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The Darkest Hour

Survive the holidays
2011 | 89m | English

(65520 votes)

TMDb IMDb

Popularity: 4 (history)

Details

In Moscow, five young people lead the charge against an alien race which has attacked Earth via our power supply.
Release Date: Dec 22, 2011
Director: Chris Gorak
Writer: M.T. Ahern, Jon Spaihts, Leslie Bohem
Genres: Action, Science Fiction, Horror, Thriller
Keywords alien invasion, american abroad, moscow, russia, failed business, microwave, faraday
Production Companies Summit Entertainment, Regency Enterprises, Bazelevs, The Jacobson Company, New Regency Pictures
Box Office Revenue: $64,626,786
Budget: $30,000,000
Updates Updated: Feb 01, 2025
Entered: Apr 13, 2024
Trailers and Extras

Full Credits

Name Character
Emile Hirsch Sean
Rachael Taylor Anne
Olivia Thirlby Natalie
Joel Kinnaman Skyler
Max Minghella Ben
Veronika Vernadskaya Vika
Dato Bakhtadze Sergei
Gosha Kutsenko Matvei
Nikolay Efremov Sasha
Georgiy Gromov Boris
Artur Smolyaninov Yuri
Anna Roudakova Tess
Pyotr Fyodorov Anton Batkin
Ivan Gromov Bartender No. 1
Aleksandr Chernykh Bartender No. 2
Oleg Poddubnyy First Policeman
Name Job
Ajay Prakash Animation
Chris Gorak Director
Varvara Avdyushko Costume Design
Priscilla Nedd-Friendly Editor
Sergei Gritsenko Visual Effects Producer
Sasha Prokofiev Set Decoration
Venus Kanani Casting
Ivy Agregan Visual Effects Producer
Hans Uhlig Visual Effects Supervisor
Toni Atterbury Unit Publicist
James Wright Dolby Consultant
Alina Budina Camera Intern
Brent Brooks Music Editor
Thomas Schober Visual Effects Producer
Tim Nagasawa Camera Technician
Eugene Trubetskoy Location Manager
Anthony Lyant CG Supervisor
Ben Howdeshell First Assistant Editor
Taehee Lee CG Supervisor
David Stanke First Assistant Sound Editor
Jay W. Yowler Gaffer, Lighting Director
George 'Skip' Henfling Production Accountant
Scott Kevan Director of Photography
Viktor Müller Visual Effects Supervisor
Janice Schumm Script Supervisor
Tony Hurd Visual Effects Producer
Stephane Naze Visual Effects Supervisor
Alexsandr Dmitrev Set Decoration
Maria Hubackova Set Costumer
Alexander Dostal Production Manager
Jeff Dotson Visual Effects Supervisor
Tricia Henry Ashford Visual Effects Producer
Kelly Oxford Supervising Sound Editor
Maxim Ajjawi Unit Manager
Linda Eisenhamerová Key Hair Stylist, Key Makeup Artist
Valeriy Viktorov Production Design
Mark Herman Visual Effects Editor
Ann Scibelli Sound Designer
Dmitriy Tokoyakov Visual Effects Supervisor
Allan Magled Visual Effects Supervisor
Jorge Razon VFX Artist
Vlad Kachanov Set Decoration
Anatoliy Neznanov Gaffer
Yuri Makov Set Decoration
Karen Vassar Triest Sound Effects Editor
Fernando Villena Editor
Darrell Hall Music Editor
Ricky Eyres Supervising Art Director
Valentina Andre-eva Makeup & Hair Assistant
Maksim Ignatiev Makeup & Hair Assistant
K.C. Colwell First Assistant Director
Petr Antokhin First Assistant Director
Elena Kuleshina Second Assistant Director
Matt Codd Concept Artist
Yves Le Peillet Art Direction
Robert Deschaine ADR Mixer
Colin McLellan ADR Recordist
Michael D. Wilhoit ADR Supervisor
Jeffrey Wilhoit Foley Artist
Boris Voyt Production Sound Mixer
Marlayna Cherisse Assistant Costume Designer
Minna Brown Assistant Camera
Raul Riveros Digital Imaging Technician
Eric Leach Second Unit Director of Photography
Joel Perkal First Assistant "B" Camera
Artem Antonov Grip
Andrey Schtaff Key Grip
Alex Derjavine Second Assistant Camera
Rebekah Johnson Music Coordinator
Dieter Hartmann Music Programmer
Jojo Villanueva Music Supervisor
Robert Grigsby Wilson Assistant Editor
Sadie D. Johnson Digital Intermediate Assistant
Valance Eisleben Digital Intermediate Editor
Carrie Oliver Digital Intermediate
Nadav Ehrlich 3D Animator
Zdenek Hrazdira CG Artist
