Popularity: 0.6 (history)
Director: | Arthur Hiller |
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Writer: | John Fusco |
Staring: |
A chronicle of Babe Ruth's phenomenal story--from his hard knock beginnings at a Baltimore orphanage, to his meteoric rise to baseball superstardom and his poignant retirement from the game. His amazing career included seven American League pennants, four World Series championships, two tempestuous marriages and a wild lifestyle that earned him numerous suspensions. | |
Release Date: | Apr 17, 1992 |
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Director: | Arthur Hiller |
Writer: | John Fusco |
Genres: | Drama |
Keywords | baseball, sports, historical figure |
Production Companies | Universal Pictures, Finnegan/Pinchuk Productions, Waterhorse Productions |
Box Office |
Revenue: $17,530,973
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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John Goodman | Babe Ruth |
Kelly McGillis | Claire Ruth |
Trini Alvarado | Helen Ruth |
Randy Steinmeyer | Ty Cobb |
James Cromwell | Brother Mathias |
Michael McGrady | Lou Gehrig |
Richard Tyson | Guy Bush |
Joseph Ragno | Miller Huggins |
Ralph Marrero | Frank 'Ping' Bodie |
Bernard Kates | Colonel Jack Ruppert |
Stevie Lee | Eddie the Bat Boy |
Bruce Boxleitner | Jumpin' Joe Dugan |
Peter Donat | Frazee |
J.C. Quinn | Jack Dunn |
Robert Swan | George Ruth Sr. |
Stephen Caffrey | Johnny Sylvester (at 30) |
Danny Goldring | Bill Carrigan |
Bernie Gigliotti | Al Capone |
Michael Nicolosi | Jimmy Colosimmo |
W. Earl Brown | Herb Pennock |
Shannon Cochran | Flapper |
Michael Papajohn | Heckler |
Gene Weygandt | Mr. Sylvester |
Brendan Hutt | Boy at St. Mary's |
Jeffrey Wiseman | Boy at St. Mary's |
Elizabeth Greenberg | Dorothy Ruth |
Larry Cedar | Forbes Field Announcer |
Alan Johnson | Orphanage Reporter |
Michael Krawic | Theatre-Goer |
Johanna McKay | Yankee Wife |
Jim Ortlieb | Scribe |
Scott Haven | Scribe |
Tricia Munford | Ida Dugan, Jump's Wife |
Matt Doherty | Boy in Car |
Kara Zediker | Redhead |
Name | Job |
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Leslie Bloom | Set Decoration |
Valerie McCaffrey | Casting |
Robert C. Jones | Editor |
Gary Baugh | Art Direction |
John S. Robertson | Key Grip |
E. Thomas Case | Key Makeup Artist |
Kevin Haney | Makeup Artist |
Jamie Sue Weiss | Makeup Artist |
Linda Buchanan | Set Designer |
Samuel W. Gailey | Art Department Production Assistant |
J. Christopher Phillips | Set Designer |
Stu Bernstein | Sound Editor |
Richard Burton | Sound Editor |
Todd Egan | Assistant Sound Editor |
Marilyn Graf | Foley Recordist |
Glenn Hoskinson | Sound Editor |
John Kwiatkowski | Sound Editor |
John Leveque | Supervising Sound Editor |
Anthony Milch | Sound Editor |
Michele Perrone | ADR Editor |
Katie Rowe | Foley Artist |
Mary Ruth Smith | Sound Editor |
James S. Stewart | Sound Recordist |
Donald L. Warner Jr. | Sound Editor |
Steve Richardson | Sound Editor |
Richard E. Yawn | Sound Editor |
Chuck Comisky | Visual Effects Supervisor |
James Dowell Vance | Production Design |
Werner Sherer | Hairstylist, Hair Supervisor |
Art Anthony | Key Makeup Artist |
Deborah K. Dee | Key Hair Stylist |
Peter Bankins | Property Master |
Karen Fletcher Trujillo | Set Designer |
Michael Merritt | Set Designer |
Robert Bradshaw | Sound Editor |
Larry Carow | Sound Editor |
Leslie Gaulin | Foley Editor |
Holly Huckins | ADR Editor |
Mary Jo Lang | Foley Mixer |
Dennis Maitland | Production Sound Mixer |
Rocky Moriana Jr. | Sound Editor |
Steve Schwalbe | Foley Editor |
Bruce Stambler | Supervising Sound Editor |
Shawn Sykora | Foley Editor |
Rickley W. Dumm | Assistant Sound Editor |
Carolyn Tapp | Foley Recordist |
John D. Milinac | Special Effects Coordinator |
Michele Ferrone | Visual Effects Producer |
Arthur Hiller | Director |
John Fusco | Screenplay |
Haskell Wexler | Director of Photography |
Nancy Nayor | Casting |
April Ferry | Costume Design |
Tony Gardner | Special Props |
Hector C. Gika | Sound Editor |
John Roesch | Foley Artist |
Linda Perlin | Stunts |
G.A. Aguilar | Stunts |
Elmer Bernstein | Original Music Composer |
Name | Title |
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Bill Finnegan | Executive Producer |
Jim Van Wyck | Co-Producer |
Walter Coblenz | Executive Producer |
Erica Hiller | Associate Producer |
John Fusco | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 14 | 27 | 8 |
2024 | 5 | 15 | 23 | 10 |
2024 | 6 | 13 | 20 | 6 |
2024 | 7 | 12 | 21 | 7 |
2024 | 8 | 13 | 28 | 7 |
2024 | 9 | 8 | 11 | 5 |
2024 | 10 | 11 | 16 | 6 |
2024 | 11 | 10 | 23 | 5 |
2024 | 12 | 10 | 18 | 7 |
2025 | 1 | 11 | 21 | 6 |
2025 | 2 | 7 | 11 | 3 |
2025 | 3 | 4 | 8 | 1 |
2025 | 4 | 2 | 5 | 1 |
2025 | 5 | 2 | 5 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 1 | 0 |
2025 | 10 | 0 | 1 | 0 |
Trending Position
Well, John Goodman turns The Babe into a clown, and one that isn't very well balanced. It's almost like he was playing two different characters, one with actual depth and one with the depth of a tea spoon and would switch back and forth without the two intersecting to form a complete whole. And t ... hat is where the film really failed. You never get the sense that you are watching the same protagonist from one scene to the next. It really could have been a decent flick (despite how far it veered from the actual legend) if the character was consistent.