Popularity: 1 (history)
Director: | Kat Coiro |
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Writer: | John Rogers, Tami Sagher, Harper Dill |
Staring: |
Pop superstar Kat Valdez is about to get married before an audience of her loyal fans. However, seconds before the ceremony, she learns about her fiance's cheating ways and has a meltdown on stage. In a moment of inspired insanity, Kat locks eyes with a total stranger in the crowd and marries him on the spot. As forces conspire to separate the unlikely newlyweds, they must soon decide if two people from such different worlds can find true love together. | |
Release Date: | Feb 09, 2022 |
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Director: | Kat Coiro |
Writer: | John Rogers, Tami Sagher, Harper Dill |
Genres: | Comedy, Romance, Music |
Keywords | marriage, celebrity, based on comic, wedding, duringcreditsstinger |
Production Companies | Nuyorican Productions, Perfect World Pictures, Kung Fu Monkey Productions |
Box Office |
Revenue: $44,000,000
Budget: $23,000,000 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Job |
---|---|
Robin Urdang | Music Supervisor |
Florian Ballhaus | Director of Photography |
Michael Berenbaum | Editor |
Jane Musky | Production Design |
Bobby Crosby | Graphic Novel |
Julie Tucker | Casting |
Keri Lederman | Set Decoration |
Adam McCarthy | Executive In Charge Of Production |
Jeannette Kim | Assistant Art Director |
Daniel Brooks | Utility Sound |
Grant Elder | Sound Effects Editor |
Allen Lau | Assistant Sound Editor |
Angela Organ | ADR Editor |
Jeffrey Roy | ADR Mixer |
Damian Volpe | Sound Re-Recording Mixer, Supervising Sound Editor |
Amy R. Burt | Costume Supervisor |
Christopher Surgent | First Assistant Director |
Leslie Woo | Casting |
Mary Kate Golding | Set Decoration Buyer |
Heidi Day Wenzel | Set Dresser |
Scott Cannizzaro | ADR Mixer |
Robert Fernandez | Sound Re-Recording Mixer, Supervising Sound Editor |
Filipe Messeder | Sound Effects Editor, Foley Supervisor |
Carmine Picarello | Boom Operator |
Bill Sweeney | Dialogue Editor |
David Lebensfeld | Visual Effects Supervisor |
Peter Teschner | Editor |
Takahide Kawakami | Second Assistant Director |
Charley Beal | Art Direction |
Ruby Moshlak | Property Master |
Elisa Brotherhood | Lead Set Dresser |
John S. Moyer | "A" Camera Operator, Steadicam Operator |
Heather Norton | "B" Camera Operator |
Michael Derario | Second Assistant "B" Camera |
Andy Day | Gaffer |
Derek Haas | Assistant Art Director |
George Atkins | ADR Mixer |
Phil Castellano Jr. | ADR Recordist |
Mathew Price | Production Sound Mixer |
Grant Miller | Visual Effects Supervisor |
Guy Efrat | Unit Production Manager |
Ian Mclaughlin | Stunt Coordinator |
Jenny Kraft | Graphic Designer |
Shane Torres | Props |
Arizona Newsum | Art Department Coordinator |
Bobby Mancuso | First Assistant "A" Camera |
Tricia Peck | Assistant Set Decoration |
Steven Gamiello | Leadman |
Justin Mancuso | Second Assistant "A" Camera |
Johnny Sousa | First Assistant "B" Camera |
Tyler Mancuso | Camera Loader |
Matthew D. Hale | Rigging Gaffer |
Andrew P. Sweeney | Dolly Grip |
Holly Hosman | Grip |
Gilbert Gertsen | Special Effects Coordinator |
Yafi Hoch | Costumer |
Beth Ann Hoppe | Extras Dresser |
Alexandria Hoffman | Costume Coordinator |
Sunday Englis | Key Makeup Artist |
Aaron Mark Kinchen | Key Hair Stylist |
Kelsi Russell | Production Supervisor |
Dean Michael Mann | Assistant Location Manager |
Shane Turco | Location Assistant |
Meryl Federman | Assistant Accountant |
Ulyssa Salett | Assistant Production Coordinator |
Kim Krakauer | Casting Associate |
Barry Wetcher | Still Photographer |
Charles Martin Inouye | Music Editor |
Nedim Vrabac | Camera Operator |
Abby Levine | Digital Imaging Technician |
Nick Haines-Stiles | Best Boy Grip |
Kelly Marroquin | Grip |
Craig Vaccaro | Key Rigging Grip |
Lindsey Kethan | Costumer |
Constance Garcia | Truck Costumer |
Ary Matteazzi | Costume Assistant |
Stayc St. Onge | Makeup Artist |
Tene Wilder | Hairstylist |
Paul Kramer | Location Manager |
