Popularity: 4 (history)
Director: | Olivia Newman |
---|---|
Writer: | Lucy Alibar, Delia Owens |
Staring: |
Abandoned by her family, Kya raises herself all alone in the marshes outside of her small town. When her former boyfriend is found dead, Kya is instantly branded by the local townspeople and law enforcement as the prime suspect for his murder. | |
Release Date: | Jul 14, 2022 |
---|---|
Director: | Olivia Newman |
Writer: | Lucy Alibar, Delia Owens |
Genres: | Drama, Romance, Mystery |
Keywords | based on novel or book, artist, bullying, alcoholism, domestic abuse, survival, coming of age, first love, marsh, boyfriend girlfriend relationship, social outcast, jury trial, naturalist, murder mystery, murder trial, 1960s, alcohol problems, courtroom drama, abusive boyfriend, abandoned child, southern culture |
Production Companies | Hello Sunshine, 3000 Pictures, HarperCollins Publishers |
Box Office |
Revenue: $144,353,965
Budget: $24,000,000 |
Updates |
Updated: Aug 10, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
Daisy Edgar-Jones | Kya Clark |
Taylor John Smith | Tate Walker |
Harris Dickinson | Chase Andrews |
David Strathairn | Tom Milton |
Michael Hyatt | Mabel |
Sterling Macer Jr. | Jumpin' |
Logan Macrae | Jodie Clark |
Bill Kelly | Sheriff Jackson |
Ahna O'Reilly | Ma |
Garret Dillahunt | Pa |
Jojo Regina | Little Kya |
Luke David Blumm | Little Tate |
Blue Clarke | Little Chase |
Will Bundon | Little Jodie |
Jayson Warner Smith | Deputy Perdue |
Dane Rhodes | Judge Sims |
Eric Ladin | Eric Chastain |
Robert Larriviere | Dr. Foster |
Ron Flagge | Jacob |
Joe Chrest | Dr. Cone |
Sharon Landry | Miss Pansy |
Jerri Tubbs | Patti Love |
Michael A. Newcomer | Dr. Blum |
William Gautreaux | County Recorder |
Taylor Shurte | Miss Jones (Court Recorder) |
Grace Hinson | Sandy (Dog Gone Waitress) |
Charlie Talbert | Mr. Mosley |
Charley Vance | Mr. Lane |
Don Stallings | Scupper (Tate's Father) |
Wyatt Parker | Benji |
Payne Bosarge | Steven |
Lillian Dorsett | Little Pearl |
Zoey Reid | Little Tina |
Patrick Nicks | Brian |
Adeleine Whittle | Mandy |
Emma Kathryn Coleman | Missy |
Toby Nichols | Murphy |
Sarah Durn | Miss Ariel |
Caroline Cole | Pearl |
Anna Kabis | Tina |
Billy Slaughter | Social Services Officer |
Mike Harkins | County Clerk |
Brad Blanchard | Rodney (Fisherman) |
Leslie France | Kya (mid-70s) |
Sam Anderson | Tate (mid-70s) |
Kevin Clabert | Mr. Andrews (Chase's Dad) |
Pete Marinovich | Jury Foreperson |
Suzette Lange | Attendee at Funeral (uncredited) |
Name | Job |
---|---|
Taylor Swift | Songs |
Lucy Alibar | Screenplay |
Mychael Danna | Original Music Composer |
Polly Morgan | Director of Photography |
Alan Edward Bell | Editor |
Olivia Newman | Director |
Mark DeSimone | ADR Mixer |
Eric A. Norris | Sound Effects Editor |
Tobias Poppe | Sound Effects Editor |
Chelsea Bruland | Stunt Coordinator |
Kolby Kember | Visual Effects Supervisor |
Jeff Brockton | Stunts |
Deven MacNair | Stunts |
John Rottger | Stunts |
Fenilconic | Sound Effects |
Heather Taylor | VFX Editor |
Delia Owens | Novel |
Kirby Feagan | Art Direction |
Sue Chan | Production Design |
David Rubin | Casting |
Alice Baker | Set Decoration |
Mirren Gordon-Crozier | Costume Design |
Emma Gorbey | Visual Effects Producer |
Courtney Marie Callais | Makeup Artist |
Mia Goff | Makeup Artist |
Sherri Hamilton | Hairstylist |
Mary Ann Hennings | Hair Department Head |
Jennifer Jane | Key Hair Stylist |
Stacy Kelly | Makeup Department Head |
Courtney Lether | Key Makeup Artist |
Stacey Perry | Makeup Artist |
Crystal Wells | Additional Hairstylist |
Kyle Arzt | Sound Re-Recording Mixer |
Chelsea Body | Foley Mixer |
Christopher Bonis | Sound Effects Editor |
Jenna Dalla Riva | Foley Editor |
Susan Dawes | Supervising Sound Editor |
Aidan Dykes | ADR Mixer |
Sandra Fox | Foley Artist |
Galen Goodpaster | Assistant Sound Editor |
Matthew Harrison | Foley Editor |
Jack Heeren | Foley Mixer |
Kade Stauduhar | VFX Editor |
Tony Lamberti | Sound Re-Recording Mixer |
Zach Lancaster | Boom Operator |
Paul Ledford | Production Sound Mixer |
Ai-Ling Lee | Supervising Sound Editor |
Howard London | ADR Mixer |
