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Counter-Attack Poster

Counter-Attack

YOU WILL NEVER LIVE A MORE SINISTER DRAMA...NOR A MORE EXCITING ONE!
1945 | 90m | English

(600 votes)

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Popularity: 0.1 (history)

Details

Two Russians fight to escape the seven Nazi soldiers trapped with them in a bombed building.
Release Date: Apr 26, 1945
Director: Zoltan Korda
Writer: Philip Stevenson, Janet Stevenson, John Howard Lawson
Genres: War
Keywords factory, cellar
Production Companies Columbia Pictures
Box Office Revenue: $0
Budget: $0
Updates Updated: Jan 19, 2026
Entered: Apr 25, 2024
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Full Credits

Name Character
Paul Muni Alexei Kulkov
Marguerite Chapman Lisa Elenko
Larry Parks Kirichenko
Harro Meller Ernemann
Roman Bohnen Kostyuk
George Macready Colonel Semenov
Eric Rolf Vassilev
Ludwig Donath Mueller
Rudolph Anders Stillman
Philip Van Zandt Galkronye
Frederick Glermann Weiler
Paul Andor Krafft
Wolfgang Zilzer Krafft
Ivan Triesault Sgt. Johann Grillparzer
Name Job
Mikhail Ruderman Theatre Play
Al Clark Editor
Stephen Goosson Art Direction
Louis Gruenberg Original Music Composer
Philip Stevenson Adaptation
Ilya Vershinin Theatre Play
Janet Stevenson Adaptation
Robert Priestley Set Decoration
Edward C. Jewell Art Direction
Charles Nelson Editor
Zoltan Korda Director
James Wong Howe Director of Photography
Earl Bellamy Assistant Director
John Howard Lawson Screenplay
Name Title
Zoltan Korda Producer
Organization Category Person
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Popularity History


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Reviews

Geronimo1967
7.0

As the veteran interrogator says right at the start, it’s all about psychology! A group of intrepid Soviet soldiers are being briefed on a very cunning plan to construct, section by section, a bridge that will lie under the waterline - hopefully undetected - thereby allowing a counter-offensive by t ... heir forces over a wide, fast flowing, river. With the Nazis all around them, their guide “Lisa” (Marguerite Chapman) and “Kulkov” (Paul Muni) find themselves in the centre of a bombing raid that sees them and seven of their enemies trapped in a cellar. Though they are outnumbered, they have the guns, the lamps and the candles and so are able to keep their enemies at bay - but for how long before the oil runs out or before the need for sleep takes over? The don’t let the grass grow, though, and as they look through the assembled junk for things to use, they discover indications that there might be an officer amongst their hostages. Officers mean information and information can be put to good use by their own, should they ever make it to daylight. What is ensues now is a cleverly crafted thriller that uses the dark, echoey and dingy surroundings of their captivity to create a tension that’s really quite effective. We, watching, have no idea whether there is anyone amongst the prisoners to confess, and with constant sounds of digging surrounding them, we also have no idea as to whether they will be found at all - and if so, by whom. Muni does most of the work here as “Kulkov” lays a few traps for his superior-minded guests and he does it quite well, with the under-used Chapman adding a little additional value too - but I thought it was actually Ludwig Donath who came across best as the slimy “Professor” whilst many of the characterisations from amidst their opposite numbers contributed an extra degree of an almost sophisticated - and defiantly psychological, brutality. There is jeopardy here, and that carries through until the very end. I wasn’t sure about George Macready as a Soviet general, but otherwise this is claustrophobically compelling watch.

Jul 17, 2025