Popularity: 4 (history)
| Director: | Chris Gorak |
|---|---|
| Writer: | M.T. Ahern, Jon Spaihts, Leslie Bohem |
| Staring: |
| In Moscow, five young people lead the charge against an alien race which has attacked Earth via our power supply. | |
| Release Date: | Dec 22, 2011 |
|---|---|
| Director: | Chris Gorak |
| Writer: | M.T. Ahern, Jon Spaihts, Leslie Bohem |
| Genres: | Action, Science Fiction, Horror, Thriller |
| Keywords | alien invasion, american abroad, moscow, russia, failed business, microwave, faraday |
| Production Companies | Summit Entertainment, Regency Enterprises, Bazelevs, The Jacobson Company, New Regency Pictures |
| Box Office |
Revenue: $64,626,786
Budget: $30,000,000 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Emile Hirsch | Sean |
| Rachael Taylor | Anne |
| Olivia Thirlby | Natalie |
| Joel Kinnaman | Skyler |
| Max Minghella | Ben |
| Veronika Vernadskaya | Vika |
| Dato Bakhtadze | Sergei |
| Gosha Kutsenko | Matvei |
| Nikolay Efremov | Sasha |
| Georgiy Gromov | Boris |
| Artur Smolyaninov | Yuri |
| Anna Roudakova | Tess |
| Pyotr Fyodorov | Anton Batkin |
| Ivan Gromov | Bartender No. 1 |
| Aleksandr Chernykh | Bartender No. 2 |
| Oleg Poddubnyy | First Policeman |
| Name | Job |
|---|---|
| Ajay Prakash | Animation |
| Chris Gorak | Director |
| Varvara Avdyushko | Costume Design |
| Priscilla Nedd-Friendly | Editor |
| Sergei Gritsenko | Visual Effects Producer |
| Sasha Prokofiev | Set Decoration |
| Venus Kanani | Casting |
| Ivy Agregan | Visual Effects Producer |
| Hans Uhlig | Visual Effects Supervisor |
| Toni Atterbury | Unit Publicist |
| James Wright | Dolby Consultant |
| Alina Budina | Camera Intern |
| Brent Brooks | Music Editor |
| Thomas Schober | Visual Effects Producer |
| Tim Nagasawa | Camera Technician |
| Eugene Trubetskoy | Location Manager |
| Anthony Lyant | CG Supervisor |
| Ben Howdeshell | First Assistant Editor |
| Taehee Lee | CG Supervisor |
| David Stanke | First Assistant Sound Editor |
| Jay W. Yowler | Gaffer, Lighting Director |
| George 'Skip' Henfling | Production Accountant |
| Scott Kevan | Director of Photography |
| Viktor Müller | Visual Effects Supervisor |
| Janice Schumm | Script Supervisor |
| Tony Hurd | Visual Effects Producer |
| Stephane Naze | Visual Effects Supervisor |
| Alexsandr Dmitrev | Set Decoration |
| Maria Hubackova | Set Costumer |
| Alexander Dostal | Production Manager |
| Jeff Dotson | Visual Effects Supervisor |
| Tricia Henry Ashford | Visual Effects Producer |
| Kelly Oxford | Supervising Sound Editor |
| Maxim Ajjawi | Unit Manager |
| Linda Eisenhamerová | Key Hair Stylist, Key Makeup Artist |
| Valeriy Viktorov | Production Design |
| Mark Herman | Visual Effects Editor |
| Ann Scibelli | Sound Designer |
| Dmitriy Tokoyakov | Visual Effects Supervisor |
| Allan Magled | Visual Effects Supervisor |
| Jorge Razon | VFX Artist |
| Vlad Kachanov | Set Decoration |
| Anatoliy Neznanov | Gaffer |
| Yuri Makov | Set Decoration |
| Karen Vassar Triest | Sound Effects Editor |
| Fernando Villena | Editor |
| Darrell Hall | Music Editor |
| Ricky Eyres | Supervising Art Director |
| Valentina Andre-eva | Makeup & Hair Assistant |
| Maksim Ignatiev | Makeup & Hair Assistant |
| K.C. Colwell | First Assistant Director |
| Petr Antokhin | First Assistant Director |
| Elena Kuleshina | Second Assistant Director |
| Matt Codd | Concept Artist |
| Yves Le Peillet | Art Direction |
| Robert Deschaine | ADR Mixer |
| Colin McLellan | ADR Recordist |
| Michael D. Wilhoit | ADR Supervisor |
| Jeffrey Wilhoit | Foley Artist |
| Boris Voyt | Production Sound Mixer |
| Marlayna Cherisse | Assistant Costume Designer |
| Minna Brown | Assistant Camera |
| Raul Riveros | Digital Imaging Technician |
| Eric Leach | Second Unit Director of Photography |
