Popularity: 4 (history)
Director: | Matthijs van Heijningen Jr. |
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Writer: | Eric Heisserer, John W. Campbell Jr. |
Staring: |
When paleontologist Kate Lloyd travels to an isolated outpost in Antarctica for the expedition of a lifetime, she joins an international team that unearths a remarkable discovery. Their elation quickly turns to fear as they realize that their experiment has freed a mysterious being from its frozen prison. Paranoia spreads like an epidemic as a creature that can mimic anything it touches will pit human against human as it tries to survive and flourish in this spine-tingling thriller. | |
Release Date: | Oct 12, 2011 |
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Director: | Matthijs van Heijningen Jr. |
Writer: | Eric Heisserer, John W. Campbell Jr. |
Genres: | Science Fiction, Horror, Mystery |
Keywords | based on novel or book, paranoia, research station, alien life-form, prequel, survival, antarctica, survival horror, blizzard, duringcreditsstinger, aggressive, 1980s, assimilation, alien spaceship, norwegian, suspenseful |
Production Companies | Universal Pictures, Strike Entertainment, Morgan Creek |
Box Office |
Revenue: $31,505,287
Budget: $35,000,000 |
Updates |
Updated: Aug 06, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Mary Elizabeth Winstead | Kate Lloyd |
Joel Edgerton | Sam Carter |
Ulrich Thomsen | Dr. Sander Halvorson |
Eric Christian Olsen | Adam Finch |
Adewale Akinnuoye-Agbaje | Derek Jameson |
Paul Braunstein | Griggs |
Trond Espen Seim | Edvard Wolner |
Kim Bubbs | Juliette |
Jørgen Langhelle | Lars |
Jan Gunnar Røise | Olav |
Stig Henrik Hoff | Peder |
Kristofer Hivju | Jonas |
Carsten Bjørnlund | Karl |
Jo Adrian Haavind | Henrik |
Jonathan Walker | Colin |
Ole Martin Aune Nilsen | Matias (Heli Pilot) |
Michael Brown | Security Guard |
Name | Job |
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Michel Abramowicz | Director of Photography |
Vincent Papaix | Digital Compositor |
Eric Heisserer | Writer |
Marco Beltrami | Music, Original Music Composer |
Angela Demo | Casting |
Luis Sequeira | Costume Design |
Matthijs van Heijningen Jr. | Director |
Kyle Cooper | Title Designer |
Alexander Vegh | Pre-Visualization Supervisor |
Jordu Schell | Character Designer |
Doug Slater | Set Designer |
Eric A. Norris | Sound Effects Editor |
Alicia Turner | Stunts |
Duncan McLeod | Stunts |
John MacDonald | Stunts |
Jamie Jones | Stunt Coordinator |
Blair Johannes | Stunts |
Colin Decker | Stunts |
Chad Camilleri | Stunts |
Dustin Brooks | Stunts |
Jonnie Katz | Second Assistant Director |
Peter Boyle | Editor |
Julian Clarke | Editor |
Jono Griffith | Additional Editor, Editor |
Diane Kerbel | Casting |
Sean Haworth | Production Design |
Patrick Banister | Art Direction |
Jeremy Stanbridge | Art Direction |
Odetta Stoddard | Set Decoration |
Suzanne Aplin | Costume Supervisor |
Jeremy Stewart | Animation |
Justin Ditter | Key Hair Stylist |
Paul R.J. Elliot | Key Hair Stylist |
Linda Dowds | Key Makeup Artist |
Stacey Butterworth | Wigmaker |
Marc Kuitenbrouwer | Construction Coordinator |
Yasmyn Lee | Art Department Coordinator |
Lindsay Jacobs | Assistant Costume Designer |
Wayne Godfrey | Key Costumer |
Karen Eppstadt | Ager/Dyer |
Jane Conway | Animal Wrangler |
Violetta Hessing | Animal Wrangler |
R. Emerson John | Script Supervisor |
Dug Rotstein | Script Supervisor |
Cam Harrod | Aerial Coordinator |
Lyndon Barrois | Animation Supervisor |
Neil Eskuri | Digital Effects Supervisor |
Michael Broom | Creature Design |
Ken Steel | Lead Animator |
Rachel Faith Hanson | Visual Effects Coordinator |
Neil Impey | Visual Effects Coordinator |
Harrison Marks | Visual Effects Coordinator |
Laetitia Seguin | Visual Effects Coordinator |
Rene Toye | Visual Effects Coordinator |
Blaine Lougheed | Visual Effects Coordinator |
Vivien Hulbert | Visual Effects Coordinator |
Pam Hammarlund | Visual Effects Producer |
Petra Holtorf | Visual Effects Producer |
Vera Zivny | Visual Effects Producer |
Wilson Cameron | Visual Effects Producer |
Jesper Kjölsrud | Visual Effects Supervisor |
Aaron Weintraub | Visual Effects Supervisor |
David Burton | Visual Effects Supervisor |
Warren Appleby | Special Effects Coordinator |
Hans Bjerno | Aerial Director of Photography |
Mark Hryma | Aerial Director of Photography |
Dino Laurenza | Camera Operator |
Robert McRae | Gaffer |
