Popularity: 4 (history)
Director: | B.J. Novak |
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Writer: | B.J. Novak |
Staring: |
A journalist and podcaster from New York City travels to West Texas in order to report on the death of a girl he was hooking up with. | |
Release Date: | Jul 29, 2022 |
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Director: | B.J. Novak |
Writer: | B.J. Novak |
Genres: | Comedy, Mystery, Thriller |
Keywords | texas, drug crime, podcaster, mysterious death, podcast |
Production Companies | Blumhouse Productions, Focus Features, Divide / Conquer |
Box Office |
Revenue: $4,225,720
Budget: $0 |
Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
Name | Character |
---|---|
B.J. Novak | Ben Manalowitz |
Boyd Holbrook | Ty Shaw |
J. Smith-Cameron | Sharon Shaw |
Issa Rae | Eloise |
Ashton Kutcher | Quentin Sellers |
Lio Tipton | Abilene Shaw |
Dove Cameron | Kansas City Shaw |
Isabella Amara | Paris Shaw |
Eli Bickel | El Stupido Shaw |
John Mayer | John |
Louanne Stephens | Granny Carole Shaw |
Zach Villa | Sancholo |
Clint Obenchain | Crawl |
Rio Alexander | Sheriff Jimenez |
Ryan Hammond | Det. Keith St. John |
Ben Whitehair | Officer Dan |
Grayson Berry | Officer Mike |
Nathaniel Augustson | Rowdy Stranger #1 |
Sean J. Dillingham | Rowdy Stranger |
Ivan Hernandez | Sancholo's Thug |
David Hight | Cowboy |
Tracy S. Lee | Radio Intern |
Adrianne Lovato | Texan Line Dancer |
Micah McNeil | Texas Tech Fan |
Mike Miller | Doctor |
Sarah Minnich | |
Bronwen Murray | Hipster |
Aaron Rogers | NYC Hipster |
Tony Sedillo | Sancholo's Associate |
J. Nathan Simmons | Diner Patron |
Avalon Stone | Whataburger Waitress |
Dora Woodrum | Artist / Original Artwork |
Darlene Kellum | Dancer (uncredited) |
Gonzalo Robles | Not Sancholo (uncredited) |
Jeremy Warner | Club Patron (uncredited) |
Melissa Chambers | (uncredited) |
Name | Job |
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Karen Kuehn | Still Photographer |
B.J. Novak | Director, Writer |
Shayne Hartigan | Extras Casting |
Courtney Andujar | Production Design |
Sarah Domeier Lindo | Casting |
Marcia Calosio | Set Decoration |
Rachel Sage Kunin | Costume Design |
Jason Altieri | First Assistant Director |
Tara Hunter | Second Second Assistant Director |
Peter McGrew | First Assistant Director, Second Assistant Director |
Janine Maloney | Key Makeup Artist |
Madeline McCue | Makeup Artist |
Kirk W. Johnson | Production Supervisor |
Christopher H. Warner | Unit Production Manager |
Ryan A. Sullivan | Sound Effects Editor |
Heath Hensley | Stunts |
Forrest A. Haag | Property Master |
Brian DeNike | Leadman |
Jason Mack | Set Dresser |
Paul Elliott | "A" Camera Operator |
Nick Shuster | First Assistant "A" Camera |
Alexander Paul | First Assistant "A" Camera |
Ian Henderson | First Assistant "B" Camera |
Jesse Heidenfeld | Camera Loader |
Jason Pinney | Boom Operator |
Waylon Brady | Gaffer |
Daniel Zamora | Best Boy Electric |
James McCray | Key Grip |
Dustin Guillen | Dolly Grip |
Hillary Andujar | Production Design |
Andy Canny | Editor |
Plummy Tucker | Editor |
Billy W. Ray | Art Direction |
David Hack | Set Decoration |
Lyn Moncrief | Director of Photography |
Denise Harkins | Second Second Assistant Director |
Jessica Richey | Second Assistant Director |
Megg Massey | Hair Department Head |
Alexis Williams | Makeup Department Head |
Renee Minasian | Post Production Supervisor |
Nathan Carlson | Graphic Designer |
Ryan Staats | Stunt Double |
Melissa Brockman | Visual Effects Producer |
Chelsey Danielsen | Property Master |
Josiah O'Neil | Leadman |
Ethan Scroggins | Set Dresser |
Corey Weintraub | "B" Camera Operator |
Jannis Schelenz | First Assistant "A" Camera |
Meghan Noce | First Assistant "B" Camera |
Dale Glenn Waseta Sr. | Video Assist Operator |
David Sickles | Production Sound Mixer |
Jason Patrick Collins | Boom Operator |
Ryan Halsey | Gaffer |
Dwight Dollins | Key Grip |
Anthony Bartra | Best Boy Grip |
Brandy Marrs | Costume Supervisor |
Kim Trujillo | Costumer |
Emerald Ortega | Key Hair Stylist |
Olajide Elizabeth | Hairstylist |
Jonathon Slator | Location Manager |
Ariel Y. Lopez | Assistant Location Manager |
Bonnie Masoner | Key Makeup Artist |
Janessa Bouldin | Key Hair Stylist |
Charee Savedra | Script Supervisor |
Patrick Puhl | Location Manager |
Garret Lord | Production Accountant |
Cynthia Cabrera | First Assistant Accountant |
Lilly Tyson | Casting Assistant |
Carl Zeller | Construction Coordinator |
Jay E. Vigil | Picture Car Coordinator |
Melanie Kuan | First Assistant Editor |
Brian Scott Steele | First Assistant Editor |
Kali Kasashima | Assistant Editor |
Tateum Kohut | Sound Re-Recording Mixer |
Brad North | ADR Supervisor |
Smokey Cloud | First Assistant Sound Editor |
Stiv Schneider | ADR Mixer |
Ellen Segal | Music Editor |
Aaron Becker | Title Designer |
Michael A. Romero | Compositing Artist |
Phil LoGrippo | Production Accountant |
