Popularity: 3 (history)
| Director: | Kasi Lemmons |
|---|---|
| Writer: | Anthony McCarten |
| Staring: |
| The joyous, emotional, heartbreaking celebration of the life and music of Whitney Houston, the greatest female R&B pop vocalist of all time. Tracking her journey from obscurity to musical superstardom. | |
| Release Date: | Dec 20, 2022 |
|---|---|
| Director: | Kasi Lemmons |
| Writer: | Anthony McCarten |
| Genres: | Drama, Music, History |
| Keywords | drug addiction, musician, biography, rhythm and blues (r&b), singer, pop music, lgbt, burlesque, domineering, spousal abuse, soul music, exhilarated |
| Production Companies | TriStar Pictures, Black Label Media, West Madison Entertainment, Primary Wave Music, Muse of Fire, Compelling Pictures |
| Box Office |
Revenue: $59,800,000
Budget: $50,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Naomi Ackie | Whitney Houston |
| Ashton Sanders | Bobby Brown |
| Stanley Tucci | Clive Davis |
| Nafessa Williams | Robyn Crawford |
| Lance A. Williams | Gerry Griffith |
| Tamara Tunie | Cissy Houston |
| Clarke Peters | John Houston |
| Daniel Washington | Gary Houston |
| JaQuan Malik Jones | Michael Houston |
| Kris Sidberry | Pat Houston |
| Tanner Beard | Günther |
| Bailee Lopes | Bobbi-Kristina (8-10 Yrs old) |
| Jennifer Ellis | Lisa Hintelmann |
| Andrea Eversley | Barbara |
| Bria Danielle Singleton | Bobbi Kristina |
| Adrian M. Mompoint | Marvin |
| Coffey | James |
| Stew Replogle | Detective |
| Chanel Rose Connor | Detective |
| Sean Amos | Minister |
| Jon F. Merz | Captain / Pilot |
| Jaison Hunter | Jermaine Jackson |
| Whitney Houston | Self (archive footage) |
| Oprah Winfrey | Self (archive footage) |
| Merv Griffin | Self (archive footage) |
| Zyla Harris-Petter | 'I'm Every Woman' Dancer (as Zyla Nia Harris-Peter) |
| Kevin Daigneault | Stage Manager (uncredited) |
| Name | Job |
|---|---|
| Barry Ackroyd | Director of Photography |
| Markus Mentzer | Additional Photography |
| Brett Duffy | Casting Assistant |
| Charlese Antoinette Jones | Costume Design |
| Guy Holt | Generator Operator |
| Chris Malenfant | Second Assistant "C" Camera |
| Chuck Moya | Second Assistant "B" Camera |
| Jason Platt | Lighting Technician |
| Derek Raimo | Electrician |
| Joel San Juan | "B" Camera Operator, Steadycam |
| Audrey L. Stevens | Loader |
| Justin Wakefield | Lighting Technician |
| Josephine Allegretti | Visual Effects |
| Rebecca Serra | Hairstylist |
| Christopher Osorio | Makeup Artist |
| Brenda McNally | Hairstylist |
| Mandrill Hardge | Hairstylist |
| Louise Burton | Dialogue Editor |
| Maxwell MacRae | Foley Editor |
| Ian Tapp | Sound Re-Recording Mixer |
| Teddy Pryor | Grip |
| William Cunha | Special Effects Technician |
| Maureen Crowe | Music Supervisor |
| Daysha Broadway | Editor |
| Alyssa Boffoli | Second Assistant Director |
| Ty Taylor | Second Second Assistant Director |
| John Warhurst | Supervising Music Editor |
| Tricia Peck | Set Decoration |
| Van Hayden | First Assistant Director |
| Stephen Turro | Additional Second Assistant Director |
| Juliana Lima | Special Effects Coordinator |
| Emily Aragones | Still Photographer |
| Thomas Bellotti | Second Assistant "A" Camera |
| Jeff Dickerson | Additional Camera |
| Anthony Earabino | Dolly Grip |
| Mattie Hamer | Loader |
| Patrick Hines | Best Boy Electric |
| Joe Macaluso | Key Grip |
| Michael Moran | Grip |
| Todd England Nicodemus | Dolly Grip |
| Mitch Severt | Lighting Technician |
| Bill Trautvetter | "C" Camera Operator |
| Christopher Ferguson | Lighting Programmer |
| Keesh Winkler-Smith | Makeup Artist |
| Shelby Michael Patton | Makeup Artist |
| John Sheridan | Sound Mixer |
| Gerald Sullivan | Production Design |
