Popularity: 0.4 (history)
Director: | Gillian Wallace Horvat |
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Writer: | Gillian Wallace Horvat, Chase Williamson |
Staring: |
A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film and committing the perfect murder. | |
Release Date: | Jan 27, 2020 |
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Director: | Gillian Wallace Horvat |
Writer: | Gillian Wallace Horvat, Chase Williamson |
Genres: | Comedy, Horror, Thriller |
Keywords | serial killer, mockumentary, killer, filmmaking, found footage, woman director, murder plot |
Production Companies | Nowhere Production, Cranked Up Films |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Aug 03, 2024 Entered: Apr 30, 2024 |
Name | Character |
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Gillian Wallace Horvat | Gillian |
Keith Poulson | Keith |
Chase Williamson | Chase |
Morgan Krantz | Producer #2 |
Alexia Rasmussen | Stalin |
Jennifer Kim | Teresa Nam |
Devon Graye | Taylor |
Garrett Coffey | Phil |
Jonny Mars | Dan |
Kerry Barker | Newscaster |
Macon Blair | Aaron Robertson |
Chris Doubek | Fred |
Megan Mercier | Teresa's Friend |
Jesse Merlin | James McAlpin |
Aaron Moorhead | Detective on TV |
Bobby Naderi | Hank |
Lucas Kavner | Producer #1 |
Olivia Kuan | Olivia |
M.M. Walsh | Drugstore Worker |
Karim Leon | Paramedic |
Eliza Hajkova | Cafe Waitress |
Sophie Floyd | Taylor's Date |
Jay Bonisolli | Emo Dude |
Name | Job |
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Gillian Wallace Horvat | Writer, Director |
Chase Williamson | Writer |
Brett W. Bachman | Additional Editor |
Kerry Barker | Additional Casting |
Deven MacNair | Stunt Coordinator |
Phil Beaudreau | Music |
Liz Toonkel | Costume Supervisor, Production Design, Costume Design |
Christina Phensy | Art Direction |
Sarah Beth Shapiro | Editor |
Mel Mel Sukekawa-Mooring | Assistant Editor |
Andrea Burish | Special Effects Makeup Artist |
Galaxy San Juan | Special Effects Makeup Artist |
Canaan Triplett | Sound |
David Lebensfeld | Visual Effects Supervisor |
Grant Miller | Visual Effects Supervisor |
Christopher A. Vazquez | Digital Compositor |
Daniel Kaczkowski | Digital Compositor |
Olivia Kuan | Director of Photography |
Lee Narby | Gaffer |
Jasper Khadjenouri | Gaffer |
Charles Cartwright | Grip |
Ellen Feldman | Digital Imaging Technician |
Derrick Beiter | Digital Imaging Technician |
Jake Kindlon | Script Supervisor |
Sophie Floyd | Production Coordinator |
Teagan Morin | Set Dresser |
Anna Rottke | Assistant Editor |
Name | Title |
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Chase Williamson | Associate Producer |
Brett Brewer | Executive Producer |
Michelle Craig | Producer |
Mette-Marie Kongsved | Producer |
Laura Tunstall | Producer |
Monte Zajicek | Producer |
Brent Brewer | Executive Producer |
Nicole O'Connell | Co-Producer |
Jamie Rabineau | Producer |
Piero Frescobaldi | Executive Producer |
Gilles Boisselet | Executive Producer |
Sarah Barson | Co-Producer |
David Horwitch | Associate Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 3 | 4 | 2 |
2024 | 5 | 4 | 6 | 2 |
2024 | 6 | 5 | 11 | 2 |
2024 | 7 | 8 | 17 | 3 |
2024 | 8 | 4 | 7 | 2 |
2024 | 9 | 3 | 6 | 2 |
2024 | 10 | 4 | 9 | 2 |
2024 | 11 | 4 | 6 | 2 |
2024 | 12 | 3 | 7 | 1 |
2025 | 1 | 3 | 5 | 1 |
2025 | 2 | 2 | 3 | 1 |
2025 | 3 | 1 | 3 | 1 |
2025 | 4 | 1 | 1 | 1 |
2025 | 5 | 1 | 1 | 1 |
2025 | 6 | 1 | 1 | 1 |
2025 | 7 | 0 | 0 | 0 |
2025 | 8 | 1 | 3 | 0 |
2025 | 9 | 1 | 3 | 0 |
2025 | 10 | 0 | 0 | 0 |
Trending Position
It all started when filmmaker Gillian Wallace Horvat was told that she’d make a good murderer. Intrigued by the comment, she began to study the elements and little details that make a successful serial killer. Out of this research was born “I Blame Society,” a deliciously wicked, low-budget indie fe ... ature that blurs the line between documentary and reality. This hybrid of a movie is packed with dark humor and horror components that lend a very strange tone, but there’s a whole lot to appreciate and admire about Horvat’s ambition and creativity. Gillian (Horvat) is a struggling filmmaker who feels as though her friends (Chase Williamson, Keith Poulson) are losing faith in her abilities. Determined to prove them wrong, she decides to finish her film and documents what constitutes the “perfect” murder. While in the process of filming, Gillian becomes a little too engrossed in the idea of killing. She unleashes a malevolent side of her personality that causes her moral compass to collapse. The film’s tone shifts as our antihero begins to lose control. What started as a documentary evolves into something a bit more cinematic, with a fictional story line that feels real because it was set up that way. Gillian first targets people whom she feels “deserve it,” but she eventually goes on a random, bloody killing spree that’s disturbing on multiple levels. It’s just so easy to get away with murder. You have to admire Horvat’s determination to make a movie that doesn’t compromise her unique voice, and she directs, co-writes, and stars in the film that she wanted to assemble. In one scene, Gillian stands up for her right to make a film of her own and not resign herself to getting stuck in line, waiting for a man’s permission. It’s empowering to see a woman who chooses to fully explore her own voice rather than meet the boxed-in expectations of the suits in charge (as embodied by Producer 1 and Producer 2, two Hollywood types who hit every single buzzword related to diversity and “strong female leads”). The film does hit on a few Hollywood insider jokes and jabs, but not in an inaccessible sort of way. I do feel “I Blame Society” is geared towards a very specific audience, but fans of the macabre will be partial to this inventive, disturbing movie.