Popularity: 5 (history)
Director: | David Gordon Green |
---|---|
Writer: | Danny McBride, Chris Bernier, David Gordon Green, Paul Brad Logan |
Staring: |
Name | Character |
---|---|
Jamie Lee Curtis | Laurie |
Andi Matichak | Allyson |
James Jude Courtney | The Shape |
Rohan Campbell | Corey |
Will Patton | Frank |
Jesse C. Boyd | Officer Mulaney |
Michael Barbieri | Terry |
Destiny Mone | Stacy |
Joey Harris | Margo |
Marteen | Billy |
Joanne Baron | Joan |
Rick Moose | Ronald |
Michele Dawson | Nurse Deb |
Keraun Harris | Willy the Kid |
Kyle Richards | Lindsey |
Michael O'Leary | Dr. Mathis |
Jaxon Goldenberg | Jeremy |
Candice Rose | Mrs. Allen |
Jack William Marshall | Mr. Allen |
Nancy Turcotte | Gas Station Proprietor |
Diva Tyler | Sondra |
Leila Wilson | Sondra's Sister |
Diana Prince | Radio Receptionist |
Blaque Fowler | Vagabond |
Tony DeMil | Terry's Father |
Holli Saperstein | Oscar's Mom |
Matt Meece | Detective #1 |
Jimmie Cummings | Detective #2 |
Montarius Dailey | Detective #3 |
Steven Williby | Responding Officer #1 |
Omar J. Dorsey | Sheriff Barker |
Jibrail Nantambu | Julian |
Javanna Rogers | Waitress |
Jon Bruce | TV Reporter |
Dave Brawn | Coroner |
Nick Castle | Flasher |
Joey Brinkley | The Butcher |
Robbie Johnson | Haddonfield Resident (uncredited) |
Emily Brinks | Dead Lover (uncredited) |
Stephanie McIntyre | Nurse (uncredited) |
William Brooks Perez | Warren County Deputy #3 (uncredited) |
Joseph D. Webb | Bar Nun (uncredited) |
Dawn Lasusky | Neighbor (uncredited) |
Will Baker | Trick r' Treater / Haddonfield Resident (uncredited) |
Derrick Lemmon | Warren County Deputy #4 |
Veronica Russell | EMT |
Name | Job |
---|---|
Danny McBride | Screenplay |
Debra Hill | Characters |
Christopher Allen Nelson | Makeup Effects Designer |
Chris Bernier | Screenplay |
Kevin Scott | Stunt Coordinator |
Terri Taylor | Casting |
Airon Armstrong | Stunt Double |
Lydia Hand | Stunt Double |
Niahlah Hope | Stunt Double |
Meredith Richardson | Stunt Double |
Ashley Rae Trisler | Stunt Double |
Dallas Jenkins | Grip |
Bruce Winant | ADR Voice Casting |
Rachel Trautmann | Stand In |
Michael Wayne Thomas | Stand In |
Emily Brinks | Stand In |
Paul E. Short | Stunts |
Abigail Hard | Stunts |
David Gordon Green | Director, Screenplay |
John Carpenter | Original Music Composer, Characters |
Michelle Rainey | Assistant Makeup Artist |
Blake Goedde | Digital Compositor |
Jared Levin | Visual Effects Coordinator |
Richard A. Wright | Production Design |
Michael Simmonds | Director of Photography |
Emily Gunshor | Costume Design |
Daniel Davies | Original Music Composer |
Cody Carpenter | Original Music Composer |
Paul Brad Logan | Screenplay |
Timothy Alverson | Editor |
Stephanie Barnes | Makeup Artist |
Jill Fogel | Special Effects Makeup Artist |
Sandra S. Orsolyak | Makeup Department Head |
Dalia Dalili | Set Costumer |
Kait Fial | Set Costumer |
Bailee Mullen | Set Costumer |
Rich Bologna | Supervising Sound Editor, Sound Designer, Sound Re-Recording Mixer |
Isaac Derfel | Sound Editor |
Dan Korintus | Sound Editor |
Ted Teske | Sound Re-Recording Mixer |
Paul Urmson | Sound Re-Recording Mixer |
Lawrence Zipf | Sound Effects Editor |
Michael H. Ward | Art Direction |
Sean Keenan | Set Decoration |
Jess Royal | Set Decoration |
Jessica Tyler Segal | Set Decoration Buyer |
Heath Hood | Special Effects Supervisor |
Cory DeMeyers | Stunt Coordinator |
Jason Gray | Stunt Coordinator |
Nate Meyer | Second Unit Director |
Nancy Allen | Music Editor |
Sarah Domeier Lindo | Casting |
Jennie Shea | ADR Recordist |
Patricia McAlhany Glasser | Hair Department Head |
Bryan David Moss | Key Hair Stylist |
Kamen Velkovsky | First Assistant Director |
