Popularity: 2 (history)
| Director: | David Hare |
|---|---|
| Writer: | David Hare |
| Staring: |
| Johnny is a long-serving MI5 officer. His boss dies suddenly, leaving behind an inexplicable file which threatens the stability of the organisation. | |
| Release Date: | Aug 28, 2011 |
|---|---|
| Director: | David Hare |
| Writer: | David Hare |
| Genres: | Drama, Mystery, Thriller |
| Keywords | spy, blackmail, prime minister, mi5, political thriller, intelligence service, secret |
| Production Companies | Heyday Films, BBC, Carnival Films, Masterpiece, Runaway Fridge TV |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 13, 2024 |
| Name | Character |
|---|---|
| Bill Nighy | Johnny Worricker |
| Rachel Weisz | Nancy Pierpan |
| Ralph Fiennes | Alec Beasley |
| Michael Gambon | Benedict Baron |
| Felicity Jones | Julianne Worricker |
| Tom Hughes | Ralph Wilson |
| Judy Davis | Jill Tankard |
| Rakhee Thakrar | Muna Hammami |
| Saskia Reeves | Anthea Catcheside |
| Ewen Bremner | Rollo Maverley |
| Marthe Keller | Leona Chew |
| Richard Lintern | Max Vallance |
| Holly Aird | Anna Hervé |
| Alice Krige | Emma Baron |
| Kate Burdette | Allegra Betts |
| Aisling Loftus | Melissa Legge |
| Andrew Cleaver | Brian Lord |
| Rory Morrison | Radio Newsreader |
| Bruce Myers | Joseph Pierpan |
| Surendra Kochar | Mrs. Ashanti |
| Charlotte Green | Radio Newsreader |
| Bijan Daneshmand | Cambridge Don |
| Jay Benedict | Master of the College |
| James McArdle | Ted Finch |
| Kriss Dosanjh | Mini Cab Driver |
| Hywel Morgan | Priest |
| Name | Job |
|---|---|
| David Hare | Writer, Director |
| Peter Gleaves | ADR Mixer |
| Andrea Matheson | Art Direction |
| Julian Day | Costume Design |
| Tina Earnshaw | Makeup Designer |
| Jinx Godfrey | Editor |
| Sara Wan | Set Decoration |
| Zoe Clare Brown | Makeup & Hair |
| Jane Oginsky | Makeup Artist |
| Catherine Thomas | Foley Editor |
| Philip Clements | Foley Editor |
| Martin Jensen | Sound Re-Recording Mixer |
| Andie Derrick | Foley Artist |
| Matthew Skelding | Dialogue Editor |
| Graham Headicar | Sound Effects Editor |
| Paul Englishby | Original Music Composer |
| Fiona Weir | Casting |
| Cristina Casali | Production Design |
| Martin Ruhe | Director of Photography |
| Wakana Yoshihara | Makeup & Hair |
| Mark DeSimone | ADR Mixer |
| Name | Title |
|---|---|
| Celia Duval | Co-Producer |
| Rosie Alison | Co-Producer |
| David Barron | Producer |
| David Heyman | Producer |
| Christine Langan | Executive Producer |
| Bill Nighy | Executive Producer |
| Scott Rudin | Executive Producer |
| Rebecca Eaton | Executive Producer |
| Gareth Neame | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 18 | 31 | 12 |
| 2024 | 5 | 25 | 42 | 15 |
| 2024 | 6 | 21 | 32 | 13 |
| 2024 | 7 | 23 | 35 | 13 |
| 2024 | 8 | 17 | 29 | 9 |
| 2024 | 9 | 11 | 15 | 8 |
| 2024 | 10 | 15 | 24 | 7 |
| 2024 | 11 | 14 | 29 | 6 |
| 2024 | 12 | 11 | 16 | 7 |
| 2025 | 1 | 13 | 27 | 8 |
| 2025 | 2 | 8 | 14 | 3 |
| 2025 | 3 | 4 | 10 | 1 |
| 2025 | 4 | 2 | 5 | 1 |
| 2025 | 5 | 2 | 5 | 1 |
| 2025 | 6 | 2 | 4 | 1 |
| 2025 | 7 | 1 | 2 | 0 |
| 2025 | 8 | 1 | 1 | 0 |
| 2025 | 9 | 2 | 3 | 1 |
| 2025 | 10 | 2 | 3 | 1 |
Trending Position
I enjoyed this espionage movie a lot. It followed a major unwritten rule of spy thrillers, which is to have the hero not know who he can trust at any time, but still they kept the plot from spinning off into confusion and paranoia that feeds some espionage films. I have come to appreciate Bill Ni ... ghy’s acting more and more as I see his work. He reminds me of Mark Rylance, an actor equally skilled as the lead or in a supporting role, who doesn’t shout a lot or violently emote, but rather nails his part in the quiet, convincing moments. There is no supervillain here, no Mr. Big or Goldfinger to defeat in a climactic special effects-laden final scene. In a way, the American government is the bad guy, or even the head of the department our hero works for. I couldn’t quite decide if it irritated me that our nearly frail, nearly elderly hero could still effortlessly cause a beautiful young woman to attach herself to him, but it surprisingly (to me) remained just a flutter in the plot, not very serious in the end. I have been meaning to watch this movie for a few years and I am glad I did.