Popularity: 1 (history)
Director: | Philip Leacock |
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Writer: | Robert Westerby, John Wooldridge |
Staring: |
Wing-commander Tim Mason leads a squadron of Lancaster bombers on almost nightly raids from England. Having flown eighty-seven missions he will shortly be retiring from flying, but the strain is showing. He tries to make sure his men concentrate only on their job and so keeps women away from the base, but then he himself meets naval officer Eve Canyon. | |
Release Date: | Feb 17, 1953 |
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Director: | Philip Leacock |
Writer: | Robert Westerby, John Wooldridge |
Genres: | Drama, War |
Keywords | |
Production Companies | Mayflower Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 27, 2024 |
Name | Character |
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Dirk Bogarde | Tim Mason |
Ian Hunter | Logan |
Dinah Sheridan | Eve Canyon |
Bryan Forbes | The Brat |
Walter Fitzgerald | Mulvaney |
Bill Kerr | Bill Brown |
William Sylvester | Mac |
Anne Leon | Pam Greeno |
Charles Victor | Dobbie |
Richard Wattis | Pascal |
Carl Jaffe | German General |
Sam Kydd | Ackroyd |
Terence Longdon | Dr. Buchanan |
Michael Ripper | Bomb Aimer |
Campbell Singer | Flight Sergeant |
Harold Siddons | Saunders |
Anthony Shaw | Smithy |
Anthony Forwood | Navigation Officer |
Name | Job |
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Gerry Anderson | ADR & Dubbing |
Philip Leacock | Director |
Robert Westerby | Screenplay |
John Wooldridge | Music, Screenplay, Story |
Stephen Dade | Director of Photography |
Vladimir Sagovsky | Editor |
Donald M. Ashton | Art Direction |
Sheila Graham | Costume Design |
Connie Willis | Script Supervisor |
Moray Grant | Camera Operator |
Buster Ambler | Sound Mixer |
Helen Penfold | Hairstylist |
Jim Hydes | Makeup Artist |
Ken Ritchie | Boom Operator |
Laurie Ridley | Still Photographer |
Barbara Hopkins | Sound |
Name | Title |
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Aubrey Baring | Producer |
Maxwell Setton | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 4 | 7 | 2 |
2024 | 5 | 4 | 8 | 2 |
2024 | 6 | 3 | 7 | 0 |
2024 | 7 | 4 | 9 | 1 |
2024 | 8 | 4 | 7 | 2 |
2024 | 9 | 2 | 5 | 1 |
2024 | 10 | 4 | 9 | 1 |
2024 | 11 | 3 | 8 | 1 |
2024 | 12 | 2 | 7 | 1 |
2025 | 1 | 3 | 6 | 1 |
2025 | 2 | 2 | 4 | 1 |
2025 | 3 | 2 | 3 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
Trending Position
Bally Good Show. It has something of an inauspicious title, in that it doesn't do justice to the film making craft and subject matter on offer here in Phillip Leacock's film. Leacock and his lead man, the splendidly regal Dirk Bogarde, produce a war film of undoubted human depth. There's no s ... ledge hammer tactics to try and curry favour with the critics and film goers alike, no clichés bogging the narrative down, this is an honest to goodness telling of the emotional trials, strains, fears and peeves of a Bomber Command Squadron in England preparing for a mission during WWII 1943. Even the inevitable romantic threads are handled with skill by the makers, never cloying and adding impact as the heroes get ready for the big bully off. Some of the action sequences show their age, but that's fine in the context of old time cinema, while the likes of Twelve O'Clock High (which came four years before this was released) set the bar too high for Leacock's film to be unfairly compared with. Yet this earns its stripes, very much so, because as those wonderful Avro Lancaster's take to the skies and thunder though the clouds, you realise you care about every single one of those involved in the mission, both in the air and on the ground. 7.5/10