Kay Carambia | Location Assistant |
Robert Spence | First Assistant Accountant |
Lindsey Lefkow | Production Office Coordinator |
Cary Lee | Second Second Assistant Director |
Rachael Roth | Unit Publicist |
Carrie Puchkoff | First Assistant Editor |
Charlie Marroquin | Key Grip |
John Krause | Dolly Grip |
John Blazzi | Grip |
Jessica Trejos | Assistant Costume Designer |
Arabella Fischer | Costumer |
Erika Kuehn | Tailor |
Jamie Chesal | Costume Assistant |
Kate Best | Makeup Artist |
Danielle Priano | Hairstylist |
Mary Kelly | Script Supervisor |
Kate Beall | Assistant Location Manager |
Nick Bommer | Production Accountant |
Melody Cheng | Payroll Accountant |
Erika Lucero | Production Secretary |
Grant Wilfley | Extras Casting |
Kiel Tutin | Choreographer |
Joe Gawler | Colorist |
Kat Coiro | Director |
John Rogers | Screenplay |
Tami Sagher | Screenplay |
Harper Dill | Screenplay |
John Debney | Original Music Composer |
Sean Flanigan | Hair Department Head |
Nicki Ledermann | Makeup Department Head |
Caroline Duncan | Costume Design |
Pamela Thur | Unit Production Manager |
Blaise Corrigan | Stunts |
Khalil Maasi | Stunts |
Jay Hieron | Stunts |
Ralph Crowley | Best Boy Electric |
Alexander Pope | Tailor |
Teddy Blanks | Title Designer |
Tori Smith | Production Assistant |
Name | Title |
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Christopher Surgent | Co-Producer |
Benny Medina | Producer |
Willie Mercer | Executive Producer |
Elaine Goldsmith-Thomas | Producer |
J.B. Roberts | Executive Producer |
Josh Levine | Associate Producer |
Alex Brown | Executive Producer |
Jenn Court | Co-Producer |
Kevin Beisler | Associate Producer |
Brandon Creed | Associate Producer |
Jennifer Lopez | Producer |
John Rogers | Producer |
Pamela Thur | Executive Producer |
Courtney Baxter | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 27 | 45 | 17 |
2024 | 5 | 38 | 67 | 22 |
2024 | 6 | 25 | 43 | 15 |
2024 | 7 | 34 | 66 | 20 |
2024 | 8 | 28 | 60 | 15 |
2024 | 9 | 16 | 23 | 13 |
2024 | 10 | 22 | 49 | 11 |
2024 | 11 | 20 | 43 | 11 |
2024 | 12 | 19 | 35 | 11 |
2025 | 1 | 26 | 73 | 14 |
2025 | 2 | 14 | 19 | 3 |
2025 | 3 | 7 | 26 | 1 |
2025 | 4 | 4 | 10 | 2 |
2025 | 5 | 4 | 9 | 2 |
2025 | 6 | 4 | 7 | 3 |
2025 | 7 | 2 | 5 | 2 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 4 | 6 | 2 |
2025 | 10 | 2 | 4 | 1 |
Trending Position
MORE REVIEWS @ https://www.msbreviews.com/ "Marry Me is far from being a groundbreaking rom-com, but the lead actors, compelling character work, and excellent original music make for genuine entertainment. Jennifer Lopez (Hustlers) and Owen Wilson (Loki) surprisingly share amazing chemistry, i ... n addition to delivering absolutely fantastic performances, constantly pulling viewers back to the screen when the narrative becomes repetitive and generic. John Bradley (Game of Thrones) and Sarah Silverman (Ralph Breaks the Internet) also contribute to the light and fun environment of the film. The balance between the life of a celebrity and the "common citizen" is quite well explored, and the vision of how much fame limits a normal life is the most interesting storyline of the entire narrative. For fans of the genre, it's strongly recommended." Rating: B
Owen Wilson better be careful lest he becomes the go-to for aging Latino MILFs. Last year he managed to save Bliss from Salma Hayek’s strident overacting, but he has no such luck with Jennifer Lopez in Marry Me. Now, to be fair, the movie’s failure is not her fault, and she acquits herself a lot ... better than Hayek did; it also helps that Lopez is essentially playing herself – a mega popstar with a string of failed marriages. And whereas she isn’t an acting prodigy, nor is, for that matter, Maluma, who plays her temporary fiancee, they are nevertheless performers who know their way around a stage and are extremely comfortable in front of an audience. It’s no surprise then that the only genuine moments in Marry Me take place during a sold-out show – that is, of course, until Kat Valdez (Lopez), having