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Occupied City Poster

Occupied City

2023 | 266m | English

(996 votes)

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Popularity: 4 (history)

Director: Steve McQueen
Writer: Bianca Stigter
Staring:
Details

The past collides with the present in this excavation of the Nazi occupation of Amsterdam: a journey from World War II to recent years of pandemic and protest and a provocative, life-affirming reflection on memory, time and what's to come.
Release Date: Nov 30, 2023
Director: Steve McQueen
Writer: Bianca Stigter
Genres: Documentary
Keywords based on novel or book
Production Companies VPRO, Regency Enterprises, Film4 Productions, Family Affair Films, A24, Lammas Park
Box Office Revenue: $0
Budget: $0
Updates Updated: Feb 03, 2025
Entered: Apr 20, 2024
Starring

Trailers and Extras

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International Posters

Full Credits

Name Character
Melanie Hyams Self - Narrator (voice)
Carice van Houten Narrator (2024 version)
Name Job
Steve McQueen Director
Bianca Stigter Writer, Book
Oliver Coates Original Music Composer
Peter Bernaers Colorist
Xander Nijsten Editor
Jos ten Klooster Sound Recordist
Julien Naudin Foley Artist
Aukje Bink Camera Trainee
Seretse Fulani Second Assistant Camera
Jan Schermer Sound Designer, Sound Re-Recording Mixer
Deen van Liempd First Assistant Camera
Koen van der Knaap First Assistant Director
Laura Bell Music Supervisor
Lennert Hillege Director of Photography
Patrick Ghislain Foley Mixer
Maria Kramer Sound Editor
Max van den Oever Supervising Sound Editor
Maxime Brun Second Assistant Camera
Melissa Martens Second Assistant Camera
Danny van Deventer First Assistant Camera
Sophie van Caenegem Line Producer
Neeltje van der Heijden Post Production Supervisor
Eloi du Cinema Camera Trainee
Nico van den Brink Vocals
Name Title
Steve McQueen Producer
Arnon Milchan Executive Producer
Clea de Koning Executive Producer
Michael Schaefer Executive Producer
Adriana Banta Executive Producer
Daniel Battsek Executive Producer
Barbara Truyen Executive Producer
Susan Dolan Associate Producer
Floor Onrust Producer
Yariv Milchan Executive Producer
Emily Osborne Executive Producer
Ben Coren Executive Producer
Joost Janmaat Executive Producer
Natalie Lehmann Associate Producer
Anna Smith Tenser Producer
Ben Cotner Executive Producer
Ollie Madden Executive Producer
Bianca Stigter Producer
Noortje Wilschut Associate Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 7 15 2
2024 5 10 20 4
2024 6 7 30 2
2024 7 8 16 3
2024 8 5 10 2
2024 9 7 12 4
2024 10 7 13 4
2024 11 5 10 1
2024 12 7 14 1
2025 1 4 7 2
2025 2 2 4 1
2025 3 2 5 1
2025 4 1 2 1
2025 5 1 2 1
2025 6 1 2 1
2025 7 1 4 0
2025 8 1 2 0
2025 9 3 4 1
2025 10 3 4 3

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Reviews

lachlanthiele
7.0

EXT. IT BELONGS IN A MUSEUM - DAY Occupied City is redefining the 'Documentary' genre. This film is a series of stories passed onto Steve McQueen, now passing them onto us. It narrates those stories whilst giving us a glimpse into the current affairs in Amsterdam. This pure juxtaposition shows ho ... w far we have come yet how quickly we can turn back. The reason I've titled this review "It's Belongs in A Museum" is not because I have a ticket for the new Indiana Jones film here at Cannes (but it has little to do with that). This film isn't something to watch during a visit to the cinema; it should be on display somewhere, a four-and-a-half-hour loop of each moment, story, fact and stunning cinematography that this film has to offer. Suppose I explain why I'm so optimistic about this film yet only giving it 3.5 stars. In that case, it's because, as a film, anything more than 4 hours without a narrative flow is a complicated watch. Still, as I said, this belongs in a museum or an art gallery on display for you to sit and watch for a moment; when you're ready, you can leave but come back anytime. Yet I was in a cinema for more than 4 hours. This film would still be compelling at 2 hours long, yet McQueen leaves nothing on the cutting room floor. There were moments in which I wanted it to be over, but then another story or particular shot would drag me back in. But within this film, there is a tighter, more cohesive narrative where the simpler/less impactful stories are excluded. But it seems that McQueen wanted a leg in the race for the longest film of the Decade award. Overall, if you can watch this film, maybe not in cinemas but divide it up over four nights, giving you enough time to take in each story this film presents. FADE OUT. Added Shout out: Thanks, Mr McQueen, for giving us an intermission; long, long films need to start having these baked in.

May 18, 2023