Popularity: 5 (history)
Director: | Justin Dix |
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Writer: | Jordan Prosser, Justin Dix |
Staring: |
Near the end of World War II, the survivors of a torpedoed hospital ship cling to life aboard a crowded lifeboat. With no food, water, or shelter, all seems lost – until an eerily silent German minesweeper drifts ominously towards them, giving them one last chance at survival. As our motley crew explores the ship, it becomes all too clear that some diabolical fate has befallen its German crew. The mystery only deepens when they encounter a young Romanian girl, apparently the sole survivor, who leads them to a locked room in the bowels of the vessel. | |
Release Date: | Oct 29, 2020 |
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Director: | Justin Dix |
Writer: | Jordan Prosser, Justin Dix |
Genres: | Fantasy, Horror, War |
Keywords | world war ii, shipwreck survivors, haunted ship |
Production Companies | Rock Island Films, Wicked of Oz Studios |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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Nathan Phillips | Nathan Sinclair |
Alyssa Sutherland | Jane Prescott |
Robert Taylor | Captain Malone |
Christopher Kirby | Lydell Jackson |
Alex Cooke | Alexander Teplov |
Mark Diaco | Jimmy Bigelow |
John Lloyd Fillingham | Gerard Faraday |
Vivienne Perry | The Matriarch |
Troy Larkin | The Patriarch / Medic |
Steve Young | Haas |
Ruby Isobel Hall | Mya |
Jacinta Stapleton | Shelly |
Mackenzie Stephens | Lily |
Dave Hughes | English Sailor |
Richard Mueck | German Captain |
Roman Meyer | German Radio Voice (voice) |
Name | Job |
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Adrian Medhurst | Foley Artist |
Jordan Prosser | Writer |
Dave Redman | Editor |
Lynne Ruthven | Casting |
Otello Stolfo | Production Design |
Zed Dragojlovich | Costume Design |
John Sanderson | Special Effects Supervisor |
Cameron Smith | Visual Effects Supervisor |
Sky Davies | Director of Photography |
Brian Cachia | Original Music Composer |
Rikki Norman | Makeup Trainee |
Lou McLaren | Hairstylist, Makeup Artist |
Dion Marc | Assistant Makeup Artist |
Tristan Lucas | Prosthetic Supervisor |
Josie Hanuska | Hairstylist, Makeup Artist |
Sarsha Delahoy-Ristrom | Special Effects Makeup Artist, Prosthetic Makeup Artist |
Andrew Culver | Special Effects Assistant |
Scott T Stephens | Production Manager |
Varvara Sova | Art Department Assistant |
Paul Pirola | Sound Designer |
Ryan Squires | Foley Recordist |
Manel López | Sound Mixer |
Tom Heuzenroeder | Sound Effects Editor |
James Harvey | Dialogue Editor |
Hayden Collow | Sound Designer |
Joanna Atalla | Boom Operator |
Bruce Armstrong | Sound Recordist |
Lincoln Wogan | Visual Effects Producer |
William Scowsill | VFX Artist |
Dante Nou | Digital Compositor, VFX Artist |
Grant Lovering | Visual Effects Producer, Visual Effects Supervisor |
Bronwyn Ketels | Visual Effects Producer |
Charmaine Kuhn | Producer's Assistant |
Jo Oliveira | Art Direction |
Lizzie Sharp | Makeup Department Head |
Luke Polti | Special Effects Makeup Artist |
Justin Dix | Writer, Director |
Name | Title |
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Steven Matusko | Producer |
Matthew Graham | Producer |
Steven McKinnon | Producer |
Brett Thornquest | Producer |
Corey Trent Ackerman | Executive Producer |
Jeff Harrison | Executive Producer |
Larry Picker | Executive Producer |
William Byerley | Co-Producer |
Silvio Salom | Co-Producer |
Veronica Sive | Co-Producer |
Justin Dix | Producer |
Nathan Phillips | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 11 | 19 | 7 |
2024 | 5 | 15 | 25 | 9 |
2024 | 6 | 12 | 20 | 7 |
2024 | 7 | 13 | 28 | 7 |
2024 | 8 | 12 | 28 | 7 |
2024 | 9 | 8 | 10 | 5 |
2024 | 10 | 11 | 27 | 4 |
2024 | 11 | 8 | 16 | 4 |
2024 | 12 | 7 | 14 | 3 |
2025 | 1 | 8 | 12 | 4 |
2025 | 2 | 5 | 8 | 2 |
2025 | 3 | 3 | 7 | 1 |
2025 | 4 | 1 | 2 | 1 |
2025 | 5 | 1 | 2 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 1 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 2 | 4 | 1 |
2025 | 10 | 4 | 5 | 4 |
Trending Position
Subverting a cliché-heavy genre template requires a tricky balancing act: the setup needs to look conventional, but if it's too conventional, the audience may fall asleep before the twist kicks in. Despite some decent (if familiar) work from the makeup, prosthetics, and special effects teams, the sl ... ack pacing and lack of any real innovation in 'Blood Vessel' means the end result is disappointingly lifeless. Cool title, though. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-blood-vessel-dissapointingly-anaemic
**Some of its budget constraints hold back Blood Vessel, but what they did pull off made for a decent horror movie.** Blood Vessel isn’t particularly unique or innovative, but it’s a solid vampire low-budget horror film. Let’s start with the bad. The movie spends almost a full hour and 15 minutes ... before the vampires start munching on people making the story drag until the action begins. Once the action did start, it was generally quick cuts and shaky cam rather than well-choreographed fights. Now for the good. The set, costumes, creature design, makeup, and practical effects were all excellent for a low-budget film. The eyes of the vampires looked so cool! I really liked the motley crew of characters and their struggle to survive. In the end, Blood Vessel wasn’t an outstanding film, but I enjoyed watching it anyway!