Max Sturgeon | Second Assistant Director |
Scott Hardwick | Second Assistant Director |
Davi Aquino | Foley Recordist |
Chelsea Body | Foley Recordist |
Annie Bouvrette | Foley Recordist |
Jenna Dalla Riva | Foley Recordist |
Christof Gebert | Production Sound Mixer |
Igor Nikolic | Foley Supervisor |
Kevin Schultz | Foley Mixer |
Sean Krumbholz | Special Effects |
Elizabeth Ledezma | Special Effects |
Nicholas Dawson | Special Effects Technician |
Christopher Arthur | Stunts |
Charles Barden | Stunt Double |
JoAnn Bernat | Stunt Double |
Nikki Brower | Stunts |
Crystal Hooks | Stunt Double |
James Ortiz | Stunt Double |
Lee Donaldson | Key Grip |
Sarah Marin Nelson | Grip |
Mark Vogel | Gaffer |
Connor M. Williams | Grip |
George Ludlow | Casting Associate |
Megan Rochelle Wilson | Extras Casting |
Alex Dawson | Key Costumer |
Melissa Wallace | Assistant Production Coordinator |
Zoe Vatekeh | Stand In |
Kaya Ozan Sorak | Additional Second Assistant Director, Key Set Production Assistant |
John Wilfred Roberson | Production Assistant |
Virginia Patterson | Stand In |
Ryan Panepinto | Production Coordinator |
Cait McRoze | Production Assistant |
Abbey McIntyre | Production Assistant |
Phil LoGrippo | Production Accountant |
Megan Leroy | Set Production Assistant |
Alyse Landry | Production Assistant |
Laura Janine | Production Assistant |
Jared Gunter | Location Assistant |
Tristan Grim | Production Secretary |
Ryan Benjamin Griffin | Set Production Assistant |
Stephen Glawson | Assistant Production Coordinator, Script Coordinator |
Christopher Gilbertson | Armorer |
Jacob A Denton | Production Assistant |
Alex D'Addio | Production Assistant |
Billy Burns | Stand In |
Nick Benas | Stand In |
Alexandria Beaudry | First Assistant Accountant |
Lori Doherty | Script Supervisor |
Aimee Bell | Additional Script Supervisor |
Atilla Salih Yücer | First Assistant Director |
Caleb Mitchell Epler | Additional Second Assistant Director |
Olivia Dame | Second Second Assistant Director |
Brian S. Johnston | Production Supervisor |
Christopher H. Warner | Unit Production Manager |
Stanton Barrett | Stunt Double |
Piper Wild | Stand In |
Jon Romano | Head of Production |
Tommy Kraft | Digital Compositor |
Haley Pigman | Executive Producer's Assistant |
Name | Title |
---|---|
Jennifer Scudder Trent | Co-Producer |
Jason Blum | Producer |
Malek Akkad | Producer |
Danny McBride | Executive Producer |
Ryan Turek | Executive Producer |
John Carpenter | Executive Producer |
Bill Block | Producer |
Ryan Freimann | Executive Producer |
Andrew Golov | Executive Producer |
Thom Zadra | Executive Producer |
Christopher H. Warner | Executive Producer |
David Gordon Green | Executive Producer |
Jamie Lee Curtis | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 62 | 106 | 35 |
2024 | 5 | 88 | 148 | 68 |
2024 | 6 | 61 | 108 | 38 |
2024 | 7 | 54 | 118 | 34 |
2024 | 8 | 44 | 69 | 34 |
2024 | 9 | 38 | 53 | 30 |
2024 | 10 | 78 | 143 | 38 |
2024 | 11 | 64 | 124 | 34 |
2024 | 12 | 44 | 98 | 30 |
2025 | 1 | 37 | 80 | 22 |
2025 | 2 | 25 | 39 | 6 |
2025 | 3 | 14 | 48 | 3 |
2025 | 4 | 7 | 14 | 4 |
2025 | 5 | 5 | 13 | 3 |
2025 | 6 | 5 | 7 | 4 |
2025 | 7 | 4 | 6 | 3 |
2025 | 8 | 4 | 6 | 3 |
2025 | 9 | 5 | 7 | 3 |
2025 | 10 | 4 | 5 | 4 |
Trending Position
Year | Month | High | Avg |
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2025 | 10 | 319 | 587 |
Year | Month | High | Avg |
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2025 | 9 | 410 | 717 |
Year | Month | High | Avg |
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2025 | 8 | 452 | 793 |
Year | Month | High | Avg |
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2025 | 7 | 592 | 749 |
Year | Month | High | Avg |