| Patricia Sullivan | Assistant Set Decoration |
| Tony Scelsi | Additional Second Assistant Director |
| Benjamin Zalusky | Additional Second Assistant Director |
| Tim Lutz | Special Effects Technician |
| Nolan Ball | First Assistant "A" Camera |
| Robert Bullard | First Assistant "B" Camera |
| Tommy Fitzgerald | "A" Camera Operator |
| Jeff Griffith | Best Boy Grip |
| Kellon Haynes | Lighting Technician |
| John Ruggieri | Special Effects Supervisor |
| Woody Bell | Key Grip |
| Kelly Clear | Chief Lighting Technician |
| Michael Dynice | Electrician |
| Kody Fraser | Grip |
| David Hallas | Lighting Technician |
| Ben Heald | Gaffer |
| Nick Jablonski | Electrician |
| Brandon J. Meadows | Rigging Gaffer |
| Alexander Jay Nelson | Generator Operator |
| Harry Pray IV | Lighting Technician |
| Jack Rohner | Lighting Technician |
| Christian Schmidt | Additional Grip |
| Zachariah Suto | Lighting Technician |
| Gavin Wynn | Camera Loader |
| Foley Farmers | Foley Artist |
| Adenike Wright | Hairstylist |
| Trish Seeney | Makeup Artist |
| Geri B. Oppenheim | Makeup Artist |
| Dominic Mombrun | Prosthetics |
| Monique Peoples Graham | Hairstylist |
| Sandra Cuevas Alcocer | Foley Editor |
| Franziska Treutler | Foley Artist |
| Andy Nelson | Sound Re-Recording Mixer |
| Kasi Lemmons | Director |
| Anthony McCarten | Writer |
| Kim Taylor-Coleman | Casting Director |
| David Offner | Art Direction |
| Tulio Dueñas | First Assistant "C" Camera |
| Michael Geoghegan | Rigging Grip |
| Gary Archer | Prosthetics |
| Anne Morgan | Hairstylist |
| Craig Lindberg | Special Effects Makeup Artist |
| Peter Burgis | Foley Artist |
| David Giammarco | Sound Re-Recording Mixer |
| Name | Title |
|---|---|
| Clive Davis | Producer |
| Larry Mestel | Producer |
| Denis O'Sullivan | Producer |
| Pat Houston | Producer |
| Anthony McCarten | Producer |
| Matthew Gallagher | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 22 | 34 | 15 |
| 2024 | 5 | 24 | 32 | 18 |
| 2024 | 6 | 22 | 35 | 14 |
| 2024 | 7 | 23 | 41 | 13 |
| 2024 | 8 | 21 | 47 | 12 |
| 2024 | 9 | 15 | 22 | 11 |
| 2024 | 10 | 19 | 50 | 10 |
| 2024 | 11 | 17 | 32 | 11 |
| 2024 | 12 | 16 | 28 | 10 |
| 2025 | 1 | 15 | 26 | 11 |
| 2025 | 2 | 12 | 19 | 3 |
| 2025 | 3 | 7 | 20 | 1 |
| 2025 | 4 | 3 | 7 | 1 |
| 2025 | 5 | 2 | 7 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 3 | 1 |
| 2025 | 8 | 2 | 4 | 1 |
| 2025 | 9 | 2 | 3 | 2 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 536 | 778 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 7 | 358 | 569 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 6 | 588 | 703 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 4 | 472 | 630 |
I wonder why they added her name to the title? Might that be because the film makers knew that the "legacy" of this once celebrated singer has already largely wained? I can't think when I last heard one of her songs on the radio. Bigger then the "Beatles"? Well Naomi Ackie puts her heart and soul in ... to this performance but do we ever see her tinkle on a piano, pick up a guitar, bang a tambourine even? Right from the start when she is discovered by established impresario (and one of this film's producers) Clive Davis (Stanley Tucci) we learn that she doesn't write songs. So what is there for us to remember? This film proceeds to tell us a rather sad and shallow story of a woman born into musical royalty who seems to lurch from one bad decision to another - fuelled by a confused sexuality, booze, drugs and ambition - a toxic mix for anyone to deal with. This highly speculative narrative doesn't try to give any depth to any of the characters. It doesn't try to involve us in the stresses faced by this woman who had the