discovered, right before they are supposed to tie the knot in between musical numbers that Bastian (Maluma) has been unfaithful, has what can only be termed as a psychotic break and decides to pick out a random dude from the audience and marry him on the spot instead. Let’s put it like this: this plot is too outlandish even for Wilson, and he has been in several Wes Anderson films. The reason that Charlie (Wilson) is at the concert is pretty random itself; Parker (Sarah Silverman), her friend and colleague – they are both teachers, or at least he is a math teacher that, as it often occurs in the movies, has only a handful of students in his charge; she on the other hand mostly appears to just hang around the school –, planned to attend the show with her girlfriend, but her girlfriend broke up with her, so she asks Charlie to come and bring her daughter along. Ok, so this is the hottest show in town – sold out, as I mentioned above –, but Parker just happens to conveniently have a third ticket available; still harder to believe is that her girlfriend didn't wait until after the concert to break up with her. Anyway, that very same night Kat is already the butt of Jimmy Fallon’s jokes on The Tonight Show – which is obviously impossible because The Tonight Show doesn’t air live; in fact, it is taped in the afternoon and broadcast hours later. But who knows? Maybe Jimmy is clairvoyant and, having seen the whole thing coming, pre-taped a few pertinent jokes. All things considered, you know you’re in big trouble when your movie makes less overall sense than Notting Hill.
Cute screenplay and fun performances! Wish some of its other elements were a bit stronger so I could say it was great, but it was still pretty fun. Really could’ve used a stronger sense of rhythm, both in its editing and pacing. ...
**Marry Me relies on its strong leads to make this average rom-com worth at least one watch.** Marry Me doesn't do anything new, but Jennifer Lopez's class and Owen Wilson's lovable everyman charm make an average rom-com a decent watch. The outlandish concept of a pop star spontaneously marrying ... a random fan in the crowd, feeding the media circus, and then accidentally falling in love might seem far-fetched, but in today's world not completely impossible. Marry Me tries to tell the story Notting Hill for a new audience but falls short by rushing the story and forgetting to make the romance believable. It all just happens without convincing or satisfying its audience. Lopez and Wilson's awkward escapades are still enjoyable to watch but not enjoyable enough for a second viewing.
This was not so terrible as I was expecting. The premiss sees superstar singer "Kat" (Jennifer Lopez) about to marry her boyfriend "Bastion" (Maluma) in front of twenty million folks on the telly. Snag is, he can't keep it in his pants - and when a video of him with her assistant goes viral whilst s ... he is actually on stage preparing for these celebrity nuptials she thinks on her feet. A few rows in, the hapless maths teacher "Charlie" (Owen Wilson) has come to see this concert with his young daughter and a colleague from school who had made a "marry me" placard. She had gone to the toilet leaving him holding the card, "Kat" sees it and says yes to the proposal he didn't actually make! What now ensues revolves around the two of them getting to know each other amidst a media frenzy the likes of which the world has never seen - before an ending that can easily be seen from space. Wilson is terrible, no other word for it; but J-Lo is a class act. She plays her part for all it is worth on stage but also comes across as quite a decent human being as she tries to acclimatise to his rather more pedestrian existence. Maluma is very easy on the eye, but contributes precious little and the title song - written by eight people, apparently - is awful! I'd have thought this better for a Christmas release - it has a sort of seasonal "feel-good" sentiment to it, but aside from a very charismatic leading lady this film is one nobody (quite poss