 
  Popularity: 8 (history)
| Director: | Ric Roman Waugh | 
|---|---|
| Writer: | Mitchell LaFortune | 
| Staring: | 
| After his mission is exposed, an undercover CIA operative stuck deep in hostile territory in Afghanistan must fight his way out, alongside his Afghan translator, to an extraction point in Kandahar, all whilst avoiding elite enemy forces and foreign spies tasked with hunting them down. | |
| Release Date: | May 25, 2023 | 
|---|---|
| Director: | Ric Roman Waugh | 
| Writer: | Mitchell LaFortune | 
| Genres: | Action, Thriller | 
| Keywords | central intelligence agency (cia), undercover agent, behind enemy lines | 
| Production Companies | Thunder Road, G-BASE, MBC Studios, Capstone Pictures | 
| Box Office | Revenue: $9,400,000 Budget: $30,000,000 | 
| Updates | Updated: Aug 15, 2025 Entered: Apr 13, 2024 | 
| Name | Character | 
|---|---|
| Gerard Butler | Tom Harris | 
| Navid Negahban | Mohammad 'Mo' Doud | 
| Travis Fimmel | Roman Chalmers | 
| Ali Fazal | Kahil Nasir | 
| Bahador Foladi | Farzad Asadi | 
| Nina Toussaint-White | Luna Cujai | 
| Mark Arnold | Mark Lowe | 
| Corey Johnson | Chris Hoyt | 
| Hakeem Jomah | Rasoul | 
| Tom Rhys Harries | Oliver Altman | 
| Ray Haratian | Ismail Rabbani | 
| Elnaaz Norouzi | Shina Asadi | 
| Olivia-Mai Barrett | Ida Harris | 
| Rebecca Calder | Corrine Harris | 
| Vassilis Koukalani | Bashar | 
| Farzad Bagheri | Parshand | 
| Ross Berkeley Simpson | English Newscaster 1 | 
| Lee Comley | English Newscaster 2 | 
| Najia Khaan | Nahal Hosseini | 
| Reem AlHabib | Adela Doud | 
| Fahim Fazli | Taliban commander | 
| Darius Radac | Stuart Sutherland | 
| Name | Job | 
|---|---|
| Hopper Stone | Still Photographer | 
| Miranda Davidson | Casting | 
| Vincent Reynaud | Production Design | 
| Anas Balawi | Set Decoration, Art Direction | 
| Vatsal Mistry | Assistant Art Director | 
| Christian Zollenkopf | Supervising Art Director | 
| Razanah Silawi | Set Decoration | 
| Jules Chapman | Hair Department Head | 
| Zainab Jaye | Makeup Supervisor | 
| Pati Martí Donoghue | Makeup Supervisor | 
| Anita Lowe | Makeup Artist | 
| Mouthanna Al-Sayegh | Post-Production Manager | 
| Rayan Aljowair | Assistant Production Coordinator | 
| Athba AlKhudairy | Production Manager | 
| Maxine De Vere | Unit Production Manager | 
| Cheryl Goodbody | Post Production Supervisor | 
| Patel Cyrus | Unit Production Manager | 
| Simon Adegbenro | Second Second Assistant Director | 
| Michael Saunders | First Assistant Director | 
| Patricia Wheeler | Second Assistant Director | 
| Michael Coja | Standby Property Master | 
| Keith Weir | Storyboard Artist | 
| Pateel Kishmishian | Graphic Designer | 
| Mahdi Jahangir | Graphic Designer | 
| Stuart Bagshaw | Foley Editor | 
| Michael Botha | ADR Mixer | 
| Ben Chick | Sound Effects Editor | 
| Alayn Crespo | Boom Operator | 
| Dominic Gibbs | Supervising Sound Editor | 
| Tom Hambleton | ADR Mixer | 
| Louisa Kearns | ADR Editor | 
| Alan MacFeely | Production Sound Mixer | 
| Oliver Miszti | Sound Assistant | 
| Andrew Neil | Sound Effects Editor | 
| Mark Taylor | Sound Re-Recording Mixer | 
| Mike Tehrani | ADR Mixer | 
| Jason Swanscott | Foley Artist | 
| Jason Tubbs | Stunt Driver | 
| Anna Albiach | Second Assistant "A" Camera | 
| Adrian Alescio | Digital Imaging Technician | 
| Mathiew Chambers | Second Assistant Camera | 
| Beatriz Delgado | Second Assistant "B" Camera | 
| Nico Di Masso | Digital Imaging Technician | 
| James France | Drone Operator | 
| Manish Ghadge | Second Assistant "C" Camera | 
| Wesley Green | Drone Pilot | 
| Hassan Hajhouj | Rigging Grip | 
| Ian Hotujac | Grip | 
