Popularity: 0.5 (history)
Director: | Richard Ciupka |
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Writer: | Robert Guza Jr., William Gray |
Staring: |
Six young actresses auditioning for a movie role at a remote mansion are targeted by a mysterious masked murderer. | |
Release Date: | Mar 04, 1983 |
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Director: | Richard Ciupka |
Writer: | Robert Guza Jr., William Gray |
Genres: | Horror, Thriller |
Keywords | mask, murder, stalking, serial killer, slasher, murderer, maniac, killer, doll, audition |
Production Companies | Jensen Farley Pictures, Simcom Limited, Curtains Productions |
Box Office |
Revenue: $0
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
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John Vernon | Jonathan Stryker |
Samantha Eggar | Samantha Sherwood |
Linda Thorson | Brooke Parsons |
Anne Ditchburn | Laurian Summers |
Lynne Griffin | Patti O'Connor |
Sandee Currie | Tara DeMillo |
Lesleh Donaldson | Christie Burns |
Deborah Burgess | Amanda Teuther |
Michael Wincott | Matthew |
Maury Chaykin | Monty |
Joann McIntyre | Secretary |
Calvin Butler | Dr. Pendleton |
Kate Lynch | Receptionist |
Booth Savage | Amanda's Boyfriend |
William Marshall | Attendant |
James Kidnie | Attendant |
Daisy White | Roommate |
Shannon Tweed | Stand In / Body Double (uncredited) |
Richie Pierce | Gas Station Attendant |
Name | Job |
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Robert Paynter | Director of Photography |
Colin Chilvers | Special Effects |
Robert Guza Jr. | Story |
Suzanne Benoit | Assistant Makeup Artist |
Shonagh Jabour | Makeup Artist |
Donato Baldassarra | Second Assistant Director |
Karen Pike | Second Assistant Director |
Michael MacLaverty | Editor |
William Gray | Screenplay |
Jenny Arbour | Hairstylist |
Christine Hart | Assistant Makeup Artist |
Ilana Frank | Production Manager |
John Pace | Third Assistant Director |
Roy Forge Smith | Production Design |
Paul Zaza | Original Music Composer |
Greg Cannom | Prosthetics |
Gerry Arbeid | Production Manager |
Jerome McCann | Third Assistant Director |
Tony Thatcher | First Assistant Director |
Richard Ciupka | Director |
Dan Perri | Title Designer |
Shannon Tweed | Stunt Double |
Name | Title |
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Peter R. Simpson | Producer |
Richard Simpson | Executive Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
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2024 | 4 | 11 | 18 | 7 |
2024 | 5 | 14 | 25 | 8 |
2024 | 6 | 15 | 45 | 5 |
2024 | 7 | 13 | 23 | 7 |
2024 | 8 | 14 | 34 | 8 |
2024 | 9 | 9 | 16 | 6 |
2024 | 10 | 8 | 11 | 5 |
2024 | 11 | 8 | 15 | 6 |
2024 | 12 | 8 | 17 | 5 |
2025 | 1 | 9 | 17 | 5 |
2025 | 2 | 7 | 9 | 3 |
2025 | 3 | 4 | 8 | 1 |
2025 | 4 | 1 | 3 | 1 |
2025 | 5 | 1 | 3 | 1 |
2025 | 6 | 1 | 2 | 1 |
2025 | 7 | 1 | 1 | 0 |
2025 | 8 | 1 | 2 | 0 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 2 | 3 | 0 |
Trending Position
**_Someone’s slaying wannabe actresses at an isolated manor in the wintry sticks_** A demanding director (John Vernon) rejects his aging muse (Samantha Eggar) for the role of a mad woman in his next film and so has six young lasses vie for a role at his mansion in the snowy woods of the Northeas ... t. The problem is, someone in an old-hag mask is killing ’em off one by one. "Curtains” (1983) is an artistic slasher birthed from a troubled production. Shooting began in November, 1980, with original director Richard Ciupka wanting to make an arthouse thriller, which led to hostilities with producer Peter Simpson, who wanted a conventional slasher since they were in vogue. This caused Ciupka to abandon the project with most of it shot. The film was shelved for over a year with uncredited Simpson taking over; rewrites and reshoots were done (mostly the beginning and end), along with one recasting (the role of Brooke Parsons). You might remember Vernon as Captain Fletcher in “The Outlaw Josey Wales.” He’s commanding here; very convincing as the arrogant director. There’s enough good for those interested, with the skating sequence standing out, but it’s not as effective as the similar “StageFright” (1987), yet it’s not too far off. There are too many dull parts with not enough character development and the directors didn’t take advantage of the feminine resources (not talkin’ ’bout nudity or sleaze), not to mention some scenes are too dark. However, the climax is good and surprising. If you’re going to view it, stay away from the lousy darker prints with washed out colors offered on some streaming channels. There’s a decent restored print currently available on Youtube. The film runs 1 hour, 29 minutes, and, was shot in the greater Toronto area, including Muskoka, Caledon and Forks of the Credit (the gas station scene) with studio stuff done at Commercial Studios in Scarborough. GRADE: B-/C+