Popularity: 1 (history)
Director: | Michael Gordon |
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Writer: | Oscar Saul, Roy Huggins, James Webb |
Staring: |
As far as the rest of the world is concerned, mill heiress Deborah Chandler Clark is dead, killed in a freak auto accident. But Deborah is alive, if not too well. Having discovered a horrible truth about her new husband, Deborah is now a “woman in hiding,” living in mortal fear that someday her husband will catch up with her again. When a returning GI recognizes Deborah, however, she must decide whether or not she can trust him. | |
Release Date: | Jan 06, 1950 |
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Director: | Michael Gordon |
Writer: | Oscar Saul, Roy Huggins, James Webb |
Genres: | Drama, Romance, Crime, Thriller |
Keywords | film noir |
Production Companies | Universal Pictures, Universal International Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 (Update) Entered: Apr 20, 2024 |
Name | Character |
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Ida Lupino | Deborah Chandler Clark |
Stephen McNally | Selden Clark |
Howard Duff | Keith Ramsey |
Peggy Dow | Patricia Monahan |
John Litel | John Chandler |
Taylor Holmes | Lucius Maury |
Irving Bacon | Link |
Don Beddoe | Fat Salesman |
Joe Besser | Salesman with Drum |
Fred Aldrich | Bus Passenger (uncredited) |
Gertrude Astor | Woman in Drugstore (uncredited) |
Ralph Brooks | Counterman at Bus Depot (uncredited) |
Morgan Brown | Train Conductor (uncredited) |
Peggie Castle | Diner Waitress (uncredited) |
Angela Clarke | Clara May's Mother (uncredited) |
David Clarke | Moyer (uncredited) |
Tom Coleman | Plant Worker (uncredited) |
James Conaty | Man at Bus Depot/Conventioneer (uncredited) |
Heinie Conklin | Hotel Waiter (uncredited) |
Russ Conway | Russell (uncredited) |
Tony Curtis | Dave Shaw (voice) (uncredited) |
Adolph Faylauer | Bus Passenger (uncredited) |
Sam Finn | Bus Passenger (uncredited) |
Harold Goodwin | State Trooper (uncredited) |
Michael Gordon | Man with Locker Key (uncredited) |
Tim Graham | Hotel Clerk (uncredited) |
Robert Haines | Conventioneer (uncredited) |
John Harmon | Man Taken Off Bus (uncredited) |
Harry Harvey | Mr. Tullis (uncredited) |
Jerry Hausner | Conventioneer (uncredited) |
Jimmie Horan | Conventioneer (uncredited) |
I. Stanford Jolley | Conventioneer (uncredited) |
Donald Kerr | Drunken Conventioneer on Bicycle (uncredited) |
Michael Kraike | Man Reading Newspaper (uncredited) |
Mike Lally | Bus Depot Passenger/Conventioneer (uncredited) |
Nolan Leary | Station Master (uncredited) |
Pierce Lyden | Policeman at Bus Station (uncredited) |
George Magrill | Plant Worker (uncredited) |
Charles McAvoy | Electrician (uncredited) |
Francis McDonald | North Carolina Cannoneer (uncredited) |
Howard M. Mitchell | Conventioneer (uncredited) |
Hans Moebus | Lunch Counter Customer (uncredited) |
William H. O'Brien | Conventioneer (uncredited) |
William J. O'Brien | Bus Passenger (uncredited) |
Frank O'Connor | Conventioneer (uncredited) |
Jerry Paris | Customer at Newsstand (uncredited) |
Carl Sklover | Taxi Driver (uncredited) |
Clarence Straight | Charlie - Bus Station Ticket Clerk (uncredited) |
Brick Sullivan | Policeman at Bus Station (uncredited) |
Ferris Taylor | Fred (uncredited) |
William Val | Dave Shaw (uncredited) |
Bill Walker | Train Porter (uncredited) |
Guy Wilkerson | Searcher in Rowboat (uncredited) |
Name | Job |
---|---|
Michael Gordon | Director |
Orry-Kelly | Costume Design |
Bud Westmore | Makeup Artist |
Richard Walling | Still Photographer |
Miklós Rózsa | Additional Music |
Oscar Saul | Screenplay |
Roy Huggins | Adaptation |
William H. Daniels | Director of Photography |
Milton Carruth | Editor |
James Webb | Original Story |
Robert Clatworthy | Art Direction |
Bernard Herzbrun | Art Direction |
Russell A. Gausman | Set Decoration |
Ruby R. Levitt | Set Decoration |
Joan St. Oegger | Hairstylist |
Leslie I. Carey | Sound |
Robert Pritchard | Sound |
Milton Schwarzwald | Music Director |
David S. Horsley | Visual Effects |
Del Armstrong | Makeup Artist |
John G. Holden | Makeup Artist |
Helen Turpin | Hairstylist |
Frank Shaw | Assistant Director |
William Dodds | Camera Operator |
Lew Leary | Production Manager |
Ben Hawkins | Grip |
Lloyd Hill | Gaffer |
Joan Joseff | Other |
Daniele Amfitheatrof | Additional Music |
Ethmer Roten | Musician |
Mildred Valle | Script Supervisor |
Sid Troy | Stand In |
Name | Title |
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Michael Kraike | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 5 | 9 | 2 |
2024 | 5 | 7 | 16 | 3 |
2024 | 6 | 3 | 6 | 1 |
2024 | 7 | 6 | 15 | 2 |
2024 | 8 | 5 | 16 | 2 |
2024 | 9 | 4 | 7 | 2 |
2024 | 10 | 5 | 15 | 2 |
2024 | 11 | 4 | 8 | 2 |
2024 | 12 | 3 | 6 | 2 |
2025 | 1 | 3 | 8 | 2 |
2025 | 2 | 2 | 4 | 1 |
2025 | 3 | 2 | 3 | 1 |
2025 | 4 | 2 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 1 | 2 | 0 |
Trending Position
There's trouble at mill. Woman in Hiding is directed by Michael Gordon and adapted to screenplay by Oscar Saul and Roy Huggins from a story by James Webb. It stars Ida Lupino, Stephen McNally, Howard Duff and Peggy Dow. Music is by Milton Schwarzwald and cinematography by William H. Daniels. A ... fter the mysterious death of her father, a quickfire marriage to a hugely suspicious man, and an attempt on her life, Deborah Chandler Clark (Lupino) is forced to assume a new identity and go into hiding... No great shakes as regards the plot line, it's a standard woman in peril piece, where we the viewers know what's going on and only really await for what we hope is a punchy resolution to it all. However, overcoming the simplicity of formula, it's a film nicely constructed and performed, with plenty of suspense, tightly wound anticipation and some very pleasing visual accompaniments. Opening with a guarded voice over from Lupino''s character, mood is nicely set at noir influenced. From here we quickly get to know the principle players and are quickly on Deborah's side. Peril and emotional pain is never far away with Gordon (The Web) and ace photographer Daniels (The Naked City) complicit in mood enhancements. Cue a cabin at nighttime bathed in oppressive moonlight, shadowed window bars striking facial menace - and as Deborah's peril grows greater - an imposing staircase ripe for a dastardly deed, Then we hit the last quarter of film and the quality really shines through. A steam train at night is grand, a splendid setting, but that is just a precursor to the exciting denouement at the deserted mill of Deborah's birthright. Daniels excels, his photography straight out of a noir fever dream, all while the industrial churning of the mill machinery adds impetus to the thrilling conclusion. It needed more of a black heart as per outcome to be a definitive noir pic, but it comes safely recommended to noir enthusiasts regardless. 7/10