| Vishal Jain | First Assistant "C" Camera | 
| Raghav Khanna | Camera Trainee | 
| Naoufal Lamkealal | Grip | 
| Arkaitz Latorre | Second Assistant "B" Camera | 
| Arslan Muhammad | Assistant Camera | 
| Yakoubi Nordine | Dolly Grip | 
| Jonathan Pears | Camera Operator | 
| Andrea Quaglio | First Assistant Camera | 
| Raul Vasquez | Key Grip | 
| César Villalba | Assistant Camera | 
| Rory Okey | Casting Associate | 
| Hilary Hughes | Costume Supervisor | 
| Jennifer Josephson | Script Supervisor | 
| Alex Stylianou | ADR Recordist | 
| Ric Roman Waugh | Director | 
| David Buckley | Music | 
| Dan Hubbard | Casting | 
| Kimberly Adams | Costume Design | 
| Ali Cherkaoui | First Assistant Director (Prep) | 
| MacGregor | Director of Photography | 
| Colby Parker, Jr. | Editor | 
| Zarene Dallas | Stunt Driver | 
| Dian Hristov | Stunt Coordinator | 
| Danko Jordanov | Stunt Double | 
| Stilyan Mavrov | Stunt Driver | 
| Elitsa Razheva | Stunts | 
| Dave Isern | Steadicam Operator | 
| Jack Serino | Key Rigging Grip | 
| Ivailo Dimitrov | Utility Stunts | 
| Joe Bucaro III | Stunt Driver | 
| Jason Paradis | Special Effects Coordinator | 
| Joe Pancake | Special Effects Supervisor | 
| Ben Menzies | Stunt Driver | 
| Mitchell LaFortune | Screenplay | 
| Georgi Manchev | Fight Choreographer | 
| Rayna Sirmina | Stunts | 
| Raphaël Moreault-Truchon | VFX Artist | 
| Matt Osborne | Colorist | 
| Name | Title | 
|---|---|
| Rob Moran | Executive Producer | 
| Alan Siegel | Producer | 
| Christian Mercuri | Producer | 
| David Haring | Executive Producer | 
| Scott LaStaiti | Executive Producer | 
| Ruzanna Kegeyan | Executive Producer | 
| Andrea Dimity | Executive Producer | 
| Tom Ortenberg | Executive Producer | 
| Matthew Sidari | Executive Producer | 
| James Masciello | Executive Producer | 
| Erica Lee | Producer | 
| Jonathan Fuhrman | Executive Producer | 
| Basil Iwanyk | Producer | 
| Gerard Butler | Producer | 
| Brendon Boyea | Producer | 
| Organization | Category | Person | 
|---|
Popularity History
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| 2024 | 4 | 78 | 94 | 64 | 
| 2024 | 5 | 80 | 124 | 53 | 
| 2024 | 6 | 70 | 118 | 48 | 
| 2024 | 7 | 68 | 91 | 49 | 
| 2024 | 8 | 61 | 91 | 39 | 
| 2024 | 9 | 48 | 60 | 35 | 
| 2024 | 10 | 56 | 84 | 36 | 
| 2024 | 11 | 43 | 56 | 31 | 
| 2024 | 12 | 47 | 75 | 34 | 
| 2025 | 1 | 56 | 98 | 36 | 
| 2025 | 2 | 35 | 58 | 7 | 
| 2025 | 3 | 11 | 46 | 3 | 
| 2025 | 4 | 7 | 9 | 6 | 
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| 2025 | 7 | 5 | 7 | 5 | 
| 2025 | 8 | 6 | 9 | 4 | 
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| 2025 | 9 | 659 | 779 | 
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| 2025 | 8 | 443 | 736 | 
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| 2024 | 12 | 605 | 760 | 
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| 2024 | 10 | 365 | 600 | 
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| 2024 | 9 | 800 | 809 | 
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| 2024 | 8 | 795 | 933 | 
A CIA agent in Afghanistan has to try escape the hostile territory when his disguise is blown. If you apply some suspension of disbelief to accept that it would be possible to a single man to survive being followed by an army of enemies, Kandahar is actually a quite well-made movie! Very contemporar ... y, following the US withdrawal from Afghanistan, the movie does a good job showing the hostile atmosphere where different factions (Taliban, I.S.I.S, and the Iranian government) fight each other but have a common hatred towards the western interference. Definitely worth watching, especially if you enjoy "war escape" movies.
