume Supervisor
Rachel Pollen Costumer
Catharine Stuart Costumer
Will Hammargren Location Scout
Sherrill Smith Location Manager
Jen Malone Music Supervisor
Jahn Sood Music Editor
Michael Kefeyalew Script Supervisor
Israel Vasquez Thanks
Hannah Berke Key Makeup Artist
T.A. Henderson Key Hair Stylist
Brandon Nelson Visual Effects Supervisor
Ross Ostrom Set Dresser
Osvaldo Silvera Jr. Steadicam Operator
Allison Rose Carter Unit Production Manager
Theresa Frankel Production Coordinator
Douglas W. Johnson Camera Loader
Ryan Maharaj Casting Assistant
Cornelius Blaga Art Department Assistant
Rick Pilcher Best Boy Electric
Abby Bailey Post Production Accountant
Donny Smith Transportation Co-Captain
Emily Nine Assistant Editor
David Garrett Legal Services
Lora Hirschberg Sound Re-Recording Mixer
Ari Wegner Director of Photography
Katie Byron Production Design
Mica Levi Original Music Composer
A'Ziah King Story
Leslie Bloome Foley Artist
Ryan Collison Foley Mixer
Mark DeSimone ADR Mixer
Joanna Fang Foley Artist
Josh Gold Sound Effects Editor
Nick Seaman Foley Mixer
Dulany Foster IV Compositor
Zach Hamelton Visual Effects Coordinator
Michael Opal Stunts
Eric Salas Stunt Coordinator
Shahrzad Davani First Assistant Director
Alex Sherman Assistant Production Manager
Leslie Shatz Sound Re-Recording Mixer, Sound Designer
Tim LeDoux Visual Effects Supervisor
Anna Kooris Still Photographer
Kristin Wollett Local Casting
Aris Mendoza Dialect Coach
Teddy Blanks Title Designer
Scott Remington Set Dresser
Name Title
Vince Jolivette Producer
Gia Walsh Producer
Elizabeth Haggard Producer
Jennifer Konawal Executive Producer
David Hinojosa Producer
Christine Vachon Producer
Kara Baker Producer
Dave Franco Producer
A'Ziah King Executive Producer
David Kushner Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 27 42 17
2024 5 30 54 16
2024 6 18 28 11
2024 7 34 70 11
2024 8 27 70 13
2024 9 15 23 11
2024 10 18 41 8
2024 11 12 18 8
2024 12 12 19 8
2025 1 17 38 9
2025 2 12 24 3
2025 3 5 16 1
2025 4 2 7 1
2025 5 2 7 1
2025 6 2 5 2
2025 7 2 3 1
2025 8 1 1 1
2025 9 4 6 1
2025 10 5 6 4

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Reviews

screenzealots
7.0

“You wanna hear a story about why me and this b--ch here fell out? It’s kind of long but full of suspense.” On paper (or on an iPhone screen), “Zola” sounds like one of the worst ever ideas for a feature-length film. Based on a real-life Twitter thread between a Hooters waitress and a stripper, t ... his stranger than fiction story played out over social media in 2015 — and damn if it doesn’t make for a wildly original, outrageously entertaining movie. Zola (Taylour Paige) meets Stefani (Riley Keough) at a restaurant in Detroit, where the two begin chatting about their common interest: pole dancing. Soon after they meet, Stefani invites Zola on a cross-country road trip to Tampa, where they hope to make thousands of dollars dancing in the swanky Florida strip clubs. What starts out as a promising business venture turns into an absolutely crazy (and dangerous) outing with violent pimps, prostitution, attempted suicide, and murder. You have to see it to believe it. It’s crazy. The story is (mostly) true, and writer – director Janicza Bravo focuses on Zola’s side of the story (although Stefani has a chance to present her version in one of the most hilarious bits in the film). You could say it’s all about individual perspective, but Zola is presented as the lone truth teller. Will we ever know the full truth? It’s unlikely. The performances are as sensational as the story, with challenging and risky roles for all of the actors involved. Paige and Keough (in what was my favorite performance at Sundance this year) are particularly fearless as they go all-in on Zola and Stefani, Nicholas Braun is sympathetic as a kind, long-suffering boyfriend, and Colman Domingo is downright frightening as an intimidating, violent pimp. The cast takes the script and runs wild with it, and it works. Bravo has achieved something incredible here, as she literally takes tweets and has crafted them into a saucy screenplay. The film has an appealing eccentricity to it, and it’s directed with a tongue-in-cheek style that fits the material like a glove. Her attention to detail is stellar, and the look of the film is perfectly matched to its source material. “Zola” has a few missteps and feels overly long, but the confidence from Bravo and her cast makes the majority of its flaws disappear. It manages to stay funny, even when things get very, very dark. This is one of those wacky movies that is sure to be talked about, if only for the sheer insanity of the story.

Jun 23, 2021
beyondthecineramadome
10.0

Full review: <a>https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/american-nightmare-zola-review<a> Janicza Bravo’s long-awaited star of Sundance, _@zola_, could not feel more timely, despite the year-long delay. Adapted from the viral Twitter thread of 2015 by Aziah “Zola” King, ... @zola tells the story of a trip to Tampa gone horribly wrong. After a chance meeting in a Detroit restaurant, Zola (an impeccable Taylour Paige) agrees to accompany Stefani (Riley Keough), Stefani’s roommate X (Colman Domingo), and Stefani’s boyfriend (Nicolas Braun) on a trip to Tampa to earn money by dancing in strip clubs. Stefani has done this before and assures Zola that she can make really good money. What follows is a nightmare of Floridian proportions.

Jul 15, 2022
r96sk
8.0

Different, but I actually liked it. <em>'Zola'</em> takes a few scenes to get into it and to get used to the stylistic choices, namely with the editing and dialogue, though by the end I did in fact enjoy this film. It's a bonkers story, one that I semi heard about when it became known that a film ... was going to be made based on a thread of tweets. It's probably much better than it was any right to be in truth, all things considered, but the filmmakers made it work and deserve credit for that - and also for the astutely chosen short run time, too. The acting talent bring noteworthy performances, with particularly Taylour Paige and also Riley Keough putting in the work. Colman Domingo is also good - I already like that guy from TV's <em>'<a href="https://en.wikipedia.org/wiki/Fear_the_Walking_Dead" rel="nofollow">Fear the Walking Dead</a>'</em>, so it's always a pleasure to see him act elsewhere. Recommended.

Jul 11, 2022