I Never Promised You a Rose Garden
When she tried to kill herself, it was just the beginning.
1977 | 96m | English
Popularity: 0.7 (history)
| Director: | Anthony Page |
|---|---|
| Writer: | Lewis John Carlino, Joanne Greenberg, Gavin Lambert |
| Staring: |
| A disturbed and institutionalized 16-year-old girl struggles between fantasy and reality. | |
| Release Date: | Jul 14, 1977 |
|---|---|
| Director: | Anthony Page |
| Writer: | Lewis John Carlino, Joanne Greenberg, Gavin Lambert |
| Genres: | Drama |
| Keywords | disturbed teenager |
| Production Companies | New World Pictures |
| Box Office |
Revenue: $0
Budget: $3,000,000 |
| Updates |
Updated: Jan 28, 2026 Entered: Apr 20, 2024 |
| Name | Character |
|---|---|
| Kathleen Quinlan | Deborah Blake |
| Bibi Andersson | Dr. Fried |
| Ben Piazza | Jay Blake |
| Lorraine Gary | Ester Blake |
| Martine Bartlett | Secret Wife |
| Margo Ann Berdeshevsky | Drawing Patient |
| Darlene Craviotto | Carla |
| Reni Santoni | Hobbs |
| Susan Tyrrell | Lee |
| Signe Hasso | Helene |
| Norman Alden | McPherson |
| Sylvia Sidney | Miss Coral |
| Dennis Quaid | Shark, Baseball Pitcher |
| Karin Collison | Nurse |
| Robert Viharo | Anterrabae |
| Diane Varsi | Sylvia |
| Helen Verbit | Patient |
| Gertrude Graner | Old Patient |
| Cynthia Szigeti | Nurse |
| Lynne Marie Stewart | The Sisters |
| Carol Worthington | Spastic Patient |
| Jan Burrell | Pacing Patient |
| Mary Carver | Eugenia |
| Clint Howard | Baseball Catcher |
| Jeff Conaway | Lactamaeon |
| Paul Jenkins | Dr. Royston |
| Donald Bishop | Doctor |
| Carole Androsky | Nurse |
| Nancy Parsons | Singing Patient |
| Dolores Quentin | Receptionist |
| Samantha Harper | Occupational Therapist |
| Richard Herd | Dr. Halle |
| Sarah Cunningham | Mrs. Forbes |
| Irene Roseen | The Sisters |
| Leigh Curran | Patient |
| Juney Ellis | The Spy |
| Pamela Guest | Student Nurse |
| Cherry Davis | Nurse |
| Name | Job |
|---|---|
| Lewis John Carlino | Screenplay |
| Joanne Greenberg | Novel |
| Garth Craven | Editor |
| Toby Carr Rafelson | Production Design |
| Jane Ruhm | Costume Design |
| Art Names | Sound Mixer |
| Don McKenzie | Production Assistant |
| Paul Chihara | Original Music Composer |
| Gavin Lambert | Screenplay |
| Bruce Logan | Director of Photography |
| Harriet B. Helberg | Casting |
| Michael Hausman | Executive In Charge Of Production |
| Peggy Names | Boom Operator |
| Anthony Page | Director |
| J. Michael Riva | Production Design |
| Barbara Peeters | Location Manager |
| Name | Title |
|---|---|
| Michael Hausman | Producer |
| Edgar J. Scherick | Producer |
| Terence F. Deane | Producer |
| Daniel H. Blatt | Executive Producer |
| Roger Corman | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 8 | 12 | 4 |
| 2024 | 5 | 10 | 20 | 7 |
| 2024 | 6 | 7 | 12 | 3 |
| 2024 | 7 | 7 | 12 | 3 |
| 2024 | 8 | 7 | 12 | 4 |
| 2024 | 9 | 6 | 9 | 3 |
| 2024 | 10 | 7 | 17 | 3 |
| 2024 | 11 | 6 | 19 | 3 |
| 2024 | 12 | 6 | 19 | 2 |
| 2025 | 1 | 5 | 13 | 3 |
| 2025 | 2 | 4 | 9 | 1 |
| 2025 | 3 | 2 | 5 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 2 | 6 | 1 |
| 2025 | 6 | 1 | 3 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 2 | 0 |
| 2025 | 9 | 0 | 2 | 0 |
| 2025 | 10 | 1 | 2 | 0 |
| 2025 | 11 | 5 | 8 | 1 |
| 2025 | 12 | 2 | 3 | 0 |
| 2026 | 1 | 1 | 5 | 0 |
Trending Position
Kathleen Quinlan delivers powerfully here as the disturbed “Deborah” who has been institutionalised by her therapist “Dr. Fried” (Bibi Andersson). She’s delusional and walks a fairly fine line between a reality in which she doesn’t feel pain and a fantasy land with it’s own language that she must, a ... t all costs, keep secret. Once ensconced, she finds herself staring at a stark world where her humanity is very much subsumed into a violent, noisy and drug-induced environment run by an eclectic combination of mostly men, who have varying degrees of sympathy for their patients/inmates. Fortunately for “Deborah”, her psychiatrist is genuinely interested in trying to help her recover, and against a backdrop that is hardly conducive, there might be hope that she can possibly emerge from the toxic alternative world that she has become dependent upon. It’s the noise that got me most here. The reverberations of the shouting and the screaming around rudimentary accommodation that has more in common with a prison than an hospital all adds to the general sense of craziness. There are a few potent efforts from the supporting cast, like Norman Alden’s “McPherson” whose more measured and considerate behaviour contrasts well with the otherwise often chaotic and even dangerous environment and from Sylvia Sydney too. Andersson is well cast bringing a certain caring aloofness to her role and the whole effect of the film is scarier than almost all of the other films produced by Roger Corman. It has dated and there is a degree of over-descriptive psycho-babble from the often heavy handed script, but Quinlan holds this together well and it’s still quite a solid indictment of 1970s psychiatric care.