Popularity: 2 (history)
Director: | Jean Negulesco |
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Writer: | Salka Viertel, Stephen Morehouse Avery, Dan Totheroh |
Staring: |
A shy California farm girl falls head-over-heels in love with Barry Burnett, a fugitive from a chain gang building a road through the wilderness. | |
Release Date: | Jul 30, 1947 |
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Director: | Jean Negulesco |
Writer: | Salka Viertel, Stephen Morehouse Avery, Dan Totheroh |
Genres: | Drama, Romance, Crime, Thriller |
Keywords | california, wilderness, farm, escaped convict |
Production Companies | Warner Bros. Pictures |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 25, 2024 |
Name | Character |
---|---|
Ida Lupino | Libby Saul |
Dane Clark | Barry Burnette |
Wayne Morris | Jeff Barker |
Fay Bainter | Ellie Saul |
Henry Hull | Cliff Saul |
Willard Robertson | Sheriff Akers |
John Alvin | Convict |
Leonard Bremen | Convict |
Ross Ford | Convict |
Bob Lowell | Convict |
Clancy Cooper | Guard |
William Haade | Guard |
Douglas Kennedy | Guard |
Eddie Dunn | Posseman |
Harry Strang | Posseman |
Ralph Dunn | Deputy |
Ian MacDonald | Blast Foreman |
Rory Mallinson | Foreman |
Jack Mower | Supervisor |
Ray Teal | Prison Official |
Name | Job |
---|---|
Max Steiner | Original Music Composer |
Jean Negulesco | Director |
Paul Baxley | Stunts |
Salka Viertel | Screenplay |
Harvey Parry | Stunts |
Stephen Morehouse Avery | Screenplay |
Dan Totheroh | Novel |
Ted D. McCord | Director of Photography |
Owen Marks | Editor |
Max Parker | Art Direction |
Frank Durlauf | Art Direction |
Leo F. Forbstein | Music Director |
Murray Cutter | Music Arranger |
William C. McGann | Special Effects |
Hans F. Koenekamp | Special Effects |
C.A. Riggs | Sound |
Arthur Lueker | Assistant Director |
Perc Westmore | Makeup Artist |
Bernard Newman | Costume Designer |
Howard Winterbottom | Set Decoration |
John Maxwell | Dialogue Coach |
Name | Title |
---|---|
Jack L. Warner | Executive Producer |
Henry Blanke | Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 5 | 11 | 2 |
2024 | 5 | 7 | 14 | 3 |
2024 | 6 | 5 | 11 | 2 |
2024 | 7 | 4 | 8 | 2 |
2024 | 8 | 4 | 9 | 3 |
2024 | 9 | 2 | 4 | 1 |
2024 | 10 | 3 | 6 | 1 |
2024 | 11 | 3 | 9 | 1 |
2024 | 12 | 2 | 5 | 1 |
2025 | 1 | 4 | 12 | 1 |
2025 | 2 | 2 | 3 | 1 |
2025 | 3 | 1 | 2 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 0 | 1 | 0 |
2025 | 9 | 2 | 2 | 1 |
2025 | 10 | 2 | 2 | 2 |
Trending Position
Ain't no valley low enough - Ain't no river wide enough. Deep Valley is directed by Jean Negulesco and adapted to screenplay by Stephen Morehouse Avery and Salka Viertel from the novel written by Dan Totheroh. It stars Ida Lupino, Dane Clark and Wayne Morris. Music is by Max Steiner and cinematog ... raphy by Ted McCord. Libby Saul (Lupino) lives in a run down farm house with her unfeeling and estranged parents. Having developed a stammer due to her stmyied life, her only solace comes from walking in the woods with her dog. Then one day she happens upon a convict work party and takes interest in one of them, Barry Burnette (Clark). He's free too... Off the bat you have to be warned that this is very slow going for the first two thirds - almost painfully so. So with the story hardly being compelling in the first instance, or credible of course, it's on shaky ground and becomes tough to recommend with confidence. However, there's plenty to enjoy as it plods along and the final third is well worth waiting for. The whole look of the piece is an atmospheric delight, McCord bringing some monochrome magic. The inside of the cottage is oppressive, director and cinematographer neatly marrying the visuals up to how Libby feels. Other scenes are pure visual treats, such as out in the barn as the sunlight shines through gaps in the wood to reveal a ghostly mist, or subtle shots like river ripples reflected onto Libby's face, there's enough tech skills on show to keep you interested. Add in yet another superb performance from Lupino and you should want to stay all the way here. Narratively it comes down to finding love under trying circumstance, and that of the big decisions we face in life. Libby is faced with a choice, the bad boy or safe boy conundrum rearing its potent head. It all builds to a finale of substance that tantalises the heart and head in equal measure. No great film by any stretch of the imagination, the tech credits better than the actual play itself, but it warrants respect and worth a viewing for sure. 6/10