| Joel Perkal | First Assistant "B" Camera |
| Artem Antonov | Grip |
| Andrey Schtaff | Key Grip |
| Alex Derjavine | Second Assistant Camera |
| Rebekah Johnson | Music Coordinator |
| Dieter Hartmann | Music Programmer |
| Jojo Villanueva | Music Supervisor |
| Robert Grigsby Wilson | Assistant Editor |
| Sadie D. Johnson | Digital Intermediate Assistant |
| Valance Eisleben | Digital Intermediate Editor |
| Carrie Oliver | Digital Intermediate |
| Nadav Ehrlich | 3D Animator |
| Zdenek Hrazdira | CG Artist |
| Tristan Zerafa | Compositor |
| Jakub Budina | Compositor |
| Marlis Coto | Digital Compositor |
| Jerry Hall | Digital Compositor |
| Vladimir Kozhekin | Digital Compositor |
| Ruben Salazar | Digital Compositor |
| Vladimir Sofronov | Digital Compositor |
| Adam Trowse | Digital Compositor |
| Adrian Sutherland | Digital Compositor |
| Lubos Gerardo Surzin | Matte Painter |
| Sujesh V. Chitty | Matte Painter |
| Anastasiya Esadze | Makeup & Hair Assistant |
| Nataliya Papyan | Makeup & Hair Assistant |
| Jan Menšík | First Assistant Director |
| Craig Comstock | Second Assistant Director |
| Imery Watson | Concept Artist |
| Jonathan Gesinski | Storyboard Artist |
| Tami Treadwell | ADR Recordist |
| James Moriana | Foley Artist |
| Brett Voss | Foley Mixer |
| Stéphane Albinet | Sound Mixer |
| Nicky Barron | Key Costumer |
| Michelle Wade Byrd | Casting Associate |
| Bob Campi | Digital Imaging Technician |
| John Carreon | Digital Imaging Technician |
| Alex Zeihn | Electrician |
| Dominic Mainl | First Assistant Camera |
| James Barela | Second Assistant Camera |
| Jan Hinrich Hoffmann | Underwater Camera |
| Brian Cachia | Music Programmer |
| Anastasia Brown | Music Supervisor |
| Craig Dewey | Assistant Editor |
| Harry Muller | Color Timer |
| Walter Volpatto | Digital Intermediate Colorist |
| Ryan Helsley | Digital Intermediate Producer |
| Jay Steinberg | Online Editor |
| Yoel Godo | CG Artist |
| Martin Dolezal | Compositor |
| Pedram Ziaei | Compositor |
| Rob Tasker | Compositor |
| Abdullah Ecirli | Digital Compositor |
| Soyeon Jung | Digital Compositor |
| Xi Luo | Digital Compositor |
| Dmitriy Shirokov | Digital Compositor |
| Daniel St-Amant | Digital Compositor |
| Eddie Englander | Digital Compositor |
| István Veress Kovács | Matte Painter |
| Gábor Szügyi | Matte Painter |
| Airat Gabbasov | Modeling |
| Damian Isherwood | Animation |
| Fabien Charbonnier | Systems Administrators & Support |
| Pascal Etangsale | VFX Artist |
| Anaïs Lacoste | VFX Artist |
| Dimitri Uradovskiy | VFX Artist |
| Ishwardas Tupkar | VFX Artist |
| Nashia Wachsman | Visual Effects Design Consultant |
| Carrel D'Souza | Visual Effects Coordinator |
| Natasha North | Visual Effects Coordinator |
| Jocelyn Vincent | Visual Effects Coordinator |
| Marguerite Moreau de Lizoreux | Visual Effects Coordinator |
| Austin Ruiz | Visual Effects Producer |
| Kamilla Gutorova | Visual Effects Production Manager |
| Alexandra Rizek | Visual Effects Production Manager |
| Dave Olivares | Visual Effects Technical Director |
| M.T. Ahern | Story |
| Frédéric Boulin | Senior Animator |
| Matthew Lajoie | Animation |
| Clement Renaudin | Stereoscopic Technical Director |
| Romain Bavent | VFX Artist |
| Mickael Girod | VFX Artist |
| Simon Magnan | VFX Artist |
| Mohan Ponraj | VFX Artist |
| Sébastien Blanchard | Visual Effects Coordinator |
| Hyojin Kim | Visual Effects Coordinator |
| Katie Stetson | Visual Effects Coordinator |
| Amy Palladino | Visual Effects Coordinator |
| Julia Huene | Visual Effects Producer |
| Blake Loyd | Visual Effects Production Assistant |
| Bernardo Jauregui | Visual Effects Production Manager |
| Sherry Bharda | Visual Effects Supervisor |
| Loris Paillier | VFX Supervisor |