world beneath her feet for a while, but for whom it was all too much - especially when she discovers that those closest to her are betraying and/or embezzling from her. It asks us to be sympathetic but gives us few insights into what made her tick. The brief and superficial scenes with her wayward husband Bobby Brown (Ashton Sanders) are whirlwind in nature and so it's hardly surprising when he turns out to be wrong for her. The competent Tucci comes across as a benign, gentle, benefactor but again, there is little of substance to his role as he seems powerless to stop her descending into a maelstrom of despair and illness. The real story of this inspirational singer is full of twists, turns, successes and failures. Her emotional life was just about as turbulent as it is possible to get. Yet this film is sterile and procedural. I didn't feel involved, I didn't really feel that I cared for her very much. On the plus side, we are reminded on occasion of her brilliant original songs and astonishing vocal range (though Miss Ackie doesn't do the singing) and are reminded of just how good an entertainer she was, but I saw this on my own in a cinema and maybe that says quite a lot about the quality of this rather underwhelming and chronological biopic that could have been so much better had it focused more on the talents of this remarkable woman and less on the associated melodrama.
A well done flick, I'd say. I didn't even know this existed until I was invited a week or two back to go watch it, which is a surprise as I'd imagine a Whitney Houston biopic would've got enough hype that I would've seen it mentioned around the web - perhaps I just happened to miss it? Either way ... , I'd very much recommend <em>'Whitney Houston: I Wanna Dance with Somebody'</em>. I'm no Houston brainiac but of course knew of her top songs and unfortunate personal issues, I feel like the film does a commendable job at covering all aspects - the pacing is top notch, in my opinion. I'd imagine it takes liberties with the truth, as per for this genre, here and there, but that doesn't bother me much if so. Naomi Ackie is terrific in the lead role, quite the first performance of her's to watch on my part. I hope to see more! The rest of the cast, from Stanley Tucci to Ashton Sanders to Tamara Tunie to Nafessa Williams to Clarke Peters, particularly the latter, are also very good throughout. I found the run time to be spot on, while the music is - as you'd expect - excellent. Houston sure did make a tonne of hits!
The Whitney Houston movie is a production that often goes underappreciated, with its box office performance potentially suffering due to being better suited for streaming rather than a traditional theatrical release. The film focuses more on Houston's personal life, particularly her relationship wit ... h Bobby Brown and struggles with drug use, rather than showcasing her musical talents. It lacks the emphasis on her music that fans may have expected, opting for a different narrative approach. While the movie may not have resonated with audiences as strongly as anticipated, it did serve as a reminder of Whitney Houston's exceptional talent as a singer. The lead actress's portrayal of Houston, while not widely recognized, did not detract from the film's overall impact. However, the casting choice for the role may have played a role in the film's perceived shortcomings and failure to generate significant buzz. Despite its flaws, the movie did manage to spark interest in Whitney Houston's music, prompting viewers to rediscover her timeless songs. While the film may not have reached the heights of success it aimed for, it still served as a tribute to Houston's legacy and musical contributions.