Helen Luttrell | Dialogue Editor |
Kevin O'Connell | Sound Re-Recording Mixer |
Jamison Rabbe | ADR Mixer |
Jennie Shea | ADR Recordist |
Jon Vogl | ADR Mixer |
Chris Whiteside | ADR Mixer |
Betsy Danbury | Unit Production Manager |
Stephen E. Hagen | First Assistant Director |
Andrew Shepherd | Second Assistant Director |
Ally Vickers | Hairstylist |
Robert Hall | Makeup Effects Designer |
Matt Kutcher | Special Effects Supervisor |
Justin B. Johnson | Special Effects Coordinator |
Paul Alderman | Additional Editing |
Erich Stratmann | Music Editor |
Sarah McCulley | Visual Effects Producer |
Andrew Byrne | CG Supervisor |
Madeline Kornman | Visual Effects Coordinator |
Arvid Cristina | VFX Editor |
Chris Ritvo | Visual Effects Supervisor |
Javier González Alonso | CG Supervisor |
Tom Nagy | Animation Supervisor |
Angela Zhang | Visual Effects Coordinator |
Andrew Caruthers | Visual Effects Production Manager |
Mohamad Rafiq | Visual Effects Production Manager |
Ryan Browning | Utility Stunts |
Kayla Carraway | Stunt Double |
Brian Philpot | Stunts |
Adam Rivette | Utility Stunts |
Dawson Towery | Stunt Double |
Mitch Dubin | "A" Camera Operator |
Grayson Austin | "B" Camera Operator, Steadicam Operator |
Robert Stenger | "B" Camera Operator, Steadicam Operator |
Bryan Delorenzo | First Assistant "A" Camera |
Jeff Taylor | First Assistant "B" Camera |
David Bush | Script Supervisor |
Aaron Chiesa | 2D Artist |
Rankin Hickman | Production Supervisor |
David Warburton | Property Master |
Sienna Pinderhughes | Second Assistant "A" Camera |
Jeremy Webre | Second Assistant "B" Camera |
Jeroen Hendriks | Digital Imaging Technician |
Evan Woss | Digital Imaging Technician |
Jennifer Kennedy | Assistant Costume Designer |
Laura A. Schweigman | Costume Supervisor |
Chris Nausley | Costume Coordinator |
Patricia Gorman | Key Costumer |
Olivia Vestina Torres | Key Costumer |
Kate Farned | Costumer |
Logan Jackson | Costumer |
Heather Rae Miller | Costumer |
Darolyn Robertson | Costumer |
Vanessa Ward | Costumer |
Nick Leon | Key Grip |
Richard Elias | Best Boy Grip |
Gerald Autin | Dolly Grip |
Franklin Jones II | Key Rigging Grip |
Michael Nami Jr. | Rigging Grip |
Paul Olinde | Chief Lighting Technician |
Brad Garris | Best Boy Electric |
Ulyan Atamanyuk | Rigging Gaffer |
Joey Vasatka | Best Boy Lighting Technician |
Stacy Fortenberry | Production Coordinator |
Collier Meyer | Assistant Production Coordinator |
Megan Slater | Transportation Coordinator |
Katherine Heroman | Production Secretary |
Leonard Reynolds III | Location Manager |
Matt MacLellan | Assistant Location Manager |
Dana A. Hanby | Assistant Location Manager |
Rebecca Searcy | Location Coordinator |
Steven Charpentier | Location Assistant |
Kris Russell | Location Assistant |
Derek Vaughn Leopold | Location Assistant |
Amanda Klein | Production Accountant |
Sarah Gray | First Assistant Accountant |
Chuck Stringer | Construction Coordinator |
Chase Norman | Assistant Art Director |
Denise Templeton | Art Department Coordinator |
Paulo DeFreitas Jr. | Storyboard Artist |
Brian Begnel | Leadman |
Michael J. Dimarco | Set Dresser |
Susan Smits | Set Decorating Coordinator |
Allison Hilder | Assistant Property Master |
Smith C. Stickney | Props |
Julianne Merino | Props |
Jeanmarie Murphy-Burke | Unit Publicist |
Michele K. Short | Still Photographer |
Matt Lander | Casting Associate |
Brittany N. Williams | Casting Assistant |
Meagan Lewis | Casting |
Brent Carallero | Extras Casting |
Rikki Hegwood | Extras Casting |
Nicholas Dodd | Orchestrator, Conductor |
Name | Title |
---|---|
Lauren Neustadter | Producer |
Betsy Danbury | Executive Producer |
Rhonda Tollefson | Executive Producer |
Jon Wu | Executive Producer |
Aislinn Dunster | Producer |
Shannon Vayo | Associate Producer |
Veronica Moonhill | Associate Producer |
Reese Witherspoon | Producer |
Organization | Category | Person |
---|
Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 38 | 62 | 21 |
2024 | 5 | 38 | 47 | 32 |
2024 | 6 | 35 | 55 | 24 |
2024 | 7 | 52 | 86 | 21 |
2024 | 8 | 42 | 63 | 28 |
2024 | 9 | 31 | 46 | 22 |
2024 | 10 | 37 | 69 | 22 |