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2025 | 6 | 610 | 794 |
Year | Month | High | Avg |
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2025 | 5 | 277 | 687 |
Year | Month | High | Avg |
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2025 | 4 | 545 | 774 |
Year | Month | High | Avg |
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2025 | 3 | 286 | 741 |
Year | Month | High | Avg |
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2025 | 2 | 290 | 779 |
Year | Month | High | Avg |
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2025 | 1 | 615 | 779 |
Year | Month | High | Avg |
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2024 | 11 | 118 | 578 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 164 | 478 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 9 | 591 | 822 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 604 | 840 |
_Halloween Ends_ is such a weird film, as a standalone movie I enjoyed it but in the trilogies totality it underwhelms and undermines. With each entry in this trilogy, the movies get farther and farther away from what Halloween is. With Ends there is no tension and no horror, there are some good kil ... ls but with nothing building up to it they felt stale. This movie also tears down Michael Meyers in a way that felt out of place in the trilogy. Halloween Kills built Michael up to be an indestructible force with the ability to withstand fire or multiple gunshot wounds, but in Ends that is flipped on its head making him weak due to the ending of the predecessor. It left me feeling like the writers had no idea what they were doing in developing this trilogy. The marketing of the movie was a total farce as well. It was building up to a final clash between Laurie and Michael, and while that does happen the majority follows a character that was just introduced (Corey Cunningham). Even though I really like the opening sequence and backstory to Corey, it had no place being centerstage in the final installment. Overall, this movie was slightly better than the sequel but still squanders the potential that Halloween (2018) had for the trilogy. If any more movies or trilogies are made in the future, please for the love of God hire a producer/writer to develop the entire series instead of piecing it together film by film. **Score:** _44%_ | **Verdict:** _Poor_
**Poor writing and a confusing story overshadowed a few shining moments and satisfying conclusions to character stories.** It’s so hard to choose whether I liked or disliked Halloween Ends. I enjoyed the resolution to Laurie Strode’s 40-year story arc and the hopeful journey for her granddaughter ... , Allyson. Even the final showdown between Jamie Lee Curtis and Michael Myers was satisfying, although the story didn’t build to the climax well. Sadly that is where the pros stop. The story was a convoluted mess that ignored all the build-up of the first two films and focused on a new character that didn’t matter to the overall story and didn’t have much impact on the film. As a result, Halloween Ends forgot what made its two predecessors successful and told a pointless meandering tale that had its moments but ultimately disappointed.
An unfortunate end, to a horror franchise, that started way back in 1978. Halloween Ends, is an inarticulate mess, that fails to build on past films. Instead, it delivers an incomprehensible story, that makes little to no sense, save that it brings the overriding story, to a somewhat confused, c ... onclusion. On the upside solid acting and some tense, jump scare moments but really, its not enough. In summary, a reasonable cast in a poorly scripted film, that add's little to nothing that is meaningful, to the tale of serial killer, Michael Myers.
