Popularity: 4 (history)
| Director: | Azazel Jacobs |
|---|---|
| Writer: | Patrick DeWitt |
| Staring: |
| “My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price, but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband. | |
| Release Date: | Feb 12, 2021 |
|---|---|
| Director: | Azazel Jacobs |
| Writer: | Patrick DeWitt |
| Genres: | Comedy, Drama |
| Keywords | paris, france, based on novel or book, cat, medium, widow, reincarnation, ocean crossing, socialite, mother son relationship |
| Production Companies | Sony Pictures Classics, Blinder Films, Screen Siren Pictures, RocketScience, Elevation Pictures |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Dec 27, 2024 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Michelle Pfeiffer | Frances Price |
| Lucas Hedges | Malcolm Price |
| Tracy Letts | Franklin Price (voice) |
| Valerie Mahaffey | Mme Reynard |
| Susan Coyne | Joan |
| Imogen Poots | Susan |
| Danielle Macdonald | Madeleine the Medium |
| Isaach de Bankolé | Julius |
| Daniel Di Tomasso | Tom |
| Eddie Holland | Young Malcolm Price |
| Matt Holland | Headmaster |
| Christine Lan | Sylvia |
| Robert Higden | Mr. Baker |
| Larry Day | Ralph Rudy |
| Laura Mitchell | Hostess |
| Christopher B. MacCabe | Daniel |
| Julian Bailey | Beat Cop |
| Rebecca Gibian | Mr. Baker's Assistant |
| Una Kay | Confetti-Throwing Woman on Ship |
| Christopher Hayes | Waiter on Ship |
| Bruce Dinsmore | Captain |
| Vlasta Vrana | Borius Maurus (Ship's Doctor) |
| Jean-Michel Le Gal | Customs Agent |
| Saboor Aiasuddin Adbul | Cab Driver |
| Benoît Mauffette | Rude French Waiter |
| Marc Raffray | Nice French Waiter |
| Marine Chard | School Girl 1 |
| Charlotte Hoepffner | School Girl 2 |
| Younes Bouab | Brave Man in Paris Park |
| Deen Abboud | Man Who Takes Cash in Park |
| Nikola Masri | Wine Clerk |
| Jelena Djukic | Cashier |
| Stéphane Boucher | Man in Alley |
| Laura Mitchell | Hostess |
| Name | Job |
|---|---|
| Anne Bergamaschi | Makeup Artist |
| Valli O'Reilly | Makeup Artist |
| Carol Hemming | Hairstylist |
| Annick Legout | Makeup Artist |
| Mark DeSimone | ADR Mixer |
| Virginie Léger | Production Manager |
| Olivier Chouinard | Second Assistant Director |
| Francis Trottier | Unit Manager |
| Pauline Béraud | Script Supervisor |
| Christoph Gaudl | Visual Effects |
| Dave Thomas | Visual Effects |
| Hilda Rasula | Editor |
| Patrick DeWitt | Novel, Writer |
| Jean-Andre Carriere | Production Design |
| Michel Marrec | First Assistant Director |
| Tyler Hall | Stunt Coordinator |
| Joëlle Péloquin | Set Decoration |
| Nicolas Fejoz | Boom Operator |
| Vincent Piponnier | Sound Mixer |
| Christine Haebler | Executive In Charge Of Production |
| Diaz Jacobs | Thanks |
| Nicole Arbusto | Casting |
| Tobias Datum | Director of Photography |
| Arnaud Derimay | Sound Mixer |
| Nick deWitt | Original Music Composer |
| Azazel Jacobs | Director |
| Norman Denver | Line Producer |
| Ken Galvin | Sound Re-Recording Mixer |
| Jane Petrie | Costume Design |
| Asuka Sugiyama | Art Department Coordinator |
| Garret Farrell | Sound Designer |
| Lamps Lampadinha | Sound Mixer |
| Name | Title |
|---|---|
| Azazel Jacobs | Executive Producer |
| Christine Haebler | Producer |
| Noah Segal | Producer |
| Olivier Glaas | Producer |
| Darrin Navarro | Executive Producer |
| Vincent Maraval | Executive Producer |
| Thorsten Schumacher | Executive Producer |
| Mal Ward | Executive Producer |
| Laurie May | Executive Producer |
| Adrian Love | Executive Producer |
| Katie Holly | Producer |
| Patrick DeWitt | Executive Producer |
| Trish Dolman | Producer |
| Stuart Manashil | Executive Producer |
| Christina Piovesan | Producer |
| Lars Sylvest | Executive Producer |
| Marc Marrie | Executive Producer |
| Matt Aselton | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 20 | 31 | 10 |
| 2024 | 5 | 24 | 49 | 14 |
| 2024 | 6 | 20 | 52 | 10 |
| 2024 | 7 | 19 | 33 | 10 |
| 2024 | 8 | 17 | 42 | 9 |
| 2024 | 9 | 9 | 16 | 6 |
| 2024 | 10 | 14 | 35 | 6 |
| 2024 | 11 | 12 | 29 | 6 |
| 2024 | 12 | 14 | 24 | 7 |
| 2025 | 1 | 14 | 28 | 9 |
| 2025 | 2 | 8 | 13 | 3 |
| 2025 | 3 | 4 | 12 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 1 | 5 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 1 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 2 | 1 |
| 2025 | 10 | 2 | 4 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 106 | 407 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 714 | 845 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2024 | 12 | 72 | 419 |
I really can't do justice to just how thoroughly entertaining a film 'French Exit' is. It had me roaring and cackling with laughter, totally enchanted by its irreverence and good humour. You feel as if you're watching a great piece of classic theatre, where silly rich white people bumble around in f ... ancy rooms, unaware that they're revealing, with their silly irrelevant lives, just how strange and beautiful life and love and sadness and happiness can be. Michelle Pfeiffer's tremendous central performance, full of camp and acid and sadness, would be enough of a reason to see 'French Exit', but it's all the more rewarding for how complete an experience it is. The ridiculous and the surreal are employed for the purpose for which they are always at their best - to make us laugh at how silly life can be, and sigh at the truth that, no matter what, we want to keep living regardless. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-french-exit-a-farcical-and-ridiculous-delight
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I find surreal comedy one of the most challenging subgenres to appreciate. In my experience, the humor must be pitch-perfect in order for me to actually laugh throughout the runtime of a purposefully ... absurd film. In addition to this, I need to feel some sort of connection with the protagonist(s). Otherwise, I'll struggle to truly enjoy the fun inside all the chaos. I've never seen a movie by Azazel Jacobs (The Lovers, Terri), who brings the same screenwriter of the latter film, Patrick deWitt. Michelle Pfeiffer delivers a phenomenal performance, showing tremendous emotional range and an acting experience that allows her to seamlessly navigate any script thrown at her. Ultimately, Pfeiffer proves that she still has what it takes to lead the biggest movies of each year. Unfortunately, I found French Exit an incredibly tough film to enjoy. From the remaining disappointing performances - Lucas Hedges is frustratingly annoying in this role - to the lack of interest in the overall narrative, it's one of those movies that either the viewers connect with immediately, or it's not going to be an easy watch. Surreal comedy implies a nonsensical screenplay, which might trigger some people to dislike it from the get-go. It's an extremely specific type of humor that doesn't usually reach big groups of people. Azazel Jacobs brings Patrick deWitt's screenplay to the screen with remarkable commitment, but in the end, it's a slow, stretched-out film with not that many laughs to offer. Rating: C-