Popularity: 2 (history)
| Director: | Otto Brower |
|---|---|
| Writer: | Scott Darling, Charles G. Booth |
| Staring: |
| An unscrupulous private investigator with a penchant for blackmail is found dead in a car and the leading suspect is Janet Bradley, the daughter of a mayoral candidate. With the election just weeks away, shady and ruthless individuals muscle the medical officer into switching the corpse with another body. Lieutenant Sam Carson, one of the few good apples in the bunch must find a way to get to the bottom of it all. | |
| Release Date: | Feb 15, 1946 |
|---|---|
| Director: | Otto Brower |
| Writer: | Scott Darling, Charles G. Booth |
| Genres: | Drama, Crime |
| Keywords | film noir |
| Production Companies | 20th Century Fox |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Aug 04, 2024 Entered: Apr 21, 2024 |
| Name | Character |
|---|---|
| Carole Landis | Janet Bradley |
| William Gargan | Lt. Sam Carson |
| Richard Crane | Johnny Williams, Reporter |
| Mary Anderson | Nora Bard |
| John Ireland | Det. Oppenheimer |
| Charles Russell | Arthur Templeton |
| Roy Roberts | Max Calvert |
| Mabel Paige | Flossie |
| Stanley Prager | Ruzinsky, Milkman |
| Charles Tannen | Ames, Reporter |
| Don Beddoe | Yager |
| Bernard Nedell | Walter Bard |
| Charles Arnt | Daniel Boone Wintergreen |
| Fred Sherman | Zachary, "The Philadelphia Phantom" |
| Nick Stewart | Man reporting stolen car |
| Robert Adler |
| Name | Job |
|---|---|
| Scott Darling | Screenplay |
| Joseph MacDonald | Director of Photography |
| Ben Nye | Makeup Artist |
| Stanley Rabjohn | Editor |
| Lyle R. Wheeler | Art Direction |
| Kay Nelson | Costume Design |
| Otto Brower | Director |
| Charles G. Booth | Screenplay |
| Richard Irvine | Art Direction |
| Harry M. Leonard | Sound Designer |
| E. Clayton Ward | Sound Designer |
| Name | Title |
|---|---|
| Robert Bassler | Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 4 | 9 | 3 |
| 2024 | 5 | 5 | 9 | 2 |
| 2024 | 6 | 4 | 10 | 1 |
| 2024 | 7 | 4 | 10 | 1 |
| 2024 | 8 | 4 | 8 | 1 |
| 2024 | 9 | 2 | 4 | 1 |
| 2024 | 10 | 4 | 9 | 1 |
| 2024 | 11 | 4 | 11 | 1 |
| 2024 | 12 | 3 | 9 | 2 |
| 2025 | 1 | 3 | 5 | 1 |
| 2025 | 2 | 2 | 4 | 1 |
| 2025 | 3 | 2 | 3 | 1 |
| 2025 | 4 | 1 | 2 | 1 |
| 2025 | 5 | 2 | 3 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 0 | 2 | 0 |
| 2025 | 8 | 1 | 3 | 0 |
| 2025 | 9 | 1 | 1 | 0 |
Trending Position
When a recently slain body is dumped at the entrance to the police station, it falls to "Lt. Carson" (William Gargan) to get to the bottom of things. Snag is, he thinks he has his culprit then the body disappears, the clues seem to conflict and he seems to be back at square one. Might the sassy "Jan ... et Bradley" (Carol Landis) be behind it all? Well, sadly, Otto Brower doesn't really provide us with very much to get our grey matter stimulated. Gargan always was exceptionally mediocre and even with the presence of the usually lively Miss Landis, and some attempts at humour now and again, this still lurches along as a sort of breadcrumb following cop-noir with a few red herrings and not much else as we spend twenty-four hours looking for the perpetrators - dead and/or alive! It only lasts an hour, and is reasonably well stitched together to pass a wet Saturday afternoon - and it does make a sly dig at the integrity (or lack of) of police, media and their respective priorities and paymasters, too. You won't remember it afterwards, but it just about holds the attention while it is on.