2024 | 11 | 30 | 44 | 21 |
2024 | 12 | 27 | 40 | 21 |
2025 | 1 | 35 | 65 | 20 |
2025 | 2 | 24 | 38 | 5 |
2025 | 3 | 11 | 37 | 3 |
2025 | 4 | 7 | 14 | 4 |
2025 | 5 | 13 | 25 | 7 |
2025 | 6 | 6 | 10 | 4 |
2025 | 7 | 5 | 7 | 4 |
2025 | 8 | 4 | 6 | 3 |
2025 | 9 | 5 | 9 | 4 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Year | Month | High | Avg |
---|---|---|---|
2025 | 9 | 122 | 603 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 8 | 583 | 787 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 7 | 476 | 530 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 6 | 791 | 904 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 5 | 455 | 748 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 4 | 511 | 723 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 2 | 206 | 433 |
Year | Month | High | Avg |
---|---|---|---|
2025 | 1 | 80 | 547 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 12 | 707 | 766 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 10 | 879 | 949 |
Year | Month | High | Avg |
---|---|---|---|
2024 | 8 | 753 | 823 |
By January 2022, the book had sold 12 million copies, making it one of the best-selling books of all time. Almost everyone in the theatre, yesterday afternoon, had read the book and were wondering if the movie could be as good as the book, so in my exit poll, of a dozen, or so, viewers, I asked then ... specifically, “Did the movie do justice to the book?” Without exception they said it had. (Although one reader thought the movie had a more definitive ending than the book.) Their ratings were 8s, 8.5s and two 10s. When I said that anything I rated over 8 would be worthy of a rewatch, it was unanimous that all of them would rewatch it, some thinking they’d like to read the book, again. So, these people, who came to see the movie, had high standards that they felt were met. The story is simple but intriguing. There is a whole TO KILL A MOCKINGBIRD vibe to it. And there is a wonderful contrast between a purity of soul living within a world of threat and danger. It was refreshing to have a film celebrate innocence. The nature shots of North Carolina are breathtaking. The casting is spot on and the performances are flawless. But the success of the film lies with the lead actor, Daisy Edgar-Jones (a very talented Brit, who earned respect for her talents in another best selling novel adaptation for television, NORMAL PEOPLE). There is a wide eyed innocence about Kya that she captures which, in turn, captivates the audience to invest in her story and her plight. (The only disconnect I had with her portrayal was not her fault but that of the production. For a swamp girl, living off the grid, her personal hygiene and wardrobe were spotless and fitted to perfection. A seemingly unlikely possibility considering her environment.) I would definitely see this film again and am tempted to buy the audible book. I give this film an enthusiastic 9 (beautiful and touching) out of 10. [Drama]
Daisy Edgar-Jones is really quite good in this adaptation of the Delia Owens story of a young girl left to her own devices in 1950s America. One by one her mother, siblings and finally her father abandon her to bring herself up. She takes to fishing for mussels in order to try to make ends meet, and ... is generally shunned by her community. Except, that is for her childhood friend "Tate" (a good effort too from Taylor John Smith) but when he leaves to go to college, she is exposed to the local Lothario "Chase" (Harris Dickinson). Turns out he is a bit of a wrong 'un for her, and when he is found dead at the bottom of a fire tower, she is prime suspect. What now ensues is a trial that provides us with retrospectives of the girl's childhood and her relationships whilst "Milton" (David Strathairn) organises her defence for a crime that might not even have been committed! The cinematography is gorgeous, the remoteness and intimacy of her existence is captured really well; as is the sense of isolation from her community as they look upon her as little more than an urchin. Smith portrays a decency to his character (he reminded me a lot of Joe Alwyn) and there are some touching