Dylan Gravley | Production Coordinator |
Ally Conover | Casting Associate |
Patti Perret | Still Photographer |
Jade Peterson | Transportation Coordinator |
Jason Kapuscinski | Transportation Captain |
Chris Dold | First Assistant Editor |
Drew Sacks | VFX Editor |
Ben Simpkins | Post Production Coordinator |
Kevin Froines | Sound Re-Recording Mixer |
Tiffany S. Griffith | Dialogue Editor |
Ian Yeromenko | Foley Artist |
Greg Crawford | ADR Mixer |
Ben Zales | Music Editor |
George Koran | Digital Intermediate Colorist |
Alphonse Swinehart | Title Designer |
Nicole Hawkyard | Makeup Department Head |
P.K. Hooker | Supervising Sound Editor, Sound Designer |
Terri Taylor | Casting |
FINNEAS | Original Music Composer |
Hilda Rasula | Editor |
Andrea von Foerster | Music Supervisor |
Mark Riccardi | Stunt Coordinator |
Ralph Watson | "A" Camera Operator, Steadicam Operator |
Jiji Hise | Costumer |
Kieran Sequoia | Production Coordinator |
Susan Boyajian | ADR Voice Casting |
Jon Romano | Head of Production |
Name | Title |
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Adam Hendricks | Producer |
Christopher H. Warner | Executive Producer |
Nicholas Kraft | Co-Producer |
Leigh Kilton-Smith | Executive Producer |
Jason Blum | Producer |
Greg Gilreath | Producer |
B.J. Novak | Executive Producer |
Jon Romano | Co-Producer |
Zac Locke | Associate Producer |
Jennifer Scudder Trent | Co-Producer |
Organization | Category | Person |
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Popularity History
Year | Month | Avg | Max | Min |
---|---|---|---|---|
2024 | 4 | 24 | 36 | 14 |
2024 | 5 | 35 | 80 | 23 |
2024 | 6 | 24 | 35 | 16 |
2024 | 7 | 26 | 45 | 16 |
2024 | 8 | 22 | 36 | 14 |
2024 | 9 | 21 | 33 | 11 |
2024 | 10 | 16 | 25 | 11 |
2024 | 11 | 18 | 32 | 10 |
2024 | 12 | 19 | 35 | 12 |
2025 | 1 | 21 | 45 | 10 |
2025 | 2 | 13 | 20 | 3 |
2025 | 3 | 6 | 20 | 1 |
2025 | 4 | 4 | 9 | 2 |
2025 | 5 | 3 | 8 | 2 |
2025 | 6 | 2 | 5 | 1 |
2025 | 7 | 2 | 3 | 1 |
2025 | 8 | 2 | 3 | 1 |
2025 | 9 | 3 | 4 | 2 |
2025 | 10 | 4 | 4 | 3 |
Trending Position
Amazingly well-done. Film gets especially good in the last 20%, super rare! ...
When "Ben Manalowitz" (auteur B J Novak) gets a phone call, he leaves his New York home to travel to a remote desert community to find out what happened to a girl he had once hooked up with. Upon arrival he realises that this could be the subject for a serious podcast and so sets out to find her kil ... ler - at the behest of her brother "Ty" (Boyd Holbrook) - and simultaneously to offer an analysis of just how these folks live their lives - such a contrast to the style of fast-paced urban dwelling he is used to, and manna from heaven to his producer "Eloise" (Issa Rae). The storyline itself is rather procedural, but there is a decent degree of humour in this film - especially starting with the man-to-man chat at the top of the film which shows neither in a particularly good light. Thereafter some sparingly entertaining contributions from Ashton Kutcher help ginger this along in a sort of film noir style. The quirkiness of the townsfolk's real existence - centred largely around a burger bar; the characterful personalities and an equally effective score from Finneas O'Connell all help to generate a decently paced and quite compelling mystery that I found myself drawn into more than I was expecting. Novak isn't a great actor, but the writing - ultimately offering us an opportunity to evaluate his character and his flaws as much as of anyone else; the developing scenarios and the whole sense of mischief here do most of the heavy lifting allowing us to enjoy the concept without necessarily having to appreciate the acting scene by scene. I really did rather like the ending too.
**Vengeance is a decent movie with big questions, funny moments, and endearing characters that loses itself in trying to do too many things all at once.** Vengeance wears a lot of hats (or stetsons, I guess). It begins as comedy, then social and political commentary, murder whodunit, and existent ... ial evaluation. Growing up in a small western town made parts of the story even more endearing and slightly offensive. The Whataburger and football jokes are 100% true in the heartland of the USA. Thankfully, the lead character's judgmental tone when he first arrives in this tiny Texas town shifts as he develops respect and affection for the people he interviews and befriends. Vengeance tries to be many things and gets messy in parts where it tries to be a little too clever, but there are parts where it pulls it off as well. I enjoyed where the story ended as the lead finds purpose and family after facing the reality of his own emptiness, loneliness, and pretentiousness. I appreciate what this movie was trying to do with its pursuit of truth and meaning, but it probably tried a little too hard, leaving me with an unsatisfied feeling as the credits rolled.