Popularity: 1 (history)
| Director: | Mark Jenkin |
|---|---|
| Writer: | Mark Jenkin |
| Staring: |
| A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare. | |
| Release Date: | Jan 12, 2023 |
|---|---|
| Director: | Mark Jenkin |
| Writer: | Mark Jenkin |
| Genres: | Drama, Horror |
| Keywords | 1970s, experimental cinema |
| Production Companies | Film4 Productions, Bosena, Sound/Image Cinema Lab |
| Box Office |
Revenue: $0
Budget: $0 |
| Updates |
Updated: Feb 01, 2025 Entered: Apr 15, 2024 |
| Name | Character |
|---|---|
| Mary Woodvine | The Volunteer |
| Edward Rowe | The Boatman |
| Flo Crowe | The Girl |
| John Woodvine | The Preacher |
| Joe Gray | The Miner |
| Loveday Twomlow | The Baby |
| Callum Mitchell | Sound Engineer |
| Morgan Val Baker | The Boatman (uncredited) |
| Amanda Rawling | Bal Maiden (uncredited) |
| Dion Star | The Boatman (uncredited) |
| Isaac Woodvine | The Boatman (uncredited) |
| Name | Job |
|---|---|
| Mark Jenkin | Original Music Composer, Editor, Writer, Director of Photography, Sound, Idea, Director |
| Jonny Dry | Second Assistant Director |
| Adrian Bailey | Idea |
| Callum Mitchell | Assistant Director |
| Joe Gray | Production Design |
| Mae Voogd | Production Design |
| Dan Hurle | Grip |
| Jamie Edgell | Stunt Coordinator |
| Maria McEwen | Stunt Double |
| Name | Title |
|---|---|
| Denzil Monk | Producer |
| Lauren Dark | Executive Producer |
| Johnny Fewings | Executive Producer |
| Kate Byers | Associate Producer |
| Linn Waite | Associate Producer |
| Kingsley Marshall | Executive Producer |
| Deborah Boden | Executive Producer |
| Ben Coren | Executive Producer |
| Organization | Category | Person |
|---|
Popularity History
| Year | Month | Avg | Max | Min |
|---|---|---|---|---|
| 2024 | 4 | 7 | 14 | 3 |
| 2024 | 5 | 11 | 19 | 4 |
| 2024 | 6 | 5 | 10 | 3 |
| 2024 | 7 | 8 | 13 | 4 |
| 2024 | 8 | 7 | 15 | 3 |
| 2024 | 9 | 4 | 7 | 2 |
| 2024 | 10 | 7 | 20 | 2 |
| 2024 | 11 | 6 | 16 | 3 |
| 2024 | 12 | 4 | 7 | 2 |
| 2025 | 1 | 6 | 11 | 2 |
| 2025 | 2 | 3 | 7 | 1 |
| 2025 | 3 | 2 | 4 | 1 |
| 2025 | 4 | 1 | 1 | 1 |
| 2025 | 5 | 1 | 1 | 1 |
| 2025 | 6 | 1 | 1 | 1 |
| 2025 | 7 | 0 | 0 | 0 |
| 2025 | 8 | 0 | 0 | 0 |
| 2025 | 9 | 0 | 0 | 0 |
| 2025 | 10 | 0 | 1 | 0 |
Trending Position
This is an almost entirely single-handed, dialogue free, story of a woman who is taking (very basic) climate and wildlife data on an otherwise uninhabited island off the Cornish Coast. Clearly this has been a mining island in days gone by, with ruins and mine-workings strewn around the place and tho ... se exude a sort of creepiness that is only augmented by the constant wind and the sound of the waves crashing against the rocks. Her days are routine, to say the least, but gradually we start to realise that the island has been touched by tragedy - as has the woman (Mary Woodvine) herself. Auteur Mark Jenkin doesn't rush with this, but rather takes his time to slowly but surely allow us to put together some of the pieces of just what drew this woman to this isolated and lonely spot. It's that repetitive pacelessness that I struggled with. We see the same shots over and over again, the same procedures and scenarios and though there is a very incremental development of the plot, the whole thing just doesn't really move. It has the hallmarks of an original "Poldark" episode married with the "Dr. Who - Stones of Blood" series from 1978. To be fair, it has a very authentic 1973 feel to it, and the audio mixing coupled with some sparingly used visual effects do help create a very slight air of mystery and tragedy, but I found it all just a bit lacking. Worth a watch though, but I'm not sure I will watch it again.