Disappearance at Clifton Hill
The truth can be deceiving.
2020 | 100m | English
Popularity: 0.6 (history)
| Director: | Albert Shin |
|---|---|
| Writer: | James Schultz, Albert Shin |
| Staring: |
| Following the death of her mother, a young woman returns home to Niagara Falls and becomes entangled in the memory of a kidnapping she claims to have witnessed as a child. | |
| Release Date: | Feb 28, 2020 |
|---|---|
| Director: | Albert Shin |
| Writer: | James Schultz, Albert Shin |
| Genres: | Drama, Mystery, Thriller |
| Keywords | canada, kidnapping, magic show, motel, police, niagara falls, pedophile |
| Production Companies | Rhombus Media |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Tuppence Middleton | Abby |
| Hannah Gross | Laure |
| David Cronenberg | Walter |
| Andy McQueen | Singh |
| Noah Reid | Marcus |
| Dan Lett | Randy |
| Aaron Poole | The One-Eyed Man |
| Eric Johnson | Charlie Lake |
| Marie-Josée Croze | Mrs. Moulin |
| Paulino Nunes | Mr. Moulin |
| Maxwell McCabe-Lokos | Gerry |
| Elizabeth Saunders | Bev Mole |
| Clyde Whitham | Charles Lake II |
| Craig Burnatowski | US Border Agent |
| Chris Gleason | US Marshall |
| Kris Hagen | Bartender |
| Alanis Peart | Flying Saucer Waitress |
| Martin Roach | Canadian Border Agent |
| Dan Duran | Field Reporter |
| Connor Jessup | (uncredited) |
| Janet Porter | Mom |
| Colin Mcleod | Alex Moulin |
| Name | Job |
|---|---|
| James Schultz | Writer |
| Chris Crane | Production Design |
| Cam McLauchlin | Editor |
| Tina Gerussi | Casting |
| Deirdre Bowen | Casting |
| Pam Dixon | Casting |
| Matt Code | Line Producer |
| Judith Ann Clancy | Costume Designer |
| Yoann Malnati | Steadicam Operator |
| Luke Groves | Visual Effects Supervisor |
| Kovalenko Misha | Visual Effects |
| Derek Liscoumb | Special Effects Supervisor |
| Jason Charbonneau | Foley Artist |
| Claire Dobson | Dialogue Editor, ADR Editor |
| Paul Germann | Sound Effects Editor |
| John Sievert | Foley Artist |
| Randy Wilson | Foley Mixer |
| David Lewington | Set Designer |
| Aurèle Gaudet | First Assistant Director |
| Michelle Koerssen | Second Assistant Director |
| Emily O'Quinn | Makeup Department Head |
| Graham Rogers | Sound Re-Recording Mixer |
| Joël Guzman | Art Direction |
| Quinn Matthews | Assistant Makeup Artist |
| Janet Stevens | Graphic Designer |
| Nicola Weston | Graphic Designer |
| Michelle Haid | Property Master |
| Chrystal Hardy | Set Decoration Buyer |
| Rhiannon Dunets | Set Dresser |
| Nicolas Mantzanis | Storyboard Artist |
| Danielle Depeyre | Script Supervisor |
| Petar Mateiasevich | Camera Trainee |
| Justin Yaroski | Grip |
| Paolo Perin | Key Grip |
| Johann Montreuil | Second Assistant Camera |
| Brendan Adam-Zwelling | Still Photographer |
| Anna-Claude Biron | Assistant Costume Designer |
| Sara Brzozowski | Assistant Costume Designer |
| Rachel Ford | Key Costumer |
| Samantha Rice | Truck Supervisor |
| Christopher Richards | Casting Associate |
| Jillian Sabean | Production Coordinator |
| Frank Biasi | Digital Conform Editor |
| Patrick Duchesne | Digital Intermediate Producer |
| Helena Escallon | First Assistant Editor |
| Brett Trider | Senior Colorist |
| Kristy Neville | Production Manager |
| Rory James | Third Assistant Director |
| Robert Pomposo | Third Assistant Director |
| Kurtis Bayford | Stunts |
| Albert Shin | Writer, Director |
| Catherine Lutes | Director of Photography |
| Alexander Sowinski | Original Music Composer |
| Leland Whitty | Original Music Composer |
| Neil Davison | Stunt Coordinator |
| Geoff Scovell | Stunt Double |
| Alicia Turner | Stunt Coordinator |
| Matthew Chan | Sound Re-Recording Mixer |
| Marianna Margaret | First Assistant Camera |
| Caitlin Cronenberg | Still Photographer |
| Krystin Hunter | Dialogue Editor |
| Ana Shepherd | Stunt Driver |
| Name | Title |
|---|---|
| Fraser Ash | Producer |
| Omar Chalabi | Executive Producer |
| Adrian Love | Executive Producer |
| Kevin Krikst | Producer |
| Niv Fichman | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 12 | 18 | 8 |
| 2024 | 5 | 13 | 18 | 10 |
| 2024 | 6 | 11 | 19 | 7 |
| 2024 | 7 | 14 | 28 | 7 |
| 2024 | 8 | 12 | 31 | 7 |
| 2024 | 9 | 8 | 15 | 5 |
| 2024 | 10 | 10 | 28 | 5 |
| 2024 | 11 | 9 | 16 | 5 |
| 2024 | 12 | 9 | 14 | 6 |
| 2025 | 1 | 9 | 15 | 6 |
| 2025 | 2 | 8 | 10 | 3 |
| 2025 | 3 | 4 | 9 | 1 |
| 2025 | 4 | 1 | 4 | 1 |
| 2025 | 5 | 2 | 4 | 1 |
| 2025 | 6 | 1 | 2 | 1 |
| 2025 | 7 | 0 | 1 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 5 | 10 | 2 |
| 2025 | 10 | 0 | 1 | 0 |
Trending Position
Tuppence Middleton ("Abby") returns to her Niagara Falls family home following the death of her mother, and together with sister "Laure" (Hannah Gross) has to dispose of her assets - including their motel. Once there, she starts getting flashbacks of a memory (real or imagined, we do not yet know) i ... n which she is the witness to a kidnapping. What ensues now is a creatively crafted psychological thriller that though quite interesting, initially, manages quite successfully to tie itself up in too many knots. Middleton is decent enough, but the plot so convoluted and meandering that the focus and pace of the story serves to distract us from what might have been an engaging thriller and by mid way through I really couldn't have cared less. As you'd expect, the scenery is beautiful but the soundtrack is really downbeat and the ending, when it eventually comes, offers more by way of light relief than satisfaction.