 
  Popularity: 2 (history)
| Director: | Roger Christian | 
|---|---|
| Writer: | J.D. Shapiro, Corey Mandell, L. Ron Hubbard | 
| Staring: | 
| In the year 3000, man is no match for the Psychlos, a greedy, manipulative race of aliens on a quest for ultimate profit. Led by the powerful Terl, the Psychlos are stripping Earth clean of its natural resources, using the broken remnants of humanity as slaves. What is left of the human race has descended into a near primitive state. After being captured, it is up to Tyler to save mankind. | |
| Release Date: | May 12, 2000 | 
|---|---|
| Director: | Roger Christian | 
| Writer: | J.D. Shapiro, Corey Mandell, L. Ron Hubbard | 
| Genres: | Adventure, Action, Science Fiction | 
| Keywords | based on novel or book, post-apocalyptic future, dystopia, mining, fighter jet, distant future, alien invasion, scientology, cavemen, bureaucrat, city ruin, distressing, inflammatory, matter of fact | 
| Production Companies | Franchise Pictures, JTP Films, Jonathan D. Krane Productions | 
| Box Office | Revenue: $29,725,663 Budget: $44,000,000 | 
| Updates | Updated: Jul 30, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| John Travolta | Terl | 
| Barry Pepper | Jonnie Goodboy Tyler | 
| Forest Whitaker | Ker | 
| Kim Coates | Carlo | 
| Sabine Karsenti | Chrissy | 
| Christian Tessier | Mickey | 
| Sylvain Landry | Sammy | 
| Michael Byrne | Parson Staffer | 
| Richard Tyson | Robert the Fox | 
| Christopher Freeman | Processing Clerk | 
| Shaun Austin-Olsen | Planetship | 
| Tim Post | Assistant Planetship / Psychlo Guard | 
| Earl Pastko | Bartender | 
| Michel Perron | Rock | 
| Andy Bradshaw | Mason | 
| Tait Ruppert | Rodman | 
| Kelly Preston | Chirk | 
| Marie-Josée Croze | Mara | 
| Andrew Campbell | Leering Grin Bandit | 
| Name | Job | 
|---|---|
| Giles Nuttgens | Director of Photography | 
| Lynn Stalmaster | Casting Director, Casting | 
| Steve Lucescu | Stunt Coordinator | 
| Mark Riccardi | Stunt Double | 
| Jocelyne Bellemare | Key Makeup Artist | 
| Robert Racki | Stunts | 
| Patrick Tatopoulos | Production Design, Costume Design, Creature Design | 
| Robin Russell | Editor | 
| Elia Cmiral | Original Music Composer | 
| J.D. Shapiro | Screenplay | 
| Corey Mandell | Screenplay | 
| Brett Paton | Animation | 
| John Walsh | Stunts | 
| Erik Henry | Visual Effects Supervisor | 
| Jacky Lavoie | Unit Production Manager | 
| Walter Gasparovic | First Assistant Director | 
| Penny Charter | Second Assistant Director | 
| Oana Bogdan Miller | Art Direction | 
| Michele Laliberte | Assistant Art Director | 
| Martin Gendron | Assistant Art Director | 
| Robert Stecko | Camera Operator | 
| Brad Hruboska | Steadicam Operator | 
| Joanne T. Harwood | Script Supervisor | 
| Denis Dupont | Boom Operator | 
| Pierre Vinet | Still Photographer | 
| Randi Wells | Extras Casting | 
| Michael Tinger | Post Production Supervisor | 
| Louis Dandonneau | Set Dresser | 
| Simon La Haye | Set Dresser | 
| Jean Courteau | Chief Lighting Technician | 
| Gilles Fortier | Best Boy Electrician | 
| Robert Auclair | Key Grip | 
| Claude Paré | Supervising Art Director | 
| Bertrand Dupuis | Best Boy Grip | 
| Patrick Lima | Dolly Grip | 
| Bob Pritchett | Key Hair Stylist | 
| Susan V. Kalinowski | Hairstylist | 
| André Duval | Hairstylist | 
| Michelle Bühler | Makeup Artist | 
| Nicole Lapierre | Makeup Artist | 
| Mike Smithson | Special Effects Makeup Artist | 
| John Gaskin | Production Accountant | 
| Marci Graber | Post Production Accountant | 
| Pamela Godfrey | Unit Publicist | 
| Christopher S. Aud | Supervising Sound Editor | 
| Jessica Gallavan | ADR Editor | 
| Gloria D'Alessandro | Dialogue Editor | 
| Teri E. Dorman | Dialogue Editor | 
| Patrick J. Foley | Dialogue Editor | 
| John T. Reitz | Sound Re-Recording Mixer | 
| Gregg Rudloff | Sound Re-Recording Mixer | 
| David E. Campbell | Sound Re-Recording Mixer | 
| Christian P. Minkler | Sound Re-Recording Mixer | 
| Ken S. Polk | Sound Re-Recording Mixer | 
| Dan Hiland | Sound Re-Recording Mixer | 
| Andy Kopetzky | Foley Editor | 
| David Horton Jr. | Foley Editor | 
| Dennis McNeill | Color Timer | 