| Mary Vernieu | Casting |
| Sergey Yahontov | Production Manager |
| Michael Keller | Sound Re-Recording Mixer |
| Mike Prestwood Smith | Sound Re-Recording Mixer |
| BJ McDonnell | Steadicam Operator, Camera Operator |
| Rico Torres | Still Photographer |
| Viktor Ivanov | Stunt Coordinator |
| Dmitry Kiselev | Second Unit Director |
| Chris Navarro | ADR Mixer |
| Johnny Gidcomb | ADR Voice Casting |
| Stefen Fangmeier | Visual Effects Design Consultant |
| Jon Spaihts | Screenplay, Story |
| Leslie Bohem | Story |
| Tyler Bates | Original Music Composer |
| Yuriy Sotnikov | Set Decoration |
| Name | Title |
|---|---|
| Tom Jacobson | Producer |
| Timur Bekmambetov | Producer |
| Arnon Milchan | Executive Producer |
| Hutch Parker | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 27 | 38 | 21 |
| 2024 | 5 | 30 | 36 | 19 |
| 2024 | 6 | 28 | 44 | 16 |
| 2024 | 7 | 35 | 54 | 18 |
| 2024 | 8 | 29 | 68 | 18 |
| 2024 | 9 | 22 | 28 | 16 |
| 2024 | 10 | 30 | 55 | 18 |
| 2024 | 11 | 23 | 46 | 14 |
| 2024 | 12 | 23 | 46 | 18 |
| 2025 | 1 | 23 | 30 | 16 |
| 2025 | 2 | 19 | 38 | 4 |
| 2025 | 3 | 7 | 23 | 1 |
| 2025 | 4 | 3 | 6 | 2 |
| 2025 | 5 | 4 | 7 | 2 |
| 2025 | 6 | 3 | 4 | 2 |
| 2025 | 7 | 2 | 4 | 2 |
| 2025 | 8 | 3 | 5 | 2 |
| 2025 | 9 | 5 | 7 | 3 |
| 2025 | 10 | 3 | 5 | 2 |
Trending Position
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 10 | 694 | 824 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 8 | 794 | 862 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 5 | 449 | 722 |
| Year | Month | High | Avg |
|---|---|---|---|
| 2025 | 1 | 819 | 914 |
**When the electric mist from the sky struck down.** This film came five years ago, but I watched it now. A US-Russian collaboration product that's entirely takes place in Moscow. This is an alien invasion theme, but slightly different than those similar films. It never gives the reason, just the ... destructions like apocalypse on its way. That means it is about the survival. A group of Americans who are in the Moscow for different reasons joins the hands after people started to turn into ashes with the contact of the strange electric mist that came from the sky. So what's their plan now and whether they get out of it safely or not focused on the remaining film. Surely some people would enjoy it. It's not all bad if you are not expecting a masterpiece. I should have seen it in digital 3D for a better experience, even the normal watch is not that bad. The turns in the story were unpredictable, particularly the film characters, but the twist wasn't. They kept the open ending, and you know why is that. I liked the performances, not individually, but the overall everyone, including the Russians. The film was also shorter, which means fast moving tale. The graphics were okay, especially those electric mist thing, but disappointed for not show the aliens other than for fractions of seconds during the fightbacks. Despite enjoyed watching it, I'm not in favour of it, because it's just one of those films that falls in the average category where the majority of those who watched it not happy for not detailing everything in the film. _4/10_
**Good CGI, good action scenes, good sound, Moscow is an interesting place, but everything else is so weak and stupid that it's not worth watching this movie twice.