Mongo Andrews | Key Rigging Grip, Rigging Grip |
Kevin Craine | Lighting Technician |
Marek Krawczyk | Lighting Technician |
Jerad Marantz | Character Designer |
Aaron Sims | Character Designer |
Paul Greenberg | Graphic Designer |
John Moran | Graphic Designer |
William Cheng | Set Designer |
David G. Fremlin | Set Designer |
Joseph Hiura | Set Designer |
Travis MacKay | ADR Mixer |
Michael Miller | ADR Mixer |
Brandon Prodger | ADR Mixer |
Tim West | ADR Mixer |
Jesse Dodd | ADR Mixer |
Wade Barnett | ADR Recordist |
Josephine Nericcio | Assistant Sound Editor |
Steve Switzer | Boom Operator |
Jason McFarling | Boom Operator |
Rhys Maitland-Jones | Sound Mix Technician |
Glen Gauthier | Sound Mixer |
Nerses Gezalyan | Sound Mixer |
Roderick Matte | Sound Mixer |
Doug Johnston | Sound Mixer |
Bob Beemer | Sound Re-Recording Mixer |
Jon Taylor | Sound Re-Recording Mixer |
Thomas Jones | Supervising ADR Editor |
Elliott Koretz | Supervising Sound Editor |
Lara Johnston | Assistant Editor |
Cam McLauchlin | Assistant Editor |
Alain J. Romi | Assistant Editor |
Frank J. Urioste | Additional Editor |
Harry Muller | Color Timer |
Patrick Gallagher | First Assistant Editor |
Mark Jan Wlodarkiewicz | Music Editor |
Doug Reid | Best Boy Electric |
Byrd Dickens | Best Boy Electric |
Jason E. Hamilton | Electrician |
Kevin Barnes | Electrician |
Joseph Micomonaco | First Assistant Camera |
Liise Keeling | Stunts |
Ciarán Copelin | First Assistant Camera |
Stephen Butson | First Assistant Camera |
Billy Oliver | Stunts |
Patrick Mark | Stunts |
Rick Forsayeth | Stunt Coordinator |
Scott Alan Cook | Stunts |
Clay Staub | Second Unit Director |
Dana Howes | Transportation Coordinator |
Dennis Berardi | Visual Effects Supervisor |
Gilles Corbeil | Camera Operator |
Scott A. Hecker | Supervising Sound Editor |
Denise Chamian | Casting |
Al Vrkljan | Armorer |
John W. Campbell Jr. | Book |
Zac Campbell | Digital Compositor |
Name | Title |
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Eric Newman | Producer |
Marc Abraham | Producer |
J. Miles Dale | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 38 | 54 | 23 |
2024 | 5 | 40 | 90 | 28 |
2024 | 6 | 33 | 61 | 23 |
2024 | 7 | 40 | 56 | 26 |
2024 | 8 | 33 | 67 | 17 |
2024 | 9 | 27 | 33 | 21 |
2024 | 10 | 36 | 58 | 22 |
2024 | 11 | 29 | 51 | 19 |
2024 | 12 | 27 | 37 | 20 |
2025 | 1 | 32 | 46 | 24 |
2025 | 2 | 24 | 33 | 6 |
2025 | 3 | 13 | 34 | 2 |
2025 | 4 | 5 | 8 | 2 |
2025 | 5 | 4 | 9 | 3 |
2025 | 6 | 4 | 6 | 3 |
2025 | 7 | 3 | 4 | 2 |
2025 | 8 | 4 | 5 | 2 |
Trending Position
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2025 | 8 | 340 | 783 |
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2025 | 7 | 354 | 617 |
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2025 | 6 | 543 | 788 |
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2025 | 5 | 502 | 748 |
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2024 | 12 | 971 | 985 |
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2024 | 10 | 525 | 719 |
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2024 | 9 | 675 | 814 |
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2024 | 8 | 916 | 916 |
Hvem går det? The Thing is directed by Matthijs van Heijningen Jr. and adapted to screenplay by Eric Heisserer. It's based on the novel "Who Goes There?" by John W. Campbell and is a prequel to "John Carpenter's The Thing" from 1982. It stars Mary Elizabeth Winstead, Joel Edgerton, Ulrich Thomsen ... , Eric Christian Olsen and Adewale Akinnuoye-Agbaje. Music is by Marco Beltrami and cinematography by Michel Abramowicz. Antartica, 1982, and scientist Kate Lloyd is requested to investigate something strange at a Norwegian base station. By accident the Norwegians have discovered what appears to be an alien craft frozen beneath the ice. Their thoughts prove to be correct and they are rightly celebrating a magnificent discovery, particularly as there appears to also be a frozen being in the ice. But it's not long before everyone at the base begins to regret unearthing the being... No serious John Carpenter fan wanted this film, it wasn't needed or required. His 1982 film is an awesome slice of sci-fi horror, a remake itself of a very good film, "The Thing from Another World" (Howard Hawks 1951), Carpenter flipped the scenario around from Hawks' movie to great effect. Paranoia and creeping dread blended with amazing beasties to make for what many feel is one of the ultimate sci-fi horror movies