It's a sad state of affairs when HALLOWEEN ENDS (2022) is being classed as a "bad", "terrible" or "disgraceful" motion picture and I worry for cinema as a whole if the only direction the mass want is nothing but cookie-cutter. This film is a straaaaaaange beast and it probably holds the world rec ... ord for the quickest development of a relationship on screen. Bloody hell, I wanted that relationship to succeed. I'm going to be controversial here... did we need Michael Myers at all here? Maybe the 2 or so scenes we get in the sewer early into the film and that's it... maybe pass the evil on and Michael die of his wounds. The evil is contagious element worked for me and Corey (played by Rohan Campbell) was the standout character. Issues? Yes, there are some - the narration and memoir aspect weren't needed and Corey's mum... erm, I'll leave it there. But I admire this film, oh boy do I. I'd rather the risk be taken than them fall back into the same old routine. Now, before I start the Corey Appreciation Society, all I have left to say is... give a new biscuit a try.
_Halloween Ends_ does provide what it promises and that’s a proper end to the Laurie Strode saga. However, the birth of a new rushed, hot-headed, and sloppier version of The Shape seems to take precedence only to be squashed before Laurie and Michael meet one last time. Entertaining at times and fru ... strating at others, _Halloween Ends_ is a bloody scenic route of a conclusion that is mostly satisfying despite its underappreciated albeit risky detours. Full review: https://hubpages.com/entertainment/Halloween-Ends-2022-Review-A-Square-Shape-in-a-Round-Horror
Well there is a hewn-out pumpkin that looks ever so slightly scary... Otherwise, this is just one "Halloween" movie too many and it's only scream yells "put me out of my misery" pretty much from the start of this slow and plodding denouement to the franchise. Rohan Campbell ("Corey") is bullied by s ... ome kids who end up shoving him from a bridge. He is dragged into the storm drains by you know who and emerges a man possessed. He has also attached himself to "Allyson" (Andi Matichak) who just happens to be the daughter of long suffering "Laurie" (Jamie Lee Curtis) and after a bit of hysteric family melodrama, all of her demons are flee-flowing and we are heading, slowly and ponderously to a conclusion that the best of which has already been seen many times in the trailers. This is far too long, virtually nothing happens until the last fifteen minutes and even then, there isn't even the vaguest hint of menace or jeopardy. The production is adequate, but JLC doesn't really feature often enough - as in "Halloween Kills" (2021) to make much impact - and the whole thing is episodic and smacks of made for television. Please let it be the final instalment - this bears no resemblance whatsoever to the original 1978 introduction to "Myers" et al.
Okay, seriously, when is the real "Halloween Ends" be released? What I saw for the bulk was some lame CW-like story. I have to think at this point David Gordon Green and the writer crew are just pulling a prank. I half expected a post-credit scene with Impractical Jokers... I don't even know what ... to say. I had low expectations going in given how much I disliked Halloween Kills but Ends didn't even meet the lows of the lows. Really dumb. **1.0/5**
My favourite of the most recent three, if not of them all. <em>'Halloween Ends'</em> gave me more than I was expecting, if I'm honest. After the solid if slightly underwhelming <em>'Halloween Kills'</em> I thought this may fall further adrift but, happily, it doesn't. I think that I like this the ... most of all twelve entries after the original, which is probably still a jot above this one in my mind. I won't repeat myself too much as I've summed up my overall thoughts on this franchise in prior reviews of those other flicks, but in short I enjoyed this release more consistently throughout and the characters actually interested me a fair amount. Jamie Lee Curtis is, obviously, the star of the show, but Rohan Campbell is a great addition and Andi Matichak gives her best showing of these David Gordon Green films. In previous installments the cast behind (or sometimes in place of) Curtis have failed to truly entertain me, perhaps aside from the first one and (minimally) <em>'Halloween H20: 20 Years Later'</em>, but here I was happy to follow the scenes involving those behind Curtis. I will say that the third act lost me a little in terms of interest, though that's only ever so slightly as all in all I had a good time with this. Let's hope they end this franchise here but I highly doubt that they will - gotta catch that £!