** I decided to watch this film yesterday, when it was shown on TV, but curiously I was waiting to see another film with a similar ti ... tle made in 2017. Even so, I didn't give up my time: even though I didn't have much predilection for alien invasion films, the film is quite dynamic, has good action scenes and a good amount of high quality CGI, and so it is, at least, a piece of entertainment that we don't regret watching... once. Just once. Let's start with the good stuff: the scenes take place in Moscow, the Russian megalopolis, long before we ostracized the country due to aggression against neighboring Ukraine, when Russians seemed to want to have more contact with Westerners. This was a real breath of fresh air because in sci-fi films we almost only see US cities. I also believe that filming in Russia was a strategic option for the production to be able to film at lower costs. In addition to the clever use of the filming locations (which include Red Square and the GUM Shopping Center), the film offers us a massive dose of high-quality CGI, which we see in greater glory when the aliens appear. But the whole film is a feast of CGI and visual effects. The sound effects are also very good, and the action and running scenes are fun enough to keep the film moving. And unfortunately, good things end here. Everything else is so full of flaws and problems that make the film unworthy of a second chance. This is just my opinion, but I think we can all agree on one point: there are a lot of films about alien invasions, and it doesn't take much thinking to remember two or three that make this film a total joke. The film is directed by Chris Gorak, but it seems like he was more fascinated with CGI and action than trying to direct. Thus, we have a very young cast who are left to their own devices and who interpret the characters according to what seems most appropriate to them. Emile Hirsch did an excellent work in “Into the Wild” just before this, but he had a solid character and was well directed. Here, he has none: the result is a tepid, vague, lifeless interpretation without any personality. His partner Max Minghella, who had just done “The Social Network”, was not a good choice for his character. He is one of those actors who is “always the bridesmaid and never the bride”, so to speak: his lack of presence and charisma put him far from the main roles, although he is an option for supporting cast. Joel Kinnaman is stupidly weak as the villain: he behaves like a high school bully, and his character is as thin as paper. Olivia Thirlby also does little for the film, with a character who merely looks sexy, and who we expect to see kissing one of the boys at some point. Worse luck was Rachael Taylor, who is irritating to the point that we say hallelujah when her character finally dies. And the Russian cast? I don't know any of the actors, but I even liked Veronika Vernadskaya a little. Unfortunately, the Russian cast seems to be there only for us to see the Russians as perpetual badasses, a "Rambo nation" on horseback with machine guns. Putin certainly enjoyed seeing this in a Western film. As bad as the cast and their performance, the script copies moments and elements from several sci-fi films (“Cloverfield”, for example) to create a story where there is no logical sense or real threat. It's truly unfortunate that, with such good CGI and such well-chosen filming locations, the film is unable to cause a single shiver of tension in the audience. In addition to a rather weak story, there are several moments in which the film seems to be mocking our intelligence: Moscow is one of the most densely populated places in the world: it makes sense that, even after the city is devastated in the first attack, there are only five or six people wandering the streets? Seeing a commercial plane crashed in a shopping center is sensational, but where did its wings end up? And why is there no fire, debris or explosions resulting from the collision? The film ends with a nuclear submarine setting sail from the Moscow River. However, you don't need to be a Muscovite or even a Russian to see that this watercourse doesn't have the depth or width to maneuver such a big thing! To think that the public will believe this things is insulting.