performances from Sterling Macer Jnr. and Michael Hyatt as the closest thing the young girl has to family. Dickinson's accent is all over the shop, but he does manage to convince well enough as the rather duplicitous man who probably deserved his fate - however it actually happened. It is an interesting story, illustrating just how little by way of state infrastructure (or interference) there was in this young girl's life and how that empowered and endangered her in equal measure. DEJ delivers a strong and nuanced performance as the initially illiterate girl who was determined not be put upon and the story has a redemption that I found really fitting. The photography really does benefit from a cinema screen if you can.
Split opinion on this. Overall, though, I think my thoughts regarding it are, just narrowly, positive. <em>'Where the Crawdads Sing'</em> is a tad overlong and I'm not sold on the ending, though even so I think I like this enough. The acting is the big reason for that, with Daisy Edgar-Jones stan ... ding out alongside David Strathairn. Taylor John Smith and Garret Dillahunt are solid elsewhere. Away from the actors, most other elements are forgettable. The conclusion is iffy to me. It was clear the film was holding something back in regards to the story, though the way it eventually goes isn't the most satisfying to me personally. It's a pretty straightforward film, when all is said and done. It's close to being what I'd consider a miss, but I reckon it just about does enough right. 6/10 doesn't feel fitting to me, so 7/10 it is.
WHERE THE CRAWDADS SING is a movie adaptation of the novel of the same name by Delia Owens. The movie is set in the early 1950s in the fictional town of Barkley Cove, North Carolina. Kya Clark (played by Daisy Edgar-Jones) is a young girl who lives in isolation after she is abandoned by her family. ... She becomes friends with Tate Walker (played by Taylor John Smith), a local boy who helps her learn how to read and write. When Tate also abandons her, Kya becomes involved with Chase Andrews (played by Harris Dickinson), the town's golden boy. When Chase is found dead, Kya becomes the prime suspect. The movie begins with the murder, unlike in the book. In the movie, Kya is arrested and put on trial at the start. The trial is the central focus of the movie, whereas in the book it is a secondary plotline. The movie does a decent job of adapting the book's complex plot and characters for the screen. However, it lacks the lyrical prose of the novel, which is one of the novel's greatest strengths. Daisy Edgar-Jones gives a breakout performance as Kya. She conveys Kya's isolation, desperation, and hope. The movie is worth watching for her performance alone. The movie is visually stunning, with sweeping shots of the North Carolina marshes. It's a beautiful backdrop for the story. In addition to her relationships with the two men in the story, a black couple also befriends Kya – Jumpin' (played by Sterling Macer Jr) and Mabel (played by Michael Hyatt). Their relationship is one of the most complex and interesting relationships in the movie. WHERE THE CRAWDADS SING is not perfect. The film's pacing is uneven, and it struggles to find the right tone. The murder mystery plot is too convoluted and not particularly interesting. And the relationship between Kya and Chase feels forced and unconvincing. And there is no explanation of what a crawdad is! My understanding is that a crawdad is a freshwater crustacean that resembles a small lobster. They are also known as crayfish, crawfish, and crawdaddies. They live in the swamps battling for their existence – a metaphor for Kya's own battle to survive. The themes of love, loss, betrayal, and redemption are at the heart of this movie. Kya's story is a moving tale of human resilience in the face of great adversity. The ending is hopeful, though not without tragedy. Overall, WHERE THE CRAWDADS SING is a beautiful but flawed adaptation of a great novel. It's worth watching for the stunning visuals and Daisy Edgar-Jones' performance. But be prepared to be disappointed if you're expecting a faithful adaptation of the book.