| L. Ron Hubbard | Novel | 
| Roger Christian | Director | 
| Adrien Morot | Special Effects Key Makeup Artist | 
| Name | Title | 
|---|---|
| Jonathan D. Krane | Producer | 
| Elie Samaha | Producer | 
| Andrew Stevens | Executive Producer | 
| Ashok Amritraj | Executive Producer | 
| Don Carmody | Executive Producer | 
| Linda Favila | Associate Producer | 
| James A. Holt | Co-Producer | 
| Anson Downes | Associate Producer | 
| Tracee Stanley | Co-Producer | 
| John Travolta | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 22 | 35 | 13 | 
| 2024 | 5 | 25 | 44 | 14 | 
| 2024 | 6 | 23 | 38 | 15 | 
| 2024 | 7 | 27 | 55 | 13 | 
| 2024 | 8 | 21 | 53 | 10 | 
| 2024 | 9 | 12 | 16 | 8 | 
| 2024 | 10 | 16 | 31 | 9 | 
| 2024 | 11 | 15 | 28 | 10 | 
| 2024 | 12 | 17 | 47 | 10 | 
| 2025 | 1 | 17 | 37 | 9 | 
| 2025 | 2 | 10 | 16 | 3 | 
| 2025 | 3 | 5 | 14 | 1 | 
| 2025 | 4 | 2 | 5 | 1 | 
| 2025 | 5 | 2 | 6 | 1 | 
| 2025 | 6 | 2 | 4 | 1 | 
| 2025 | 7 | 1 | 2 | 1 | 
| 2025 | 8 | 1 | 2 | 1 | 
| 2025 | 9 | 3 | 4 | 1 | 
| 2025 | 10 | 3 | 4 | 2 | 
Trending Position
| Year | Month | High | Avg | 
|---|---|---|---|
| 2024 | 11 | 910 | 957 | 
**_The worst sci-fi flick ever made?_** A thousand years in the future, Earth has been taken over by a towering alien race called Psychlos, who have enslaved humanity with the intent of stripping the land of all resources. Other humans hide in the wilderness, living a primitive life. However, one ... “man-animal” (Barry Pepper) spurs a movement to free the planet. John Travolta and Forest Whitaker play chief-security Psychlos. Based on L. Ron Hubbard’s book from 1982, “Battlefield Earth” (2000) is post-apocalyptic sci-fi that mixes “Planet of the Apes” and “Logan’s Run” with a little “Terminator” and some “Star Wars” dogfighting in the last act. It is notorious as one of the worst movies ever made, at least those with a healthy budget. The nitpicking has been so out of hand that Roger Ebert even criticized the font chosen for the opening titles (rolling my eyes). The truth is, it’s not close to being that bad. Unlike the similar “The Lost Future” (a low-budget flick from 2010), the pace is a little too frenzied, no doubt because the script tried to cram the first half of a 1000-page novel into a 2-hour film. Despite this, it’s not like the story’s unintelligible, although it needed to flesh-out the heroes further in order to make it more compelling. Some complain about the use of Dutch angles, but this is barely perceptible and, besides, they give the movie a unique vibe. Then there’s the cavil about the constant double wipes to change scenes. Seriously? Who cares? No one complains about the wipes in “Star Wars.” Sure, Travolta takes a hammy approach to his Psychlo character, as do other Psychlo cast-members, but that’s part of the fun. You’re supposed to roll with it. There’s a glaring wink of amusement to the proceedings. So anyone who says the movie’s “unintentionally” funny is clueless. One of the biggest real problems is the absent of any significant female characters. There’s Sabine Karsenti as Chrissy, but her role isn’t that big and she’s underused. Meanwhile Kelly Preston has a long-tongued cameo as Psychlo Chirk, but that’s it (not counting peripherals). The remake of “Planet of the Apes” came out the next year and had enough sense to include Estella Warren in a fairly prominent role; the same thing with “The Lost Future” with Annabelle Wallis, not to mention Hannah Tointon and Eleanor Tomlinson. To the film’s credit, a certain scene in the last act prefigures a (more) memorable scene in Abrams’ “Star Trek” nine years later. I’m not saying this is a great movie, it has its issues, but the over-criticism is unjustified and reminiscent of the ridiculous response to the well-done “Heaven’s Gate.” Perhaps due to the links to Sciencefictionology, the knives hit the sharpening stones well before it was ever released and once the buzz got out that it was a bad film a feeding frenzy ensued. The movie runs 1 hour, 58 minutes, and was shot in Montreal, Saint-Jean-sur-Richelieu, and several other Quebec locations. Additional stuff was filmed California. GRADE: B-/C+