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Downhill Poster

Downhill

A Different Kind of Disaster Movie.
2020 | 87m | English

(14469 votes)

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Popularity: 3 (history)

Details

Barely escaping an avalanche during a family ski vacation in the Alps, a married couple is thrown into disarray as they are forced to reevaluate their lives and how they feel about each other.
Release Date: Feb 06, 2020
Director: Jim Rash, Nat Faxon
Writer: Jim Rash, Jesse Armstrong, Nat Faxon
Genres: Comedy, Drama
Keywords husband wife relationship, austria, dark comedy, family vacation, avalanche, awkwardness, ski lift, life changing, rift, downhill, ski instructor, mountain resort, awkward situation, father son relationship, alpine skiing, skiing, married with children, husband wife conflict, avoidance, alpine slide, ski chalet, tirol, austria
Production Companies Likely Story, TSG Entertainment, Filmhaus Films, Searchlight Pictures
Box Office Revenue: $7,547,254
Budget: $0
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Julia Louis-Dreyfus Billie Stanton
Will Ferrell Pete Stanton
Zach Woods Zach
Zoë Chao Rosie
Miranda Otto Charlotte
Giulio Berruti Guglielmo
Julian Grey Finn Stanton
Ammon Jacob Ford Emerson Stanton
Kristofer Hivju Michel
Alex MacQueen Charlie
Kimberly Rydell Bar Woman
Ruth Brauer-Kvam Heli Ski Employee
Nadiv Molcho German Snowboarder
Ferdinand Ramml Photographer
Uli Richter Good-Looking Bar Guy
Ramneet Dass Man
Meghna Surya Woman
Caroline Mercedes Hochfelner Alpine Slide Employee
Peter Schorn Grizzly Lift Attendant
Name Job
Jim Rash Director, Screenplay
Jesse Armstrong Screenplay
Pamela Martin Editor
Nat Faxon Director, Screenplay
Danny Cohen Director of Photography
Volker Bertelmann Original Music Composer
Ruben Östlund Original Film Writer
Mike Möller Stunt Double
Martin White Stunts
J.M. Logan Post Production Supervisor
Viktor Orri Árnason Conductor
David Rennie Editor
Jeanne McCarthy Casting
Florian Reichmann Art Direction
Sebastian Sheehan Visconti Sound Effects Editor
Eimear O'Grady Stunts
Aoife Byrne Stunt Double
Niamh Gale Unit Production Manager
Orla King Second Assistant Director
Tanja Erdmann Assistant Art Director
Franz Xavier Spindler Set Dresser
Gabriela Atkinson-Schuster Art Department Assistant
Stephen Rigney Third Assistant Director
Vince McGahon "A" Camera Operator, Steadicam Operator
Anastasia Romanchuka Second Assistant Camera
Thomas Dirnhofer Second Unit Director of Photography, "B" Camera Operator
Flo Gasser Second Assistant "B" Camera
Jaap Buitendijk Still Photographer
Thomas Kreuzberger Drone Pilot
Robert Flanagan Production Sound Mixer
Keith Brachmann Additional Editor
John Ross Sound Re-Recording Mixer
Jakob Ballinger Gaffer
Manuel Nevosad Rigging Gaffer
Paul Kölbl Best Boy Grip
Zizi Bohrer-Lehner Costume Supervisor
Esther Naomi Knoll Costumer
Marlies Mayringer Costumer
Karoline Strobl Assistant Makeup Artist
Tünde Kiss-Benke Assistant Hairstylist
Lisa Sellner Assistant Location Manager
Johannes Slapa Property Master
Jacob Schaefer Construction Coordinator
Cara Loftus Assistant Production Coordinator
Karen Byrne Production Secretary
Billi Webster Production Accountant
Katie Lantz Casting Assistant
Emma Davie Unit Publicist
Nicholas Feil Foley Mixer
Jeffrey Roy ADR Mixer
Matt Hovland ADR Mixer
Dan DiPrima Music Editor
Kathleen Felix-Hager Costume Designer
Nicole Abellera Hallman Casting
David Warren Production Design
Perry Robertson Supervising Sound Editor
Brooke Lyndon-Stanford Visual Effects Supervisor
Giedrius Nagys Stunt Coordinator
Michael Altman Stunt Double
Uli Richter Stunts
Julie A. Bloom First Assistant Director
Johnny Byrne Set Decoration
Ian McCaffrey Storyboard Artist
Thomas Kloss Jr. Art Department Assistant
Seán McDermott First Assistant Camera
Dieter Knestel First Assistant "B" Camera
Anthony Bagley Digital Imaging Technician
René Kiefer Drone Cinematographer
Dave Moran Script Supervisor
Matt Pendle Boom Operator
Staci Pontius First Assistant Editor
Kevin Zimmerman Supervising Sound Editor
Gabriel J. Serrano Sound Re-Recording Mixer
Thomas Fromel Best Boy Electric
Emmanuel Aubry Key Grip
Florian Schabel Dolly Grip
Elisabeth Nagl Key Costumer
Magdalena Fuchs Costumer
Lynn Johnson Makeup Department Head
Orla Carrol Hair Department Head
Ernst Vogel Location Manager
Matthias Mayer Unit Manager
Tissi Brandhofer Special Effects Coordinator
Lorraine Hewson Production Coordinator
Valentina König Assistant Production Coordinator
Kevin Moll Studio Teacher
Andrea Nunner Production Accountant
Paul Cullen Transportation Captain
Adam DeCoster Foley Artist
Nick Neutra Foley Editor
Jason Oliver ADR Mixer
Jon Mooney Music Editor
Name Title
Anthony Bregman Producer
Julia Louis-Dreyfus Producer
Ruben Östlund Executive Producer
Stefanie Azpiazu Producer
Erik Hemmendorff Executive Producer
Jo Homewood Co-Producer
John O'Grady Associate Producer
Gregory Zuk Associate Producer
T.K. Knowles Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 32 64 16
2024 5 38 59 27
2024 6 24 41 14
2024 7 19 38 9
2024 8 15 30 8
2024 9 8 14 5
2024 10 11 18 6
2024 11 13 26 7
2024 12 12 17 7
2025 1 15 28 8
2025 2 9 14 3
2025 3 5 13 1
2025 4 4 9 1
2025 5 2 8 1
2025 6 2 5 1
2025 7 1 2 0
2025 8 1 1 1
2025 9 2 3 1
2025 10 3 5 3

