 
  Popularity: 2 (history)
| Director: | Andrew Sinclair | 
|---|---|
| Writer: | Andrew Sinclair, Dylan Thomas | 
| Staring: | 
| The delightful if peculiar story of a day in the life of a small, Welsh fishing village called "Llareggub" in which we meet a host of curious characters (and ghosts) through the 'eyes' of Blind Captain Cat. | |
| Release Date: | Jan 27, 1972 | 
|---|---|
| Director: | Andrew Sinclair | 
| Writer: | Andrew Sinclair, Dylan Thomas | 
| Genres: | Comedy, Drama | 
| Keywords | |
| Production Companies | Timon Productions | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Feb 01, 2025 Entered: Apr 20, 2024 | 
| Name | Character | 
|---|---|
| Richard Burton | First Man | 
| Elizabeth Taylor | Rosie Probert | 
| Peter O'Toole | Captain Tom Cat | 
| Glynis Johns | Myfanwy Price | 
| Vivien Merchant | Mrs. Pugh | 
| Siân Phillips | Mrs. Ogmore-Pritchard | 
| Victor Spinetti | Mog Edwards | 
| Angharad Rees | Gossamer Beynon | 
| Ray Smith | Mr Waldo | 
| Ann Beach | Polly Garter | 
| Michael Forrest | Sinbad Sailor | 
| Glynn Edwards | Mr Cherry Owen | 
| Bridget Turner | Mrs Cherry Owen | 
| Talfryn Thomas | Mr Pugh | 
| Tim Wylton | Mr Willy Nilly | 
| Bronwen Williams | Mrs Willy Nilly | 
| Meg Wynn Owen | Lily Smalls | 
| Hubert Rees | Butcher Benyon | 
| Aubrey Richards | Rev Eli Jenkins | 
| Mark Jones | Evans the Death | 
| Dillwyn Owen | Mr Ogmore | 
| Richard Davies | Mr Pritchard | 
| David Jason | Nogood Boyo | 
| Davyd Harries | PC Attila Rees | 
| David Davies | Utah Watkins | 
| Maudie Edwards | Mrs Utah Watkins | 
| Peggy Ann Clifford | Bessie Bighead | 
| Dudley Jones | Dai Bread | 
| Margaret Courtenay | Waldo Wife Three | 
| Jill Britton | Mrs Rose Cottage | 
| Griffith Davies | Ocky Milkman | 
| Dafydd Havard | Lord Cut Glass | 
| Rhoda Lewis | Waldo Wife Four | 
| Eira Griffiths | Waldo Wife Two | 
| Andree Gaydon | Waldo Wife One | 
| Ruth Madoc | Mrs Dai Bread Two | 
| Dorothea Phillips | Mrs Dai Bread One | 
| Susan Penhaligon | Mae Rose Cottage | 
| Paul Grist | Tom Fred | 
| Janet Davies | Woman | 
| Pamela Miles | Waldo Wife Five | 
| Mary Jones | Mrs Benyon | 
| Maia Newley | Bethan | 
| Olwen Rees | Gwennie | 
| John Rees | Jack Black | 
| Shane Shelton | Drowned Sailor | 
| Name | Job | 
|---|---|
| Andrew Sinclair | Writer, Director | 
| Dylan Thomas | Theatre Play, Writer | 
| Willy Kemplen | Editor | 
| Greg Miller | Additional Editor | 
| Robert Huke | Director of Photography | 
| Brian Gascoigne | Original Music Composer | 
| Miriam Brickman | Casting | 
| Geoffrey Tozer | Art Direction | 
| Eric Allwright | Makeup Department Head | 
| Ramon Gow | Hairdresser | 
| Charles E. Parker | Makeup Designer, Hair Designer | 
| Joan White | Hairdresser | 
| Name | Title | 
|---|---|
| Jules Buck | Executive Producer | 
| John Comfort | Associate Producer | 
| Hugh French | Executive Producer | 
| Peter James | Executive Producer | 
| Organization | Category | Person | 
|---|
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 5 | 8 | 1 | 
| 2024 | 5 | 6 | 10 | 3 | 
| 2024 | 6 | 5 | 9 | 2 | 
| 2024 | 7 | 6 | 14 | 3 | 
| 2024 | 8 | 5 | 11 | 3 | 
| 2024 | 9 | 3 | 5 | 2 | 
| 2024 | 10 | 5 | 13 | 2 | 
| 2024 | 11 | 3 | 12 | 1 | 
| 2024 | 12 | 3 | 5 | 1 | 
| 2025 | 1 | 4 | 8 | 2 | 
| 2025 | 2 | 3 | 5 | 1 | 
| 2025 | 3 | 1 | 3 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 2 | 3 | 1 | 
| 2025 | 6 | 1 | 1 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 0 | 1 | 0 | 
| 2025 | 10 | 1 | 2 | 0 | 
Trending Position
This is an enjoyable enough adaptation of Dylan Thomas' story of the lives of a small Welsh fishing community with a name (read it backwards) that pretty much sets the tone for this whimsical tale that mixes sex, poetry, lust and mischief through characterisations lead by the blind "Capt. Tom Cat" ( ... Peter O'Toole); his slatternly pal "Rosie Probert" (Elizabeth Taylor) and the sexy Glynis Johns - all underpinned by a wonderfully mellifluous narrative from Richard Burton. As a book it allows your imagination to run wild; as a film - and particularly this one - the imagination is replaced by rather unimaginative imagery that over-relies on the stars and underplays the subtlety and nuance of the work. Some things are best left to our own fantasy - or, perhaps, to the radio where again the audience must do most of the thinking. Cinema bursts the bubble and leaves all with the one interpretation that stifles, somewhat, individual appreciation of the eccentricities of this sexually charged, frequently comical story. Clearly a labour of love for Burton and still well worth a watch, but a bit underwhelming.