Tristan Zerafa Compositor
Jakub Budina Compositor
Marlis Coto Digital Compositor
Jerry Hall Digital Compositor
Vladimir Kozhekin Digital Compositor
Ruben Salazar Digital Compositor
Vladimir Sofronov Digital Compositor
Adam Trowse Digital Compositor
Adrian Sutherland Digital Compositor
Lubos Gerardo Surzin Matte Painter
Sujesh V. Chitty Matte Painter
Anastasiya Esadze Makeup & Hair Assistant
Nataliya Papyan Makeup & Hair Assistant
Jan Menšík First Assistant Director
Craig Comstock Second Assistant Director
Imery Watson Concept Artist
Jonathan Gesinski Storyboard Artist
Tami Treadwell ADR Recordist
James Moriana Foley Artist
Brett Voss Foley Mixer
Stéphane Albinet Sound Mixer
Nicky Barron Key Costumer
Michelle Wade Byrd Casting Associate
Bob Campi Digital Imaging Technician
John Carreon Digital Imaging Technician
Alex Zeihn Electrician
Dominic Mainl First Assistant Camera
James Barela Second Assistant Camera
Jan Hinrich Hoffmann Underwater Camera
Brian Cachia Music Programmer
Anastasia Brown Music Supervisor
Craig Dewey Assistant Editor
Harry Muller Color Timer
Walter Volpatto Digital Intermediate Colorist
Ryan Helsley Digital Intermediate Producer
Jay Steinberg Online Editor
Yoel Godo CG Artist
Martin Dolezal Compositor
Pedram Ziaei Compositor
Rob Tasker Compositor
Abdullah Ecirli Digital Compositor
Soyeon Jung Digital Compositor
Xi Luo Digital Compositor
Dmitriy Shirokov Digital Compositor
Daniel St-Amant Digital Compositor
Eddie Englander Digital Compositor
István Veress Kovács Matte Painter
Gábor Szügyi Matte Painter
Airat Gabbasov Modeling
Damian Isherwood Animation
Fabien Charbonnier Systems Administrators & Support
Pascal Etangsale VFX Artist
Anaïs Lacoste VFX Artist
Dimitri Uradovskiy VFX Artist
Ishwardas Tupkar VFX Artist
Nashia Wachsman Visual Effects Design Consultant
Carrel D'Souza Visual Effects Coordinator
Natasha North Visual Effects Coordinator
Jocelyn Vincent Visual Effects Coordinator
Marguerite Moreau de Lizoreux Visual Effects Coordinator
Austin Ruiz Visual Effects Producer
Kamilla Gutorova Visual Effects Production Manager
Alexandra Rizek Visual Effects Production Manager
Dave Olivares Visual Effects Technical Director
M.T. Ahern Story
Frédéric Boulin Senior Animator
Matthew Lajoie Animation
Clement Renaudin Stereoscopic Technical Director
Romain Bavent VFX Artist
Mickael Girod VFX Artist
Simon Magnan VFX Artist
Mohan Ponraj VFX Artist
Sébastien Blanchard Visual Effects Coordinator
Hyojin Kim Visual Effects Coordinator
Katie Stetson Visual Effects Coordinator
Amy Palladino Visual Effects Coordinator
Julia Huene Visual Effects Producer
Blake Loyd Visual Effects Production Assistant
Bernardo Jauregui Visual Effects Production Manager
Sherry Bharda Visual Effects Supervisor
Loris Paillier VFX Supervisor
Mary Vernieu Casting
Sergey Yahontov Production Manager
Michael Keller Sound Re-Recording Mixer
Mike Prestwood Smith Sound Re-Recording Mixer
BJ McDonnell Steadicam Operator, Camera Operator
Rico Torres Still Photographer
Viktor Ivanov Stunt Coordinator
Dmitry Kiselev Second Unit Director
Chris Navarro ADR Mixer
Johnny Gidcomb ADR Voice Casting
Stefen Fangmeier Visual Effects Design Consultant
Jon Spaihts Screenplay, Story
Leslie Bohem Story
Tyler Bates Original Music Composer
Yuriy Sotnikov Set Decoration
Name Title
Tom Jacobson Producer
Timur Bekmambetov Producer
Arnon Milchan Executive Producer
Hutch Parker Executive Producer
Organization Category Person
Popularity Metrics

Popularity History


Year Month Avg Max Min
2024 4 27 38 21
2024 5 30 36 19
2024 6 28 44 16
2024 7 35 54 18
2024 8 29 68 18
2024 9 22 28 16
2024 10 30 55 18
2024 11 23 46 14
2024 12 23 46 18
2025 1 23 30 16
2025 2 19 38 4
2025 3 7 23 1
2025 4 3 6 2
2025 5 4 7 2
2025 6 3 4 2
2025 7 2 4 2
2025 8 3 5 2
2025 9 5 7 3
2025 10 3 5 2