MORE SPOILER-FREE REVIEWS @ https://www.msbreviews.com/ "Where the Crawdads Sing is one of the biggest surprises of the year - may the extraordinary box office result serve as proof. A survival story - on many levels - that tackles heavy trauma, the power of nature, prejudice, hypocrisy, and m ... any other topics in a thematically rich screenplay. Daisy Edgar-Jones ends her breakthrough year with yet another complex performance that convinces viewers to invest in the equally intricate, fully-developed protagonist over a runtime slightly affected by a short period during the second act where it loses some momentum. A tad too melodramatic for my taste, and the divisive revelation of the final minutes will certainly generate much discourse - personally, it almost ruins the whole work. Still, I recommend it!" Rating: B
**While well done and well told, it is not a movie I would return to.** Where the Crawdads Sing is a lingering sorrowful tale of an abandoned young woman finding her purpose and strength in the isolation of nature. The story mourns the abuses and judgments the protagonist faces as nearly every re ... lationship in her life betrays her. Yet, she remains hopeful, kind, and gentle after all that. The movie is a mixture of biography, courtroom drama, and murder mystery, and while that might sound full and active, Where the Crawdads Sing is an unhurried creeping story. Typically, slow-moving films bore me, but this one was definitely engaging. The main character is steadfast and strong even after all she had endured making the story more compelling and interesting. The mystery part of the movie almost hides in the background until the film's final moments, focusing on Kya's journey rather than devolving into a mediocre whodunit. While I was taken along on an intriguing sojourn with Where the Crawdads Sing, it was ultimately a very somber tale moving at a very melancholy pace.
**_The challenges of growing up (alone) in the shoreline swamps of the Carolinas_** In the 60s, a girl (Daisy Edgar-Jones) comes-of-age in coastal North Carolina, where she’s an outcast known as “the marsh girl.” When a local hotshot is found dead (Harris Dickinson), the community thinks she’s th ... e culprit. Taylor John Smith plays a male friend and David Strathairn her lawyer. Based on the 2018 novel by Delia Owens, “Where the Crawdads Sing” (2022) is a meshing of “Cross Creek” (1983) with backwoods crime mystery, such as "Undertow" (2004), "Winter's Bone" (2010) and "Mud" (2012). It’s reminiscent of Steve Gerber’s Man-Thing comics of the 70s, just with the swamp monster being replaced by human monsters. The coastal swamp cinematography is awesome, but this wasn’t shot within 850 miles of the shores of North Carolina. It was filmed in Houma and New Orleans, Louisiana The movie runs 2 hours, 5 minutes. GRADE: B+/A-
Such a great movie. First of all it doesn't contain woke propaganda which is surpisingly good sign nowadays. Secondly movie was interesting and well done. I enjoyed watching it very much. Well done! ...
In my personal opinion, I found this film to be truly remarkable. While I believe there were moments where it could have been improved, particularly in terms of the actress's performance, overall, I was pleasantly surprised by how well the movie "Where the Crawdads Sing" was executed. Some scenes ... may have not been as impactful on the big screen as I had hoped, but I must commend Reese Witherspoon for her excellent work as a producer. Despite the film's commercial success, it was unfortunate that it did not receive any recognition in awards categories. I strongly believe that this movie deserved more accolades and it has certainly made me more aware of other deserving films that may go unnoticed. I wholeheartedly recommend giving this movie a chance. The film's development and script were truly impressive. While there were minor flaws in the world-building and storyline, overall, it achieved what it set out to do. I urge anyone to watch this movie as it offers a unique and engaging experience.
I can’t describe how or why I felt so fully immersed in the emotions of this movie. The overwhelming storytelling masterfully intertwines themes of love, resilience, and human complexity, keeping you captivated from start to finish. Its emotional depth is unparalleled, leaving a lasting impact th ... at resonates profoundly. Every element, from the performances to the subtle use of music, feels perfectly tailored on the movie.