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The Getaway Poster

The Getaway

It takes two to make it … The big two.
1972 | 123m | English

(37847 votes)

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Popularity: 3 (history)

Details

A recently released ex-convict and his loyal wife go on the run after a heist goes wrong.
Release Date: Dec 13, 1972
Director: Sam Peckinpah
Writer: Jim Thompson, Walter Hill
Genres: Action, Crime, Thriller
Keywords robbery, based on novel or book, texas, murder, heist, organized crime, con artist, on the run, bag of money, gunfight, bank robbery, double cross, neo-noir
Production Companies Solar Productions, First Artists, National General Pictures, Foster-Brower Productions, Tatiana Films
Box Office Revenue: $36,734,619
Budget: $3,352,254
Updates Updated: Aug 03, 2025
Entered: Apr 13, 2024
Trailers and Extras

International Posters

Full Credits

Name Character
Steve McQueen Carter "Doc" McCoy
Ali MacGraw Carol McCoy
Ben Johnson Jack Beynon
Sally Struthers Fran Clinton
Al Lettieri Rudy Butler
Slim Pickens Cowboy
Richard Bright The Thief
Jack Dodson Harold Clinton
Dub Taylor Laughlin
Bo Hopkins Frank Jackson
Roy Jenson Cully
John Bryson The Accountant
Bill Hart Swain
Tom Runyon Hayhoe
Whitney Jones The Soldier
Raymond King Boy on Train
Ivan Thomas Boy on Train
C.W. White Boy's Mother
Brenda W. King Boys' Mother
W. Dee Kutach Parole Board Chairman
Brick Lowry Parole Board Commissioner
Martin Colley McCoy's Lawyer
O.S. Savage Field Captain
Dick Crockett Bank Guard
A.L. Camp Hardware Store Owner
Bob Veal TV Shop Proprietor
Bruce Bissonette Sporting Goods Salesman
Maggie Gonzalez Carhop
Jim Kannon Cannon
Doug Dudley Max
Stacy Newton Stacy
Tommy Bush Cowboy's Helper
Stephen Douglas Butler Teen at Drive-Up-Diner (uncredited)
R.C. Keene Beacon City Parade / Robbery Witness (uncredited)
Margaret Mazzola Car Hop #1 (uncredited)
Hal Smith Radio Announcer (voice) (uncredited)
Tommy Splittgerber Train Station Ticket Agent (uncredited)
Name Job
Jim Thompson Novel
Michael Preece Script Supervisor
Toots Thielemans Music
Bill Hart Stunts
Carey Loftin Stunts
Robert L. Wolfe Editor
Ted Haworth Art Direction
Newt Arnold Assistant Director
Al Fleming Makeup Artist
Quincy Jones Original Music Composer
Gary Combs Stunts
Walter Hill Screenplay
Sam Peckinpah Director
Angelo P. Graham Art Direction
Lucien Ballard Director of Photography
Loren Janes Stunt Double
Donna Garrett Stunts
Whitey Hughes Stunts
Bud Hulburd Special Effects
Michael Colgan Sound Editor
Gaylin P. Schultz Key Grip
Jack Petty Makeup Artist
Donald Guest Production Manager
Katherine Haber Dialogue Editor
Dick Crockett Stunts
George R. Nelson Set Decoration
Josef von Stroheim Sound Editor
Patricia Mock Casting Director
Kent James Costumer
Ray Summers Costume Supervisor
Bob Terhune Stunts
Barbara Seibert Bolticoff Costumer
Name Title
David Foster Producer
Steve McQueen Executive Producer
Gordon T. Dawson Associate Producer
Mitchell Brower Producer
Warren Skaaren Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 20 33 15
2024 5 26 46 16
2024 6 25 72 14
2024 7 21 34 12
2024 8 20 38 12
2024 9 12 17 9
2024 10 17 35 11
2024 11 14 25 9
2024 12 15 30 9
2025 1 15 27 10
2025 2 11 19 3
2025 3 5 15 1
2025 4 2 5 1
2025 5 2 5 1
2025 6 2 3 1
2025 7 2 3 1
2025 8 2 3 1
2025 9 3 4 2
2025 10 2 3 1

Trending Position


Year Month High Avg
2024 11 373 373

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Reviews

Wuchak
6.0

**_Steve McQueen, Ali MacGraw and others chasing a bag of cash in Texas_** A prisoner in Huntsville (McQueen) is released early due to his wife (MacGraw) making a deal with a corrupt official (Ben Johnson). The cost of his freedom is to head a bank heist in San Marcos with the officer’s questiona ... ble henchmen (Al Lettieri and Bo Hopkins). O, what a tangled web we weave. “The Getaway” (1972) is a crime thriller written by Walter Hill based on Jim Thompson’s book and was director Sam Peckinpah’s second most successful film at the box office, after “Convoy” six years later. It was remade in 1994 with Alec Baldwin and influenced soon-to-come movies like “The Outfit,” "Dirty Mary, Crazy Larry," "Thunderbolt and Lightfoot" and “The Gauntlet,” as well as later ones like “No Country for Old Men.” If you like those flicks, you’ll appreciate this one, although it ranks with the least of ’em IMHO. Why? Because the bank job is unnecessarily convoluted, not to mention expensive, with the myriad pre-caper photographs, a cliched last-minute briefing session in a basement, severing electrical cables in the sewer tunnels and even diversionary explosions. Why Sure! Then there’s the curious train station sequence with a convenient con man that’s inserted into the midsection, which I admit is entertaining in a Hitchcockian way. Lastly, despite some amusing bits, the proceedings are shrouded by a pessimistic and ugly perspective. I get that the protagonists are antiheroes, but the film needed more glimmerings of nobility and love, and less murderous venality. “Pulp Fiction” is a good example. Ali looks good on the feminine front and is, thankfully, way less annoying than her character in “Love Story.” Blonde Sally Struthers eventually appears and never looked better at 23 during shooting, but her character is a ditzy turnoff. McQueen would marry costar MacGraw seven months after the movie’s release, but their marriage would only last five years. It runs 2 hours, 2 minutes, and was shot entirely in Texas at Huntsville (prison), San Marcos (bank robbery), San Antonio (train station), Fabens (city street confrontation) and El Paso (Laughlin Hotel). GRADE: B-/C+

Sep 27, 2024