Popularity: 2 (history)
Director: | Prano Bailey-Bond |
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Writer: | Prano Bailey-Bond, Anthony Fletcher |
Staring: |
A screener at the British Board of Film Classification (BBFC), who has earned an unsavory reputation for being the strictest censor of violent films, begins to spiral out of control after viewing a low-budget horror with similarities to the disappearance of her sister. | |
Release Date: | Jun 11, 2021 |
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Director: | Prano Bailey-Bond |
Writer: | Prano Bailey-Bond, Anthony Fletcher |
Genres: | Horror, Mystery |
Keywords | film in film, woman director, film censorship, anonymous telephone call, video nasty, dead sister, censorship, 1980s, mysterious disappearance |
Production Companies | Film4 Productions, Ffilm Cymru Wales, Rook Films, Silver Salt Films, Cinelab London, Kodak Motion Picture Products |
Box Office |
Revenue: $314,785
Budget: $0 |
Updates |
Updated: Feb 01, 2025 (Update) Entered: Apr 13, 2024 |
Name | Character |
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Niamh Algar | Enid Baines |
Michael Smiley | Doug Smart |
Nicholas Burns | Sanderson |
Vincent Franklin | Fraser |
Sophia La Porta | Alice Lee |
Adrian Schiller | Frederick North |
Clare Holman | June |
Andrew Havill | George |
Felicity Montagu | Valerie |
Danny Lee Wynter | Perkins |
Clare Perkins | Anne |
Guillaume Delaunay | Beastman |
Richard Glover | Gerald |
Erin Shanagher | Debbie |
Beau Gadsdon | Young Enid |
Amelie Child-Villiers | Nina |
Matthew Earley | Gordon |
Richard Renton | Frank |
Bo Bragason | Older Girl in Film |
Amelia Craighill | Younger Girl in Film |
Madeleine Hutchins | Panicked Woman |
Robert Vernon | Tom |
Lucy Mizen | Neighbour on TV |
Joanne Gale | Woman in Video Nasty |
Clare Noy | Waitress |
Louise Hadley | Red Haired Woman |
Lisa Ronaghan | Girls on Night Out |
Francesca Renée Reid | Girls on Night Out |
Albie Marber | Boy |
Chris Dale | Alf the Projectionist |
Guy Slocombe | Journalist #2 |
Garry Molyneux | Journalist #4 |
Sean Buchanan | Arguing Man |
Emma Eckton | Arguing Woman |
John Ward | Man Reading Newspaper on Train |
Joe Walker | Young Boy with Arguing Couple |
Peter Pedrero | Man in Extreme Coda |
Alice Eadson | Woman in Extreme Coda |
Steven O'Rourke | The Day The World Began |
Sam Goodland | The Day The World Began |
Charlie Langridge | Kids Outside Video Shop |
Emile James | Kids Outside Video Shop |
Sharon Taylor | Woman in Video Shop |
Prano Bailey-Bond | Bloodied Woman in Rejected Video Nasty |
Jonathan Rushby-Taylor | Journalist #3 |
Grant Crookes | Hands Through The Bed |
Paul Cavendish | Journalist |
Jean-Pascal Heynemand | Film Crew in Cabin |
Name | Job |
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Kristyna Sellnerova | Line Producer |
Prano Bailey-Bond | Director, Writer |
Emilie Levienaise-Farrouch | Original Music Composer |
Annika Summerson | Director of Photography |
Nanw Rowlands | Casting |
Bronwyn Franklin | Set Decoration |
Danielle Dunster | Visual Effects Producer |
Michele Woods | ADR Supervisor |
Christy Kail | Digital Imaging Technician |
Rebecca Richardson | Production Assistant |
Ruth Pease | Hair Designer, Makeup Designer |
Anthony Fletcher | Writer |
Paulina Rzeszowska | Production Design |
Saffron Cullane | Costume Design |
Tim Harrison | Supervising Sound Editor, Sound Designer |
Mark Epstein | Visual Effects |
Elliot Beach | Gaffer |
Scott McIntyre | Special Effects Supervisor |
Phil Cape | Boom Operator |
Sue Harding | Foley Artist |
Mark Towns | Editor |
Philip A. Brown | Art Direction |
Rebecca Powell | Makeup & Hair |
István V. Molnár | Visual Effects |
Ben Ashmore | Special Effects Supervisor |
Nick Baldock | ADR Mixer |
Justin Dolby | ADR Editor |
David Mitchell | Sound Recordist |
Dan Martin | Prosthetic Designer |
Connor Grove | Special Effects Technician |
Seb Bruen | Sound Effects Editor |
Sam Mason | Sound Effects Editor |
Jamie Roden | Sound Re-Recording Mixer |
Oliver Ferris | Foley Artist |
Peter Pedrero | Stunt Coordinator |
Adam Mendez | Foley Mixer |
Paul Morris | Second Assistant Director |