Yet another military pot boiler, starring, once again, Gerard Butler. Kandahar pretends to be open and inclusive. There's a modest plug for nationalism/patriotism, from the perspective of different nations.That said, this film is essentially about saving a man who commits a pretty awful act of te ... rrorism, in another nation, at the behest of the CIA. Its quite watchable, there's a lot of serviceable action. That' said, its hard to overlook the predictable marketing of US/UK exceptionalism as "A-OK". Sorry but as far as this viewers concerned, it's anything but "OK". In summary, a pro Western military action flick. Quite watchable in its own way but as they say "it is what it is". There's no changing that.
The Best ...
Gerard Butler is an actor who knows his strengths and takes roles that play to them, and his charismatic lead performance is one of the best things about “Kandahar,” a military action thriller about undercover CIA operative Tom (Gerard Butler) who is stuck deep in hostile territory in Afghanistan wi ... th his translator, Mo (Navid Negahban). It’s vaguely familiar to this year’s “The Covenant” from Guy Ritchie, yet the two films are very different. Here, the two men must work together to avoid the elite special forces unit that has been tasked with hunting them down after their mission is exposed. The plot is very by-the-book and simple, but Mitchell LaFortune’s script features thoughtful writing with a politically-minded slant. There’s a lot of conversational drama that feels draggy in parts (and a lot of it is offset by massive explosions and flashy shootouts), but the screenplay is not mindless. It’s exhausting to keep track of the roster of characters and factions and how they are working with or against each other, but the focus on the narrative is the relationship between Mo and Tom and their will to survive. Their friendship is crucial to the story, but you must suspend disbelief because there’s no way these two would develop such a close bond in such a short amount of time. The film is well cast and features solid performances from all involved, which in turn helps create a stronger emotional bond between the audience and the characters. The stakes are high and the danger feels real, which makes every shootout affecting and tense. You’ll genuinely root for these guys to make it out alive, but getting to their final extraction point quickly becomes a dicey proposition. Director Ric Roman Waugh, who worked with Butler on “Angel Has Fallen” and “Greenland” is perfectly acceptable behind the camera, but the too-dark cinematography and annoying overuse of shaky handheld cameras are both extremely aggravating as a viewer. The monotonous chase – shoot – repeat formula grows tiresome very quickly. Despite its somewhat predictable story, “Kandahar” tries to tackle some sophisticated commentary about the cycle of violence and war in the Middle East. This makes it a decent (if forgettable) movie where the action scenes come with a dose of emotional weight, and not just explosions for the sake of empty entertainment.
When a CIA mission goes awry, agent "Harris" (Gerard Butler) finds himself stuck in Afghanistan with his interpreter "Parshand" (Farhad Bagheri) and with his identity now on the open market! As you might expect, the next two hours is spent on the usual, derivative, cat and mouse antics as they try t ... o stay one step ahead of pursuing warlords, mercenaries and - well, luckily, I don't actually have a gun! It's so formulaic and unnecessary this film and by half an hour in there isn't the slightest hint of jeopardy, nor much respect for an ancient culture that is treated as if it were just another outing for an American political and military establishment that treats all parts of the world as if they were extensions of Texas. The dialogue is banal and a bit like after his last outing - "Plane" (2023) we really ought to be telling Mr. Butler to hang up his rifle and leave well alone. Nothing at all new here, and it really is a bit of a waste of time.
Another okay Butler action movie, but a little low on the action part. They tried to make the main villain guy way too "cool" and he just ended up seeming like a bad anime character. Bunch of white savior stuff going on here and some comments could be made about how the translator wouldn't need savi ... ng by the US if not for the US in the first place. Ummm, ya, whatever, looking forward to more Butler! You can put this ham on your face if you want, but it's a bit slimy.
From the director of "Greenland", Ric Roman Waugh has an established style of working, this time again with Gerard Butler. This action-thriller from the starter writer Mitchell LaFortune doesn't fall far from other films of this genre that became a trend lately (the relation of black-ops agents or s ... oldiers and the translators that follows them, many times not credited from the danger they expose themselves from). But is is a solid movie with far distance and expansive shots of landscape, another mark of the director that used the spanish MacGregor cinematographer (The Fall) for this work, filmed in in Saudi Arabia, being the first big-budget U.S. feature to shoot in the country's Al-Ula and Jeddah. Solid action scenes and the interesting fact of being one of the few movie's that I'd view that shows the complexity of faction in the region, between Taliban, ISISK, Warlord and even the Iranian and Paquistan on the frontier. It had potential to be more, but it is worth the watch: 6.5 out of 10.0 / B-.