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Reviews

maketheSWITCH
4.0

Altogether forgettable, 'Downhill' is an avalanche of its own - starting off more than a little rocky, it accelerates towards its destination as it wipes out everything in its path, whitewashing what was there beforehand. This is an adaptation not only unworthy of the original, but unworthy of the c ... ast it enlisted. Just go hunt down 'Force Majeure'. - Charlie David Page Read Charlie's full article... https://www.maketheswitch.com.au/article/review-downhill-a-slippery-slope-for-julia-louis-dreyfus-and-will-ferrell

Jun 23, 2021
Peter89Spencer
N/A

The dry humour in this film is dryer than dry ice! ...

Jun 23, 2021
Kamurai
2.0

Horrible watch, will not watch again, and warn against. As much as I am not a fan of Julia Louis-Dreyfus, I thought Will Ferrell would be a proper counter balance. This is a somewhat closer to the vibe of "Everything Must Go", except now the wife and kids are there to actively attack. That ... perspective does show that the movie does what it intended to do, have the audience relate to the trouble and turmoil of the characters, but I just don't feel like it amounted to much. Perhaps this is intended for a very specific audience of "troubled" or "broken" families trying to stay together, but it really almost feels more like like someone's therapy exercise as an outlet on how to deal with the pain of a similar event.

Jun 23, 2021