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Joe Bell

Redemption is a journey you can't take alone.
2020 | 93m | English

(10337 votes)

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Popularity: 5 (history)

Details

The true story of a small town, working class father who embarks on a solo walk across the U.S. to crusade against bullying after his son is tormented in high school for being gay.
Release Date: Sep 14, 2020
Director: Reinaldo Marcus Green
Writer: Larry McMurtry, Diana Ossana
Genres: Drama
Keywords suicide, writing, cheerleader, high school, bullying, based on true story, flashback, flash forward, high school student, teenage sexuality, lgbt, grieving father, teenage son, anti-bullying, gay youth, gay theme
Production Companies Leverage Entertainment, Closest to the Hole Productions, Rhea Films, Stay Gold Features, Nine Stories Productions, Argent Pictures, Endeavor Content, VisionChaos Productions, Parliament of Owls, Hercules Film Fund
Box Office Revenue: $1,700,000
Budget: $3,500,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

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International Posters

Full Credits

Name Character
Mark Wahlberg Joe Bell
Reid Miller Jadin Bell
Connie Britton Lola Bell
Maxwell Jenkins Joseph Bell
Morgan Lily Marcie
Gary Sinise Sheriff Westin
Tara Buck Mary Ivy
Ash Santos Kim
Igby Rigney Chance
Cindy Perez Driver in Jeep
Scout Smith Colleen
Coral Chambers Dutch
Blaine Maye Boyd
Blake Barlow Victor
Charles Halford Will
Jayne Luke Samantha Sims
Juan Antonio Utah HWY Patrolman
Kenadee Clark Tandy
Cassie Beck Mrs. Swift
Jake Brown Student #1
Jordan Davis Boyd's Buddy
Name Job
Larry McMurtry Writer
Reinaldo Marcus Green Director
Diana Ossana Writer
Kelly McGehee Production Design
Edward Tise Sound
Morgan Muse Sound Effects Editor
Moin Uddin Production Design
Roger Crandall Art Direction
Les Boothe Set Decoration
Susan Matheson Costume Design
Greg T. Moon Key Makeup Artist
Tannis Poynter Makeup Artist
Jacques Jouffret Director of Photography
Mark Sanger Editor
Allan A. Apone Makeup Department Head
Antonio Pinto Original Music Composer
Teddy Blanks Main Title Designer
Name Title
Cary Joji Fukunaga Producer
Riva Marker Producer
Daniela Taplin Lundberg Producer
Ryan Ahrens Producer
Mark Wahlberg Producer
Stephen Levinson Producer
Drew Brees Executive Producer
Larry McMurtry Executive Producer
Eva Maria Daniels Producer
Paris Kassidokostas-Latsis Executive Producer
Michael Finley Executive Producer
Terry Dougas Executive Producer
Derrick Brooks Executive Producer
Diana Ossana Executive Producer
Jean-Luc De Fanti Executive Producer
Peter Pastorelli Executive Producer
Uwe Feuersenger Executive Producer
Hayden Kiessling Associate Producer
Jill Ahrens Executive Producer
Ben Renzo Executive Producer
Tony Parker Executive Producer
Jake Gyllenhaal Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 24 40 13
2024 5 26 43 16
2024 6 20 30 11
2024 7 25 39 14
2024 8 19 34 11
2024 9 11 23 7
2024 10 15 24 9
2024 11 15 35 9
2024 12 16 48 8
2025 1 15 34 6
2025 2 10 19 3
2025 3 5 13 1
2025 4 2 5 1
2025 5 2 6 1
2025 6 2 4 1
2025 7 1 1 0
2025 8 2 4 0
2025 9 3 4 2
2025 10 4 6 3

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Reviews

Geronimo1967
6.0

Reid Miller is quite engaging here as the bullied gay youngster Jadin Bell. His time at school is torrid, and he seems unable to secure any help to protect him from the bigoted assholes he must face each day. His father (Mark Wahlberg) is supportive, but in a 'don't ask don't tell" sort of fashion, ... the appalling position also taken by the principal at his school. Eventually, the pressure all just proves too much and the young man takes his own life. This inspires his father to try to walk from their home to New York raising the issues of homophobia and bullying as he goes. Wahlberg's name is what will do the work here; his participation in highlighting these issues of both physical and psychological intimidation ought to resound with whomever watches this, reads about it, or sees any of his publicity blurb. As a piece of cinema, though, it's pretty mediocre. Barring a scene with the two leads doing a bit of a Lady Gaga routine, the drama and the acting are fairly sterile and it takes recourse to a few handsome, but cop-out, power ballads when the script runs out of anything meaningful to say. It's a shocking testament that this still goes on in 2022 in a nation that purports to be civilised - and though this film, in itself, is largely forgettable, let's hope the message isn't.

Apr 13, 2022