Name | Title |
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Lauren Dark | Executive Producer |
Kimberley Warner | Executive Producer |
Kim Newman | Executive Producer |
Ollie Madden | Executive Producer |
Daniel Battsek | Executive Producer |
Helen Sara Jones | Producer |
Andrew Starke | Executive Producer |
Naomi Wright | Executive Producer |
Mary Burke | Executive Producer |
Ant Timpson | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 17 | 24 | 9 |
2024 | 5 | 22 | 41 | 13 |
2024 | 6 | 14 | 21 | 8 |
2024 | 7 | 18 | 36 | 8 |
2024 | 8 | 15 | 26 | 8 |
2024 | 9 | 11 | 19 | 7 |
2024 | 10 | 14 | 22 | 7 |
2024 | 11 | 13 | 26 | 8 |
2024 | 12 | 12 | 31 | 7 |
2025 | 1 | 14 | 37 | 8 |
2025 | 2 | 9 | 13 | 3 |
2025 | 3 | 5 | 13 | 1 |
2025 | 4 | 1 | 4 | 1 |
2025 | 5 | 1 | 4 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 2 | 0 |
2025 | 8 | 1 | 1 | 0 |
2025 | 9 | 1 | 2 | 1 |
Trending Position
This is another one of those movies where you don't get your time back. There is nothing clever about the plot. It just twaddles on aimlessly, leading up to very cheesy murder scenes that look like the product of a high school student's drama submission and sweet FA payoff in the end. Why this got t ... he support of The National Lottery through The Arts Council of Wales is beyond me. It's simply a colossal waste of everyone's money. Then again, if that is your sort of thing, then more power to you. Each to their own and all that. :)
Very, very good! <em>'Censor'</em> features a great premise and it turns out to be one that is executed excellently. The feel of the film throughout is near perfection, with the tone all right and the 1980s aesthetic seemingly on point. It's paced ideally, with zero moments of drag. Niamh Alga ... r puts in a super performance as lead. I recently watched her also impress in television's <em>'<a href="https://en.wikipedia.org/wiki/Deceit_(2021_miniseries)" rel="nofollow">Deceit</a>'</em> - which was broadcast within a week or so of this production's cinema release, there are actually some (minor) similarities between the two; a set of dark roles for Algar, that's for sure! She's the clear standout, though props to the support cast too. Looking at a few other reviews, it seems to come down to how effective the ending is to you. For me? I think it's a great conclusion.
**A movie completely removed from reality - which is the point** A confusing, convoluted and completely absurd and unrealistic movie. Since this is of course all intentional, I am not entirely sure if that makes the movie better or worse. It's one of those movies that's really hard to rate and al ... most impossible to compare to any other movie, though it does feel very reminiscent of David Lynch movies. But for those who just feel confused after watching it, let me explain it real fast. Basically the movie is comparing deranged, schizophrenic psychopaths to, well, movies censors :-) Because the schizophrenic psycho killer loses his ability to tell what is real and what's not. Similarly, people engaged in censorship also loose their ability to distinguish reality from fantasy, or at least that's what the movie argues. Because censorship is almost always being justified by saying that without it, whatever is depicted in movies, would become a reality. Of course "normal" people can distinguish between reality and fiction, but schizophrenics can not, so censorship is necessarily to keep the schizophrenics from imitating fiction. But of course by arguing that fiction would become reality, the censors expose themselves as people who seem to have difficulty keeping reality and fiction separate. So then if it was really true that violent movies would make such people violent, then by their own logic, you would have to conclude that such censors themselves would become the most violent monsters ever, as they of course watch the most amount of horribly violent horror movies. But even so, we have never heard of any censor going on a killing spree, except of course in this very movie itself, which would of course itself be categorized as a "video nasty". And that's the point.