 
  Popularity: 2 (history)
| Director: | Crane Wilbur | 
|---|---|
| Writer: | Crane Wilbur, Henry Edward Helseth | 
| Staring: | 
| Larry Nelson, paroled from prison after serving nearly half of his thirty-year sentence, is determined to not fall into the clutches of the law again, and takes a quiet job at a country sanitarium. Thete, he meets and falls for a nurse, Charlotte Maynard, and he knows the only way to enter her web is to have a lot of money, for Miss Maynard is somewhat of a gold-digger. | |
| Release Date: | Feb 08, 1950 | 
|---|---|
| Director: | Crane Wilbur | 
| Writer: | Crane Wilbur, Henry Edward Helseth | 
| Genres: | Drama, Romance, Crime, Thriller | 
| Keywords | film noir, parole | 
| Production Companies | Universal International Pictures | 
| Box Office | Revenue: $0 Budget: $0 | 
| Updates | Updated: Aug 03, 2024 Entered: Apr 28, 2024 | 
| Name | Character | 
|---|---|
| Richard Basehart | Larry Nelson | 
| Marilyn Maxwell | Charlotte Maynard | 
| Signe Hasso | Celia Bentner | 
| Dorothy Hart | Ann Taylor | 
| Joseph Pevney | Gus Wormser | 
| Lloyd Gough | Red Chaney | 
| Harry Morgan | Garth | 
| John Hoyt | Jack Bernard | 
| Mickey Knox | Latzo | 
| Harry Antrim | Dr. Stone (uncredited) | 
| Joe Besser | The Cook (uncredited) | 
| Peggie Castle | Crossroads Tavern Waitress (uncredited) | 
| Stephen Chase | Bartender (uncredited) | 
| Paul Dubov | Stick-Up Man (uncredited) | 
| Frank Gerstle | Stick-Up Man (uncredited) | 
| Anne P. Kramer | Bertie, the Waitress | 
| Ralph Montgomery | Bar Customer (uncredited) | 
| Tudor Owen | Watchman (uncredited) | 
| Tracey Roberts | Floozie in Bar (uncredited) | 
| Brick Sullivan | Man in Hospital Cafeteria (uncredited) | 
| Joseph Sweeney | Prison Hospital Inmate (uncredited) | 
| Name | Job | 
|---|---|
| Crane Wilbur | Screenplay, Director | 
| Bud Westmore | Makeup Artist | 
| Henry Edward Helseth | Story | 
| Irving Glassberg | Director of Photography | 
| Edward Curtiss | Editor | 
| Bernard Herzbrun | Art Direction | 
| Richard H. Riedel | Art Direction | 
| Russell A. Gausman | Set Decoration | 
| Oliver Emert | Set Decoration | 
| Leslie I. Carey | Sound | 
| Robert Pritchard | Sound | 
| Milton Schwarzwald | Music Director | 
| Joan St. Oegger | Hairstylist | 
| David S. Horsley | Special Effects | 
| Rosemary Odell | Costume Design | 
| W. Zolley Lerner | Dialogue Coach | 
| Pat Betz | Script Supervisor | 
| Lloyd Akridge | Music | 
| Name | Title | 
|---|---|
| Aaron Rosenberg | Producer | 
| Organization | Category | Person | |
|---|---|---|---|
| Venice Film Festival | Best Supporting Actor | N/A | Won | 
Popularity History
| Year | Month | Avg | Max | Min | 
|---|---|---|---|---|
| 2024 | 4 | 3 | 7 | 1 | 
| 2024 | 5 | 5 | 9 | 2 | 
| 2024 | 6 | 5 | 13 | 2 | 
| 2024 | 7 | 5 | 12 | 1 | 
| 2024 | 8 | 4 | 8 | 2 | 
| 2024 | 9 | 3 | 7 | 2 | 
| 2024 | 10 | 4 | 12 | 2 | 
| 2024 | 11 | 4 | 9 | 2 | 
| 2024 | 12 | 3 | 6 | 1 | 
| 2025 | 1 | 2 | 5 | 1 | 
| 2025 | 2 | 1 | 2 | 1 | 
| 2025 | 3 | 2 | 3 | 1 | 
| 2025 | 4 | 2 | 3 | 1 | 
| 2025 | 5 | 1 | 2 | 1 | 
| 2025 | 6 | 1 | 2 | 1 | 
| 2025 | 7 | 0 | 0 | 0 | 
| 2025 | 8 | 0 | 1 | 0 | 
| 2025 | 9 | 1 | 2 | 1 | 
| 2025 | 10 | 1 | 3 | 1 | 
Trending Position
Nelson" (Richard Basehart" is half way through a thirty year prison stretch when he is released on parole. Determined never to go back behind bars, he capitalises on his time at the prison hospital and finds a job at a sanatorium. His eye wanders to the rather venal nurse "Ann" (Dorothy Hart) but th ... ere's not really any way he can afford to indulge her. Until, that is, he discovers a patient in the place that he knows of old. 'Jack" (John Hoyt) is another criminal, suffering from TB, who was reputedly mixed up in a million dollar security heist a long time ago. In return for a bit of help with his estranged wife, he is prepared to pay "Nelson" handsomely. That wife "Celia" (Signe Hasso) has grand designs on this cash, and with a gang of unsavoury types led by "Garth" (Henry Morgan) decides to get the loot at all costs. Suddenly, "Nelson" finds his life in danger and he has to think nimbly on his feet if he is to stay alive, at liberty - and hopefully find the cash too. Basehart never was the most charismatic of actors but he does enough here to keep this thriller on it's toes as we build to a quirky denouement that raises the dead for a double-cross (or, maybe not). Standard afternoon fayre, this, but watchable.