Trending Position


Year Month High Avg
2025 10 694 824
Year Month High Avg
2025 8 794 862
Year Month High Avg
2025 5 449 722
Year Month High Avg
2025 1 819 914

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Reviews

Rangan
4.0

**When the electric mist from the sky struck down.** This film came five years ago, but I watched it now. A US-Russian collaboration product that's entirely takes place in Moscow. This is an alien invasion theme, but slightly different than those similar films. It never gives the reason, just the ... destructions like apocalypse on its way. That means it is about the survival. A group of Americans who are in the Moscow for different reasons joins the hands after people started to turn into ashes with the contact of the strange electric mist that came from the sky. So what's their plan now and whether they get out of it safely or not focused on the remaining film. Surely some people would enjoy it. It's not all bad if you are not expecting a masterpiece. I should have seen it in digital 3D for a better experience, even the normal watch is not that bad. The turns in the story were unpredictable, particularly the film characters, but the twist wasn't. They kept the open ending, and you know why is that. I liked the performances, not individually, but the overall everyone, including the Russians. The film was also shorter, which means fast moving tale. The graphics were okay, especially those electric mist thing, but disappointed for not show the aliens other than for fractions of seconds during the fightbacks. Despite enjoyed watching it, I'm not in favour of it, because it's just one of those films that falls in the average category where the majority of those who watched it not happy for not detailing everything in the film. _4/10_

May 16, 2024
FilipeManuelNeto
3.0

**Good CGI, good action scenes, good sound, Moscow is an interesting place, but everything else is so weak and stupid that it's not worth watching this movie twice.** I decided to watch this film yesterday, when it was shown on TV, but curiously I was waiting to see another film with a similar ti ... tle made in 2017. Even so, I didn't give up my time: even though I didn't have much predilection for alien invasion films, the film is quite dynamic, has good action scenes and a good amount of high quality CGI, and so it is, at least, a piece of entertainment that we don't regret watching... once. Just once. Let's start with the good stuff: the scenes take place in Moscow, the Russian megalopolis, long before we ostracized the country due to aggression against neighboring Ukraine, when Russians seemed to want to have more contact with Westerners. This was a real breath of fresh air because in sci-fi films we almost only see US cities. I also believe that filming in Russia was a strategic option for the production to be able to film at lower costs. In addition to the clever use of the filming locations (which include Red Square and the GUM Shopping Center), the film offers us a massive dose of high-quality CGI, which we see in greater glory when the aliens appear. But the whole film is a feast of CGI and visual effects. The sound effects are also very good, and the action and running scenes are fun enough to keep the film moving. And unfortunately, good things end here. Everything else is so full of flaws and problems that make the film unworthy of a second chance. This is just my opinion, but I think we can all agree on one point: there are a lot of films about alien invasions, and it doesn't take much thinking to remember two or three that make this film a total joke. The film is directed by Chris Gorak, but it seems like he was more fascinated with CGI and action than trying to direct. Thus, we have a very young cast who are left to their own devices and who interpret the characters according to what seems most appropriate to them. Emile Hirsch did an excellent work in “Into the Wild” just before this, but he had a solid character and was well directed. Here, he has none: the result is a tepid, vague, lifeless interpretation without any personality. His partner Max Minghella, who had just done “The Social Network”, was not a good choice for his character. He is one of those actors who is “always the bridesmaid and never the bride”, so to speak: his lack of presence and charisma put him far from the main roles, although he is an option for supporting cast. Joel Kinnaman is stupidly weak as the villain: he behaves like a high school bully, and his character is as thin as paper. Olivia Thirlby also does little for the film, with a character who merely looks sexy, and who we expect to see kissing one of the boys at some point. Worse luck was Rachael Taylor, who is irritating to the point that we say hallelujah when her character finally dies. And the Russian cast? I don't know any of the actors, but I even liked Veronika Vernadskaya a little. Unfortunately, the Russian cast seems to be there only for us to see the Russians as perpetual badasses, a "Rambo nation" on horseback with machine guns. Putin certainly enjoyed seeing this in a Western film. As bad as the cast and their performance, the script copies moments and elements from several sci-fi films (“Cloverfield”, for example) to create a story where there is no logical sense or real threat. It's truly unfortunate that, with such good CGI and such well-chosen filming locations, the film is unable to cause a single shiver of tension in the audience. In addition to a rather weak story, there are several moments in which the film seems to be mocking our intelligence: Moscow is one of the most densely populated places in the world: it makes sense that, even after the city is devastated in the first attack, there are only five or six people wandering the streets? Seeing a commercial plane crashed in a shopping center is sensational, but where did its wings end up? And why is there no fire, debris or explosions resulting from the collision? The film ends with a nuclear submarine setting sail from the Moscow River. However, you don't need to be a Muscovite or even a Russian to see that this watercourse doesn't have the depth or width to maneuver such a big thing! To think that the public will believe this things is insulting.

Nov 24, 2023