going. So why remake it then? Well, we are told by Heijningen Jr and his team that this is a prequel to Carpenter's movie, asking the big questions such as just what happened at the Norwegian base station before Kurt Russell's manly mob got there? Making this a sort of filling in the blanks session. Not a bad idea at all is that, something good to work from, even if we know from the beginning of Carpenter's movie just how many Norwegian's survived! Now the problem here is that it may be a prequel, and attention to detail in scenes linking both films together is rather ace, but it's devoid of freshness, the makers pretty much following the exact same formula of Carpenter's film. Cue a group of scientist types getting spooked by something ghastly stalking them, cue one by one them getting offed in grizzly ways by an assimilating menace and cue paranoia and suspicion. They even put in the test sequence from 82, only with a metal slant instead of blood, while the creatures are the same only bigger in body horror terms and budget. Instead of Kurt Russell's mighty machismo, we get Winstead's spunky lady (she's the one without the face fuzz here), but it's the same old same old routine, only for the "Scott Pilgrim" crowd. When all is said and done, this is pretty much a remake of a far far better film. Yet for all that is annoying and unadventurous about it, it's still a bunch of fun, the director is capable in having us wonder what is around the corner, utilising the cramped interiors for maximum fret. The various creatures born out of the Thing itself are monstrous, especially the two headed one which we see horrifically birthed, and even though the CGI is there, with some of it poor, much of it is blended with practical work and the human actors to stop it from being "all" about the effects. It's also nice to report that there is undeniably love and respect for the 82 cut. Leading cast performances are efficient, but Winstead is just too young and looks out of place, she does not, however, fail for lack of effort to make her thinly written part work. Bonus is the Norwegian actors adding some intense character dynamics to the plotting. Beltrami's score nods appreciatively to Morricone's original, and on Blu-ray Abramowicz's steely coloured photography really pings out of the screen. In an alternative universe where there is no John Carpenter film, this would be a well regarded entry into the creature feature stable. With enough shocks and squirmy screams delivered for the genre eager crowd. But unless you are someone who hasn't seen Carpenter's superior movie, then this will feel like a shallow imitation, just like, ironically enough, one of The Thing's assimilated humans. A generous 7/10 from me because I did have fun watching in the privacy of my own home with the lights off. Other Carpenter fans, though, are most likely to start rating from my 7 and work backwards I feel...
**_More of the same with a female protagonist, but well done_** An American paleontologist (Mary Elizabeth Winstead) is recruited by a doctor and his assistant (Ulrich Thomsen and Eric Christian Olsen) to travel to a Norwegian base in Antarctica to examine a colossal craft buried under the ice an ... d a nearby frozen specimen. They bring the latter into the base; big mistake. “The Thing” (2011) is a prequel to the Kurt Russell movie from 29 years prior. The ending fittingly paves the way for the 1982 film, which featured an all-male cast. This one attempts to “fix” that arguable issue with the inclusion of Winstead and another female character, but I wouldn’t look for romantic complications because this flick runs 6 minutes shorter than the ’82 film and so only has time to focus on the life-or-death challenges of the remote station. It's basically a re-do, just with a female protagonist à la “Alien” & “Aliens.” The laughable torso jaws return, but this shows faithfulness and consistency. The ’82 film is revered by devotees so this movie was never going to measure up in their eyes. However, it’s pretty much on par and I appreciate the presence of Winstead, plus it does do something different in the last act that I’m not going to give away. The film runs 1 hour, 43 minutes, and was shot at Pinewood Toronto Studios near the shore in Port Lands, as well as nearby Stouffville and the Canadian Forces Base in Trenton, the latter of which is a 2-hour drive east of Toronto. Exteriors were shot in British Columbia. GRADE: B